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#1
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![]() "MZ" wrote in message ... So the microphone is using the same exact piece of information to make its measurement (compression and rarefaction of air molecules). Therefore, it can't possibly have more information available to it than the microphone. So, in light of this explanation, how could it not be telling the whole story? The problem is not the information. The problem is the measurement of the information. First, you are not strictly correct - the microphone does not have the same information available to it, because it's not shaped like an ear. If it were, not all human ears are shaped the same. But that's not relevant. The real problem is that microphones are not perfect and can't send a perfect signal to be analyzed. There is always some distortion of the original signal. |
#2
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So the microphone is using the same exact piece of information to make its
measurement (compression and rarefaction of air molecules). Therefore, it can't possibly have more information available to it than the microphone. So, in light of this explanation, how could it not be telling the whole story? The problem is not the information. The problem is the measurement of the information. First, you are not strictly correct - the microphone does not have the same information available to it, because it's not shaped like an ear. If it were, not all human ears are shaped the same. But that's not relevant. The pinna introduces distortion, actually. That's the point of it. It improves high frequency response for sounds coming in front of you (this is good) but intentionally blocks high frequencies for sounds coming behind you. As such, it assists the brain with localization. Importantly, it's also responsible for the brain's ability to estimate elevation of the source. You'll note that it's not symmetrical from top to bottom. Early auditory areas deep in the brain spend the bulk of their resources making these computations (the inferior colliculus perhaps the most prominent - anyway, not even having reached the cortex yet). This is an example of the auditory system, like all of the other sensory systems, intentionally introducing distortion into the signal in order to pull out attributes of the stimulus that are important for the animal to work. The visual system is probably even more guilty of employing this strategy. It's a common trend, all the way from humans to invertebrates. So yes, it's a GOOD THING that microphones don't use these tricks. We want accuracy, so ideally it will collect sounds from all directions equally. The real problem is that microphones are not perfect and can't send a perfect signal to be analyzed. There is always some distortion of the original signal. But substantially less than the human auditory system introduces. Microphones tend to have a reasonably flat response from 20 to 20kHz (the good ones at least). The human auditory system has an awful response, peaking around 1kHz or less (the dominant part of human speech, incidentally) and responding poorly above 15kHz and below about 100Hz. Additionally, microphones have a cleaner transduction mechanism, not having to rely on a network of bones attached to an asymmetric diaphragm. Also, the auditory system inherently produces its own distortion known as otoacoustic emissions which are much more significant than distortion effects produced by decent microphones. Finally, and most importantly, the microphone is able to make an electrical measurement that's limited only by the inductance of the coil (which is why it's able to have such a great spectral range). The auditory system, however, relies on a network of neurons that are each tuned to relatively wide band of frequencies to encode the signal by essentially performing a rough fourier transform of the signal, and then, before the signal is even transmitted to the brain, computations are performed to essentially subtract adjacent frequencies from each other (a form of lateral inhibition - another bit of distortion added to the system). As a result, the signal being sent to the brain is a far cry from the signal that reached the ear drum. In short, microphones do a much better job at capturing the original signal than does the human auditory system. Not only because it uses more precise materials and mechanisms, but also because it's designed for perfect reproduction - the auditory system is not. |
#3
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Mark,
You obviously know way too much about how the human ear and testing devices actually work to be productive in this discussion. Here you are providing scientific evidence and displaying a strong understanding of the subject matter. Noone wants that, we want conspiracy theories about test equipment and talk about magical and mysterious unknowns that we can all perceive in different ways. That way noone can ever be wrong and everyone can be right! Get it together. (Note for the readers who are unable to detect sarcasm. The above paragraph is dripping with it, there is so much of it that right now it should be leaking out your computer's open ports. I now return you to your regularly scheduled flame-war.) Les "MZ" wrote in message ... So the microphone is using the same exact piece of information to make its measurement (compression and rarefaction of air molecules). Therefore, it can't possibly have more information available to it than the microphone. So, in light of this explanation, how could it not be telling the whole story? The problem is not the information. The problem is the measurement of the information. First, you are not strictly correct - the microphone does not have the same information available to it, because it's not shaped like an ear. If it were, not all human ears are shaped the same. But that's not relevant. The pinna introduces distortion, actually. That's the point of it. It improves high frequency response for sounds coming in front of you (this is good) but intentionally blocks high frequencies for sounds coming behind you. As such, it assists the brain with localization. Importantly, it's also responsible for the brain's ability to estimate elevation of the source. You'll note that it's not symmetrical from top to bottom. Early auditory areas deep in the brain spend the bulk of their resources making these computations (the inferior colliculus perhaps the most prominent - anyway, not even having reached the cortex yet). This is an example of the auditory system, like all of the other sensory systems, intentionally introducing distortion into the signal in order to pull out attributes of the stimulus that are important for the animal to work. The visual system is probably even more guilty of employing this strategy. It's a common trend, all the way from humans to invertebrates. So yes, it's a GOOD THING that microphones don't use these tricks. We want accuracy, so ideally it will collect sounds from all directions equally. The real problem