Home |
Search |
Today's Posts |
#12
![]()
Posted to rec.audio.high-end
|
|||
|
|||
![]()
On Tue, 3 Aug 2010 12:08:45 -0700, Arny Krueger wrote
(in article ): "Audio Empire" wrote in message On Mon, 2 Aug 2010 06:09:30 -0700, Arny Krueger wrote (in article ): I see a misidentification of a problem that we all agree exists. Digital recordings on occasion fail to sound good simply because they are accurate reproducers of mediocre technical work. I wish that were true. It's truth is proven fact. The fact is that most CD releases do not represent, accurately, the information that is on the master tape. It takes considerable naivate about the normal production process to consider that to be a technical flaw. Who said it was a "technical flaw"? Master tapes very frequently are not commerically acceptable when they are accurate representations of the master tape. That's why mastering engineers are still a valuable resource. Whatever the reason, the reality is that commercial CD rarely, if ever, lives up to its potential in terms of sound quality. Commerical recordings must satisfy a large number of listeners to be good commercial products. Musical recordings often have excess dynamics and often contain excess power at the low end of the audible spectrum to sound acceptable in the limited environments that most consumers listen to them in. That's true. But what it means is that the CD buyer is not getting what CD is capable of. I'm glad we agree on this point. |