Reply
 
Thread Tools Display Modes
  #1   Report Post  
xy
 
Posts: n/a
Default

using what you have, put your "money" mics and pres on the stereo
overhead.

A quick guess at this would be the 4050s into the Focusrite 8. or the
Beyers into the Focusrite.

The 421 can work on a kick.

So that's three tracks.

If you want a 4th track, just stick the Beyer somewhere casual like
6-8 feet out in front of the kit. you might be able to blend it in
the mix and add some mojo.

if the drummer plays evenly like you said, you should be able to get a
very good sound with the 2-overheads, one-kick mic setup. just put a
compressor over the whole drum buss during mixing. it will suck it
all up and make it big sounding and add some more room presence.

you should be fine with what you have.
  #2   Report Post  
 
Posts: n/a
Default

Lines: 37
Message-ID:
X-Complaints-To:
X-Abuse-Info: Please forward a copy of all headers for proper handling
X-Trace: npbhgpngjbkmjfegdbdpiflmbcekedmfhojhikkbagflhcbogo bjepkjfaahincopeiphjjefhhdbmabchgllpafgbanfgjeekkj flfncmkmngeiddbopkngmkcnfhaplpneoofdopeecgojocmfon nmgepbohnk
NNTP-Posting-Date: Wed, 25 Aug 2004 21:35:12 EDT
Organization: BellSouth Internet Service
Date: Thu, 26 Aug 2004 01:35:12 GMT
Xref: number1.nntp.dca.giganews.com rec.audio.pro:1101362


On 2004-08-24
(xy) said:
using what you have, put your "money" mics and pres on the stereo
overhead.
if the drummer plays evenly like you said, you should be able to
get a very good sound with the 2-overheads, one-kick mic setup.
just put a compressor over the whole drum buss during mixing. it
will suck it all up and make it big sounding and add some more room
presence. you should be fine with what you have.


DId a session with a pair of sm-81's and the 41 that way using the RNC
a few years back. The 3 mics to stereo and a bit of compression to
pull it all out there works well for me if the drummer is truly a good
player and the room's reasonable at all.

WAs what we had and I thought we got a nice drum sound. DOn't ask me
what the settings were for the compressor. I tweaked the knobs until
I got a good sound on the drums for the individual songs, mostly
didn't have to touch the compressor once I got a good full kit sound.
Once it sounded good, hit record.

WIshed I could have sent that one in for the last R.A.P. disk but we
had artists that were anal about copyrights and permissions. GOt
permission from one but couldn't from the other and it was a partners'
deal, so without both people saying go ahead I couldn't send it in.
BUmmer.



Richard Webb,
Electric SPider Productions, New Orleans, La.
REplace anything before the @ symbol with elspider for real email

--



Reply
Thread Tools
Display Modes

Posting Rules

Smilies are On
[IMG] code is On
HTML code is Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
Recording a band, need room and micing advice Mark Pro Audio 3 August 11th 04 04:59 PM
Mic'ing hihat only: 1, 2 or 3 mics?? Hellenason7 Pro Audio 21 May 17th 04 04:29 AM
Headphone/Speaker suggestions DaveInRedmond High End Audio 17 May 14th 04 05:12 AM
suggestions for MP3 + RDS receiver Jeff Miller Car Audio 7 February 8th 04 04:29 PM
27" TV suggestions 2 Jose Luiz Audio Opinions 22 December 24th 03 02:21 PM


All times are GMT +1. The time now is 06:19 AM.

Powered by: vBulletin
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.
Copyright ©2004-2025 AudioBanter.com.
The comments are property of their posters.
 

About Us

"It's about Audio and hi-fi"