is that microphones are not perfect and can't send a perfect signal to be analyzed. There is always some distortion of the original signal. But substantially less than the human auditory system introduces. Microphones tend to have a reasonably flat response from 20 to 20kHz (the good ones at least). The human auditory system has an awful response, peaking around 1kHz or less (the dominant part of human speech, incidentally) and responding poorly above 15kHz and below about 100Hz. Additionally, microphones have a cleaner transduction mechanism, not having to rely on a network of bones attached to an asymmetric diaphragm. Also, the auditory system inherently produces its own distortion known as otoacoustic emissions which are much more significant than distortion effects produced by decent microphones. Finally, and most importantly, the microphone is able to make an electrical measurement that's limited only by the inductance of the coil (which is why it's able to have such a great spectral range). The auditory system, however, relies on a network of neurons that are each tuned to relatively wide band of frequencies to encode the signal by essentially performing a rough fourier transform of the signal, and then, before the signal is even transmitted to the brain, computations are performed to essentially subtract adjacent frequencies from each other (a form of lateral inhibition - another bit of distortion added to the system). As a result, the signal being sent to the brain is a far cry from the signal that reached the ear drum. In short, microphones do a much better job at capturing the original signal than does the human auditory system. Not only because it uses more precise materials and mechanisms, but also because it's designed for perfect reproduction - the auditory system is not. |
#4
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![]() "Les" wrote in message ... Noone wants that, we want conspiracy theories about test equipment and talk about magical and mysterious unknowns that we can all perceive in different ways. The only one talking about "mysterious unknowns" is you. I certainly haven't mentioned any. |
#5
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Every word you say is based on mysterious unknowns!
jeffc wrote: The only one talking about "mysterious unknowns" is you. I certainly haven't mentioned any. |
#6
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has anyone heard the sound of a UFO?
Or measured the sound qualities of the Holly Grail? Les wrote: Mark, You obviously know way too much about how the human ear and testing devices actually work to be productive in this discussion. Here you are providing scientific evidence and displaying a strong understanding of the subject matter. Noone wants that, we want conspiracy theories about test equipment and talk about magical and mysterious unknowns that we can all perceive in different ways. That way noone can ever be wrong and everyone can be right! Get it together. (Note for the readers who are unable to detect sarcasm. The above paragraph is dripping with it, there is so much of it that right now it should be leaking out your computer's open ports. I now return you to your regularly scheduled flame-war.) Les |
#7
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![]() "MZ" wrote in message ... So the microphone is using the same exact piece of information to make its measurement (compression and rarefaction of air molecules). Therefore, it can't possibly have more information available to it than the microphone. So, in light of this explanation, how could it not be telling the whole story? The problem is not the information. The problem is the measurement of the information. First, you are not strictly correct - the microphone does not have the same information available to it, because it's not shaped like an ear. If it were, not all human ears are shaped the same. But that's not relevant. blah blah blah So yes, it's a GOOD THING that microphones don't use these tricks. We want accuracy, so ideally it will collect sounds from all directions equally. When I said "it's not relevant", what didn't you understand? The real problem is that microphones are not perfect and can't send a perfect signal to be analyzed. There is always some distortion of the original signal. In short, microphones do a much better job at capturing the original signal than does the human auditory system. Not only because it uses more precise materials and mechanisms, but also because it's designed for perfect reproduction - the auditory system is not. Completely beside the point. Whether the microphone hears the sound or the ear does isn't the point. The point is that microphones aren't perfect, period. "Designed for perfect reproduction" is completely irrelevant. It's doesn't work perfectly. |
#8
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In short, microphones do a much better job at capturing the original
signal than does the human auditory system. Not only because it uses more precise materials and mechanisms, but also because it's designed for perfect reproduction - the auditory system is not. Completely beside the point. Whether the microphone hears the sound or the ear does isn't the point. The point is that microphones aren't perfect, period. "Designed for perfect reproduction" is completely irrelevant. It's doesn't work perfectly. No, the POINT is that microphones are better than your ears. Period. I've tried to explain this to you in every way I can, going so far as to explain how microphones and the auditory system both work and what their limitations are. Yet you still cling to the notion that the human auditory system is more precise. This, coming from someone who's never built or played around with microphones, and someone who isn't active in the human sensory system research community. |
#9
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![]() "MZ" wrote in message ... In short, microphones do a much better job at capturing the original signal than does the human auditory system. Not only because it uses more precise materials and mechanisms, but also because it's designed for perfect reproduction - the auditory system is not. Completely beside the point. Whether the microphone hears the sound or the ear does isn't the point. The point is that microphones aren't perfect, period. "Designed for perfect reproduction" is completely irrelevant. It's doesn't work perfectly. No, the POINT is that microphones are better than your ears. Period. I've tried to explain this to you in every way I can, going so far as to explain how microphones and the auditory system both work and what their limitations are. Yet you still cling to the notion that the human auditory system is more precise. No, you cling to mistaken notion that precion has anything to do with this problem. I suggest you read up on the actual problem, rather than spouting off about the precision of measuring equipment. |
#10
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No, the POINT is that microphones are better than your ears. Period.
