Home |
Search |
Today's Posts |
#1
![]() |
|||
|
|||
![]()
I've had a home project studio for years but always recorded drum sessions
at local 'pro' studios. I have an opportunity to do a batch of drum tracks here and am pretty familiar with miking techniques. We will only be able to input 6 tracks at a time so will have to limit our options. Here's the basic question in terms of signal paths: Available mics: 6 SM 57's 2 AT4051 1 Shure SM7B 1 Rode NT1 1 Rode NTK 1 Beyer M88 2 Beyer M69 1 Audix D2 PreAmps: Yamaha OV1 (8 channels) FMR RNP (2 channels) Compressor: RNC (stereo 2 channels) 1. Where would be the best use of the RNP and RNC? Should I use them on the overheads? Kick and Snare? 2. I'm planning on the 4051's as the overheads. Other better usage? 3. I'm planning on kick, snare, 2 OH, and mix toms to stereo? Better usage? 4. Is a stereo compressor a good idea on overheads or are the signals too different and best left alone? 5. I could also do a couple of room mics (its a nice sounding fairly dead loft) to a DAT for later fly-in. Thanks for any input. We track next Th/F and I'd like to limit my testing time for different mics and pre-amps so we can spend more time tracking. Your suggestions are appreciated. BB |
Thread Tools | |
Display Modes | |
|
|
![]() |
||||
Thread | Forum | |||
2003 Audi TT Coupe - System advice needed | Car Audio | |||
Atlantic Technology advice no longer sought | Audio Opinions | |||
Advice on replacing an Ampzilla cooling fan? | Audio Opinions | |||
Need advice on building project studio | Pro Audio |