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"Harry Lavo" wrote in message
... "Jenn" wrote in message ... In article , "R. Stanton" wrote: .. Agreed. If we value the sound of real, we had best support it. We can do that by buying more classical music and jazz, and differentiating between those that are better-recorded (i.e. more natural). And whereever possible, supporting those labels/reissues that do the same. Pop is another story, although even here there are better and worse recordings. We can also do that by stopping the dissing of hi-rez formats and starting to support them. Even if they are in no audible way superior? What's the point of supporting something that costs more and sounds the same? The companies issuing in this format by and large pay much more attention to "natural" recording/mastering. But do people hear it differently than they would the same recording done with lower resolution, such as a standard CD? I know of no evidence that says they do. In fact the evidence says that what's called "high rez" is not audibly superior, or even different than the same recording in a lower rez. |
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