I've tried to explain this to you in every way I can, going so far as to explain how microphones and the auditory system both work and what their limitations are. Yet you still cling to the notion that the human auditory system is more precise. No, you cling to mistaken notion that precion has anything to do with this problem. I suggest you read up on the actual problem, rather than spouting off about the precision of measuring equipment. Why are you changing your tune? You've attempted to refute my point that the measured distortion is low by claiming that the test equipment is less accurate than the auditory system. I've therefore addressed that silly assertion of yours and demonstrated that it's untrue. |
#11
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![]() "MZ" wrote in message ... are. Yet you still cling to the notion that the human auditory system is more precise. No, you cling to mistaken notion that precion has anything to do with this problem. I suggest you read up on the actual problem, rather than spouting off about the precision of measuring equipment. Why are you changing your tune? You've attempted to refute my point that the measured distortion is low by claiming that the test equipment is less accurate than the auditory system. I've therefore addressed that silly assertion of yours and demonstrated that it's untrue. No, you said it's more PRECISE. Why are you blathering on and on when you can't tell the difference between accuracy and precision? Why are you ignoring me every single time I tell you this? I can tell you're not stupid. But you're stubborn, and you're dead set on "proving" me wrong, even though you can't find anything to prove to me that I don't already know. You're on a witch hunt, hoping to find some audiophile with "mystical assertions." I'm sorry I can't be that person for you, but maybe they have pay phone services where you can indulge your fantasies. In the mean time, if human ears can't tell the difference between live sound and stereo reproduced sound, then all the testing equipment and precision in the world is irrelevant. If human ears can (and almost all the time they can), then again testing equipment is irrelevant. Now if these differences are due to amplification (which they often are, at least in part), it's because of distortion of some sort. There are actually many links in the reproduction process, and distortion is added at every single step. (This distortion can be cumulative. For example, if we had some reproduction system where every step in the process reduced the amplitude by .1 dB, then after 10 or so iterations of this we'd have a noticeable (by the human ear) difference in amplitude.) Now if the human ear can hear distortion and measuring equipment can't, then there's something wrong with the measuring equipment, user or technique. So far I hope I haven't said anything you'd disagree with, even though you're chomping at the bit to do so. Now, why exactly is it so important for you to believe that a person can not hear any difference between 2 amps? What cornerstone of science will crumble to the ground for you if this is so? You agree (now) that all amplifiers exhibit distortion. What exactly is so hard to swallow when it can be heard? It happens, and it's measurable (at least in theory) by machines. If I can hear a difference between 2 amplifiers and it isn't being measured, then there's a problem with the measurement, not with me. If the measuring equipment is good enough, then the same problem will show up. What is so hard to swallow about that? |
#12
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jeffc wrote:
I suggest you read up on the actual problem You suggest Mark goes and reads to prove himself wrong?? Why cant you prove he is wrong? Your not even suggesting any reading material... ha ha ha |
#13
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jeffc wrote:
The problem is not the information. The problem is the measurement of the information. Not rellavent!! Since I can measure sounds so minute no one can hear them and since no one has yet proved they can hear things I cant measure, (many folks IMAGINE they can), then your point is irrelevent to these arguements... Eddie Runner http://www.installer.com/tech/ |
#14
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![]() "Eddie Runner" wrote in message ... jeffc wrote: The problem is not the information. The problem is the measurement of the information. Not rellavent!! Since I can measure sounds so minute no one can hear them and since no one has yet proved they can hear things I cant measure, (many folks IMAGINE they can), then your point is irrelevent to these arguements... Eddie, you're a little over your head in these adult arguments. How about if you step aside, stop screaming like a little kid for a few minutes, and let MZ and me handle it. |
#15
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Im prolly older than you and Mark put together...
I appreciate the complement... jeffc wrote: Eddie, you're a little over your head in these adult arguments. How about if you step aside, stop screaming like a little kid for a few minutes, and let MZ and me handle it. |
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