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#1
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OK, so this is mostly a WTB type post. I'm needing a compressor to compliment
my MP2-NV. Right now, I'm chaining a couple of RNCs off of it, but I'm looking for something that can give me a little better performance on vocals specifically. Plenty of gain reduction, fast response. So, I'm really leaning toward an elop type design, like a Langevin (just the compressor, or the DVC). Others in the running are the venerable 1176ln, Distressor, or a Trakker, but the last one is going to be out of my budget I'm afraid. I'd like to be able to get some use out of it on bass as well, and that's where I feel the Distressor or 1176 even would be a better choice than the elop. But, I'm open to suggestions. If you have something in mind that might work better for vox (with bass as an afterthought) let me know. So, send me your prices if you have a decent box you'd like to unload! -John Vice www.summertimestudios.com |
#2
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"John" wrote in message
... I'd like to be able to get some use out of it on bass as well, and that's where I feel the Distressor or 1176 even would be a better choice than the elop. I've used a Distressor on bass & vox... it rocks on both, IMO; although I've not used it to track with in those apps (I like it for tracking kick, though). I personally don't think the 1176 would be as good on either bass or vocals as the Distressor. -- Neil Henderson Saqqara Records http://www.saqqararecords.com |
#3
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"John" wrote in message
... I'd like to be able to get some use out of it on bass as well, and that's where I feel the Distressor or 1176 even would be a better choice than the elop. I've used a Distressor on bass & vox... it rocks on both, IMO; although I've not used it to track with in those apps (I like it for tracking kick, though). I personally don't think the 1176 would be as good on either bass or vocals as the Distressor. -- Neil Henderson Saqqara Records http://www.saqqararecords.com |
#4
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John wrote:
I'd like to be able to get some use out of it on bass as well, and that's where I feel the Distressor or 1176 even would be a better choice than the elop. But, I'm open to suggestions. If you have something in mind that might work better for vox (with bass as an afterthought) let me know. So, send me your prices if you have a decent box you'd like to unload! The thing about the Distressor is that you can get it to act like just about every kind of compressor there is. It will do a competent LA-3, it will do a competent 1176. If you have to have just one compressor to go along with the RNC, the Distressor is probably the most versatile thing around. It is worth playing around with one in the store just to see the huge variety of different sounds you can get out of it. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#5
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John wrote:
I'd like to be able to get some use out of it on bass as well, and that's where I feel the Distressor or 1176 even would be a better choice than the elop. But, I'm open to suggestions. If you have something in mind that might work better for vox (with bass as an afterthought) let me know. So, send me your prices if you have a decent box you'd like to unload! The thing about the Distressor is that you can get it to act like just about every kind of compressor there is. It will do a competent LA-3, it will do a competent 1176. If you have to have just one compressor to go along with the RNC, the Distressor is probably the most versatile thing around. It is worth playing around with one in the store just to see the huge variety of different sounds you can get out of it. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#7
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(John) wrote in message ...
OK, so this is mostly a WTB type post. I'm needing a compressor to compliment my MP2-NV. Right now, I'm chaining a couple of RNCs off of it, but I'm looking for something that can give me a little better performance on vocals specifically. Plenty of gain reduction, fast response. So, I'm really leaning toward an elop type design, like a Langevin (just the compressor, or the DVC). Others in the running are the venerable 1176ln, Distressor, or a Trakker, but the last one is going to be out of my budget I'm afraid. I'd like to be able to get some use out of it on bass as well, and that's where I feel the Distressor or 1176 even would be a better choice than the elop. But, I'm open to suggestions. If you have something in mind that might work better for vox (with bass as an afterthought) let me know. So, send me your prices if you have a decent box you'd like to unload! -John Vice www.summertimestudios.com IF you want fast you shold avoid the opto. Since you're looking for one box to do everything, go with the distressor. |
#8
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John wrote:
If you have something in mind that might work better for vox (with bass as an afterthought) let me know. I no longer have it but my old LA2A was about the keenest thing I ever used across vox or bass. -- ha |
#9
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John wrote:
If you have something in mind that might work better for vox (with bass as an afterthought) let me know. I no longer have it but my old LA2A was about the keenest thing I ever used across vox or bass. -- ha |
#10
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I no longer have it but my old LA2A was about the keenest thing I ever
used across vox or bass. BRBR A fantastic alternative ( on account of it ain't all that alternative) is an ADL 1000. I've never come across a more LA2A-ish LA2A copy. The stereo ones (ADL1500) can be found used for less than 2K. Joe Egan EMP Colchester, VT www.eganmedia.com |
#11
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I no longer have it but my old LA2A was about the keenest thing I ever
used across vox or bass. BRBR A fantastic alternative ( on account of it ain't all that alternative) is an ADL 1000. I've never come across a more LA2A-ish LA2A copy. The stereo ones (ADL1500) can be found used for less than 2K. Joe Egan EMP Colchester, VT www.eganmedia.com |
#12
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#13
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#14
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A fantastic alternative ( on account of it ain't all that alternative) is
