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#1
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Somehow I've gotten the idea that the software volume control in the
Windows Mixer or other PC mixer software is post A/D conversion, and therefore useless. Is this 1. always true? 2. Usually true? 3. Not usually true? 4. Never true? Thanks for your input, Fran |
#2
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On 18 Jun 2005 10:13:16 -0700, "Fran Guidry"
wrote: Somehow I've gotten the idea that the software volume control in the Windows Mixer or other PC mixer software is post A/D conversion, and therefore useless. Is this 1. always true? 2. Usually true? 3. Not usually true? 4. Never true? Thanks for your input, Fran Depends on the sound card. If the sound card has it's own utility instead of using Windows' it's a good sign it is being done right. Of the sound cards I am most familiar with, LynxOne and MIA MIDI have digital volume controls and their own interface. Sound Blaster Live! is adjusted in the analog domain whether or not you are recording digitally. Julian |
#3
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Fran Guidry wrote:
Somehow I've gotten the idea that the software volume control in the Windows Mixer or other PC mixer software is post A/D conversion, and therefore useless. Are you talking about recording (input) or playback (output)? I am also under the impression that level changes made with the Windows Mixer take place in the digital realm rather than controlling anything analog on the sound card, but I could be mistaken. I recently had an experience on a PC with a Sound Blaster card where the audio was clipping the Sound Blaster during playback. Reducing the master output and wave output levels in the Windows Mixer fixed the clipping. (Lest the obvious conclusion occur to anyone else, I made sure that the clipping wasn't happening further down the monitoring chain) So it seems as if the output levels are set pre D/A conversion, at least on this particular system with this particular sound card... Travis Garrison |
#4
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Are you talking about recording (input) or playback (output)? I am
also under the impression that level changes made with the Windows Mixer take place in the digital realm rather than controlling anything analog on the sound card, but I could be mistaken. I recently had an experience on a PC with a Sound Blaster card where the audio was clipping the Sound Blaster during playback. Reducing the master output and wave output levels in the Windows Mixer fixed the clipping. (Lest the obvious conclusion occur to anyone else, I made sure that the clipping wasn't happening further down the monitoring chain) So it seems as if the output levels are set pre D/A conversion, at least on this particular system with this particular sound card... Upon re-reading this post, I realized that I was possibly mistaken in my assumption regarding the location of the clipping. It's also perfectly logical that the audio enters the D/A conversion at some preset volume, then is modified in the analog domain on the sound card. In my situation, I could have been clipping somewhere in the middle of the sound card signal chain, rather than simply at the first step in the chain. I hereby retract any claims of knowing what I'm talking about. ![]() Travis Garrison |
#5
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Sorry, I was speaking of recording (A/D conversion). I have seen people
suggest that one should pull down the record level on the Windows mixer or soundcard utility in order to manage noise levels but I have thought that these controls operate in the digital domain, after A/D conversion, and were simply throwing away bits. Thanks, Fran |
#6
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#7
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Fran Guidry wrote:
Somehow I've gotten the idea that the software volume control in the Windows Mixer or other PC mixer software is post A/D conversion, and therefore useless. Is this 1. always true? 2. Usually true? 3. Not usually true? 4. Never true? It is always true, because it's in software. That doesn't make it _useless_ but it limits the utility a lot, yeah. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#8
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Fran Guidry wrote:
Sorry, I was speaking of recording (A/D conversion). I have seen people suggest that one should pull down the record level on the Windows mixer or soundcard utility in order to manage noise levels but I have thought that these controls operate in the digital domain, after A/D conversion, and were simply throwing away bits. Throwing away bits that are noise sounds like a good idea to me. If you put as hot a signal as possible into the soundcard and turn the level down in software after the fact, you don't get the best possible resolution. So what? You get less of a noise issue, and with cheap soundcards that is apt to be a more serious problem. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#9
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Thanks to everyone who replied.
I did a little more research (imagine, someone who asks questions before doing his own research ...) and discovered that the LynxTwo mixer doesn't provide an input attenuator (I've been thinking about recording inputs all this time, although I failed to make that clear in my original post). Their recommendation for use of the output volume faders warns that "To insure the highest signal quality it is highly recommended that the faders be left in their maximum position during critical recording and playback." Fran |
#10
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![]() "Scott Dorsey" wrote in message ... Fran Guidry wrote: Somehow I've gotten the idea that the software volume control in the Windows Mixer or other PC mixer software is post A/D conversion, and therefore useless. Is this 1. always true? 2. Usually true? 3. Not usually true? 4. Never true? It is always true, because it's in software. That doesn't make it _useless_ but it limits the utility a lot, yeah. Sorry Scott, it's actually in hardware... controlled by the software. Even a low-cost codec chip like the Crystal CS4202 has this section in it's datasheet. (Loosely quoted ![]() "The CS4202 volume registers control analog input levels to the input mixer and analog output levels, including the master volume level. The analog inputs have a mixing range of +12 dB to -34.5 dB signal attentuation in 1.5 dB steps." ... and this goes for the integrated SoundMax codec in my Dell PC as well... Based on this I think the answer to the question is: 1. Always true. (maybe with few exceptions) /Preben Friis |
#11
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Fran Guidry wrote:
Somehow I've gotten the idea that the software volume control in the Windows Mixer or other PC mixer software is post A/D conversion, Not necessarily and therefore useless. Not necessarily |
#12
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Fran Guidry wrote:
Thanks to everyone who replied. I did a little more research (imagine, someone who asks questions before doing his own research ...) and discovered that the LynxTwo mixer doesn't provide an input attenuator (I've been thinking about recording inputs all this time, although I failed to make that clear in my original post). Their recommendation for use of the output volume faders warns that "To insure the highest signal quality it is highly recommended that the faders be left in their maximum position during critical recording and playback." Among other things, as long as there is no clipping this maximizes dynamic range in the analog domain - the equipment attached to the Lynx. |
#13
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Preben Friis wrote:
"Scott Dorsey" wrote in message ... Fran Guidry wrote: Somehow I've gotten the idea that the software volume control in the Windows Mixer or other PC mixer software is post A/D conversion, and therefore useless. Is this 1. always true? 2. Usually true? 3. Not usually true? 4. Never true? It is always true, because it's in software. That doesn't make it _useless_ but it limits the utility a lot, yeah. Sorry Scott, it's actually in hardware... controlled by the software. Right its controlled by software, and its possible that the actual volume control function is done in the analog domain. Not likely these days, but often true in the past. The windows mixer is just an interface to the driver for the particular audio interface. The driver is the interface to the hardware. In the old days many audio interfaces actually had analog gain controls, resistor ladders and stuff like that. The reason for the demise of analog gain controls in sound cards is that the dynamic range of computer-controlled analog gain controls topped out around 90 dB (example CS 3310), and the better audio interfaces got to be better than that, or at least good enough that the cost of a good computer-controlled analog variable gain element stopped being worth it. |
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