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Ty Ford )
in article news.com wrote: I heard Hedges live, outside in baltimore shortly before he died. I caught him that tour at the Birchmere in VA. So glad I did. First time was Blues Alley in DC. So glad I did. He had at least one full rack of stuff to create the guitar sound. I couldn't get close enough to the rack to see what was in it, but that was no "simple" guitar sound. Nomadland.com probably still has his rig specs and rider. No acoustic guitar on the planet had notes as low as those coming out of the stacks. I'm guess ing he had some octave splitters. I don't think so. Heavy gauge strings, and serious intent: "By design, acoustic guitars just aren't built to speak below a certain pitch... So if you use non-standard tuning and tune down to deepen the guitar's voice, what you hear coming out of the box can be kind of disappointing..." "I get around the problem of wimpy low end by using a [Sunrise] magnet pickup. Magnetic pickups detect the vibration of strings even when its inaudible to the naked ear. If you put that signal through a good equalizer, boosting some sounds and softening others, you can effectively change the response of the guitar." - M. Hedges ref: Rhythm Sonority Silence by: Michael Hedges and John Stropes pg: 31 I think he's incomparable, and what he achieved in terms of acoustic guitar composition and performance is beyond words. I really like him. I'm grateful. Regards, -Brian |
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