anADL 1000. I've never come across a more LA2A-ish LA2A copy. I have a Requisite L1..thought to be pretty close. John A. Chiara SOS Recording Studio Live Sound Inc. Albany, NY www.sosrecording.net 518-449-1637 |
#15
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A fantastic alternative ( on account of it ain't all that alternative) is
anADL 1000. I've never come across a more LA2A-ish LA2A copy. I have a Requisite L1..thought to be pretty close. John A. Chiara SOS Recording Studio Live Sound Inc. Albany, NY www.sosrecording.net 518-449-1637 |
#16
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"EganMedia" wrote in message
... I no longer have it but my old LA2A was about the keenest thing I ever used across vox or bass. BRBR A fantastic alternative ( on account of it ain't all that alternative) is an ADL 1000. I've never come across a more LA2A-ish LA2A copy. The stereo ones (ADL1500) can be found used for less than 2K. Don't do it! Joe has excellent taste in consoles, but don't listen to his compressor advice in this instance. Don't buy an ADL - not if you want the sound of an LA-2A, at least. (And yes, I have directly compared them). -- Dave Martin Java Jive Studio Nashville, TN www.javajivestudio.com |
#17
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Dave Martin wrote:
Don't do it! Joe has excellent taste in consoles, but don't listen to his compressor advice in this instance. Don't buy an ADL - not if you want the sound of an LA-2A, at least. (And yes, I have directly compared them). Have you ever used a Peavey VCL-2? (Well, you are from Nashville, so for sure you have!) I really like mine, but I never made the comparison. For me it kind of stands on its own. It is supposed to be an LA2ish compressor without really being a copy. Rob R. |
#18
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From: "Dave Martin"
A fantastic alternative ( on account of it ain't all that alternative) isan ADL 1000. I've never come across a more LA2A-ish LA2A copy. The stereoones (ADL1500) can be found used for less than 2K.Don't do it! Joe has excellent taste in consoles, but don't listen to hiscompressor advice in this instance. Don't buy an ADL - not if you want thesound of an LA-2A, at least. (And yes, I have directly compared them).-- Dave MartinJava Jive StudioNashville, TNwww.javajivestudio.com Now those are some strong sentiments! I'm leaning towards the trakker at the moment. I contacted the gentleman mentioned in a previous post on this thread who had one for sale. I've not heard anything negative about it, so I'm going to give it a shot. It just seems to be a better choice for vocals than a Distressor. Dave, if I'm wrong, feel free to bust me on it. -John Vice www.summertimestudios.com |
#19
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"Rob Reedijk" wrote in message
... Have you ever used a Peavey VCL-2? (Well, you are from Nashville, so for sure you have!) I really like mine, but I never made the comparison. For me it kind of stands on its own. It is supposed to be an LA2ish compressor without really being a copy. Yeah - I have one (even though I'm from Nashville). I like it much more than the ADL compressors. It's pretty ugly, though... -- Dave Martin Java Jive Studio Nashville, TN www.javajivestudio.com |
#20
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"John" wrote in message
... Now those are some strong sentiments! I'm leaning towards the trakker at the moment. I contacted the gentleman mentioned in a previous post on this thread who had one for sale. I've not heard anything negative about it, so I'm going to give it a shot. It just seems to be a better choice for vocals than a Distressor. Dave, if I'm wrong, feel free to bust me on it. The trakker is also a lovely compressor - I have two in the racks. -- Dave Martin Java Jive Studio Nashville, TN www.javajivestudio.com |
#21
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Dave Martin wrote:
"Rob Reedijk" wrote... Have you ever used a Peavey VCL-2? Yeah - I have one (even though I'm from Nashville). I like it much more than the ADL compressors. It's pretty ugly, though... But it sure can cook. -- ha |
#22
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Dave Martin wrote:
"Rob Reedijk" wrote in message ... Have you ever used a Peavey VCL-2? (Well, you are from Nashville, so for sure you have!) I really like mine, but I never made the comparison. For me it kind of stands on its own. It is supposed to be an LA2ish compressor without really being a copy. Yeah - I have one (even though I'm from Nashville). I like it much more than the ADL compressors. It's pretty ugly, though... Actually I meant that being from Nashville you would know it. Apparently most of them are sold to studios in Nashville. My Peavey gear sports Kraft logos. Rob R. |
#23
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hank alrich wrote:
Dave Martin wrote: "Rob Reedijk" wrote... Have you ever used a Peavey VCL-2? Yeah - I have one (even though I'm from Nashville). I like it much more than the ADL compressors. It's pretty ugly, though... But it sure can cook. -- ha If you wanna be happy for the rest of your life.... -- -- John Noll |
#24
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Don't do it! Joe has excellent taste in consoles, but don't listen to his
compressor advice in this instance. Don't buy an ADL - not if you want the sound of an LA-2A, at least. (And yes, I have directly compared them). BRBR I compared an ADL, a Manley ELOP and an LA2A side by each, and while there were diferences between all of them, the ADL sounded a whole lot more like the UA than the ELOP did. While I no longer have access to the LA2A, I have compared my Distressors and Trakkers to the ADL and have not been able to get either to sound the way the ADL (and to my best recollection the LA2A) sounded on bass or vox. I can get the Trakker to sound somewhat similar to my ELOP. I ought to mention the LA2A was a rental from DreamHire. It was an old one- not a reissue- so I don't know what age and condition might have contributed to its sound. I liked the way it sounded and the ADL sounded very much like it. Joe Egan EMP Colchester, VT www.eganmedia.com |
#25
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Made it without going to an ungly woman. But she sure can't cook. Oh, she
can make things, but I wouldn't call it cooking. Now in our personal lives, well, that's something different! g -- Roger W. Norman SirMusic Studio "John Noll" wrote in message ... hank alrich wrote: Dave Martin wrote: "Rob Reedijk" wrote... Have you ever used a Peavey VCL-2? Yeah - I have one (even though I'm from Nashville). I like it much more than the ADL compressors. It's pretty ugly, though... But it sure can cook. -- ha If you wanna be happy for the rest of your life.... -- -- John Noll |