Card & Breakout Box?

There's a "Sneak Preview" in the June 2004 issue of Recording
Magazine, which probably means that it's not quite in stores yet. That
could explain why nobody who can talk has tried it yet.

--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo

There's a "Sneak Preview" in the June 2004 issue of Recording
Magazine, which probably means that it's not quite in stores yet. That
could explain why nobody who can talk has tried it yet.

--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo

Mike Rivers wrote:

There's a "Sneak Preview" in the June 2004 issue of Recording
Magazine, which probably means that it's not quite in stores yet. That
could explain why nobody who can talk has tried it yet.


I think it's relatively new but it's been out for a little while. Is EMU the
same co. as Ensoniq - as in Paris?


--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo

Mike Rivers wrote:

There's a "Sneak Preview" in the June 2004 issue of Recording
Magazine, which probably means that it's not quite in stores yet. That
could explain why nobody who can talk has tried it yet.


I think it's relatively new but it's been out for a little while. Is EMU the
same co. as Ensoniq - as in Paris?


--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo

Is EMU the
same co. as Ensoniq - as in Paris?

EMU inherited Paris from Creative Labs when Creative took over Ensoniq and
later took over EMU. I've seen some user's reviews that were very positive
about this 1820M system. Given EMU's track record with MDM's and DAWs (can
you say Darwin and Paris?), I wouldn't expect much in the way of longevity.
However, it's not like anyone's going to go bankrupt if EMU throw this
system under the train like they have done with all of their other recording
platforms. If it had an ADAT timecode input so I could lock it to my Paris
DAW, I might buy one.

Doug Joyce
Animix Productions
Durango, CO
"Mondoslug1" wrote in message
...
Mike Rivers wrote:

There's a "Sneak Preview" in the June 2004 issue of Recording
Magazine, which probably means that it's not quite in stores yet. That
could explain why nobody who can talk has tried it yet.


I think it's relatively new but it's been out for a little while. Is EMU
the
same co. as Ensoniq - as in Paris?


--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo

Is EMU the
same co. as Ensoniq - as in Paris?

EMU inherited Paris from Creative Labs when Creative took over Ensoniq and
later took over EMU. I've seen some user's reviews that were very positive
about this 1820M system. Given EMU's track record with MDM's and DAWs (can
you say Darwin and Paris?), I wouldn't expect much in the way of longevity.
However, it's not like anyone's going to go bankrupt if EMU throw this
system under the train like they have done with all of their other recording
platforms. If it had an ADAT timecode input so I could lock it to my Paris
DAW, I might buy one.

Doug Joyce
Animix Productions
Durango, CO
"Mondoslug1" wrote in message
...
Mike Rivers wrote:

There's a "Sneak Preview" in the June 2004 issue of Recording
Magazine, which probably means that it's not quite in stores yet. That
could explain why nobody who can talk has tried it yet.


I think it's relatively new but it's been out for a little while. Is EMU
the
same co. as Ensoniq - as in Paris?


--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo

Animix wrote:

Is EMU the

same co. as Ensoniq - as in Paris?


EMU inherited Paris from Creative Labs when Creative took over Ensoniq and
later took over EMU. I've seen some user's reviews that were very positive
about this 1820M system. Given EMU's track record with MDM's and DAWs (can
you say Darwin and Paris?), I wouldn't expect much in the way of longevity.
However, it's not like anyone's going to go bankrupt if EMU throw this
system under the train like they have done with all of their other recording
platforms. If it had an ADAT timecode input so I could lock it to my Paris
DAW, I might buy one.

I wonder if it will turn out to be one of the Creative Labs consumer
chipsets on a slightly better board with higher quality IO and better
drivers like the Emu APS turned out to be? Not that that has to be a bad
thing. If it is, I'm sure they will have had the good sense to fix it so
that the good drivers can't ever run on an Audigy this time :-)

--
***My real address is m/ike at u/nmusic d/ot co dot u/k (removing /s)
http://www.unmusic.co.uk
http://www.unmusic.co.uk/Top_50_Films.html - favorite films
http://www.unmusic.co.uk/amh-s.html - alt.music.home-studio

Animix wrote:

Is EMU the

same co. as Ensoniq - as in Paris?


EMU inherited Paris from Creative Labs when Creative took over Ensoniq and
later took over EMU. I've seen some user's reviews that were very positive
about this 1820M system. Given EMU's track record with MDM's and DAWs (can
you say Darwin and Paris?), I wouldn't expect much in the way of longevity.
However, it's not like anyone's going to go bankrupt if EMU throw this
system under the train like they have done with all of their other recording
platforms. If it had an ADAT timecode input so I could lock it to my Paris
DAW, I might buy one.

I wonder if it will turn out to be one of the Creative Labs consumer
chipsets on a slightly better board with higher quality IO and better
drivers like the Emu APS turned out to be? Not that that has to be a bad
thing. If it is, I'm sure they will have had the good sense to fix it so
that the good drivers can't ever run on an Audigy this time :-)

--
***My real address is m/ike at u/nmusic d/ot co dot u/k (removing /s)
http://www.unmusic.co.uk
http://www.unmusic.co.uk/Top_50_Films.html - favorite films
http://www.unmusic.co.uk/amh-s.html - alt.music.home-studio