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#1
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Posted to rec.audio.pro
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![]() What's the best bang for the buck, small (not necessarily totally remote) audio/computer interface? There are a ton of them and you can't really go listen to all of them. I want something to connect to my mac laptop. It doesn't have to be powered by the laptop and I don't that it is a good idea to do that any (actually no opinion there). I really only need 2 in 2 out but more is better to an extent. I want to use my powerbook, a tascam us-2400 or similar, cubase, and an audio interface for a semi portable recording station. Let the opinions fly ~ And thanks for any input Danny Taddei |
#2
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Posted to rec.audio.pro
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Danny T @ wrote:
What's the best bang for the buck, small (not necessarily totally remote) audio/computer interface? There are a ton of them and you can't really go listen to all of them. I want something to connect to my mac laptop. It doesn't have to be powered by the laptop and I don't that it is a good idea to do that any (actually no opinion there). I really only need 2 in 2 out but more is better to an extent. I want to use my powerbook, a tascam us-2400 or similar, cubase, and an audio interface for a semi portable recording station. Let the opinions fly ~ And thanks for any input Danny Taddei Metric Halo ULN2. -- ha |
#3
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Posted to rec.audio.pro
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"Danny T" wrote in message
oups.com... What's the best bang for the buck, small (not necessarily totally remote) audio/computer interface? There are a ton of them and you can't really go listen to all of them. I want something to connect to my mac laptop. It doesn't have to be powered by the laptop and I don't that it is a good idea to do that any (actually no opinion there). I really only need 2 in 2 out but more is better to an extent. I want to use my powerbook, a tascam us-2400 or similar, cubase, and an audio interface for a semi portable recording station. Let the opinions fly ~ And thanks for any input Considering the level of the question it's rather difficult to answer, it is exceedingly difficult to identify a "best" without substantial additional information. I'd guess that the M-Audio gear is probably about what you're looking for; reasonable price, reasonably high quality, overall a fairly good beginning solution. The problem with asking for the "best" is that there are options in recording from $35 to $35,000, each with different capabilities and flaws. The key to a good recording is using the correct tool, not using the "best" one. Joe |
#4
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![]() The problem with asking for the "best" is that there are options in recording from $35 to $35,000, each with different capabilities and flaws. The key to a good recording is using the correct tool, not using the "best" one. Joe I'm down sizing from a 48 channel analog board and 32 tracks of motu d/i. I want moving touch sensitive faders on 24 tracks at a time (not a switched set of 8 or 12) and I want quality that is good without being something I would have to squint my ears to notice was a little better then great. There are some $3000 units that people say are great but I can't really hear $2400 in better sound then the echo, motu, or firepod type products. M-audio is something I have not looked at yet but the most important part of this for me is the flying faders. I want something to move the daw faders more then anything else. THe rest is pretty easy to figure out. Thanks Danny |
#5
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Posted to rec.audio.pro
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"Danny T" wrote in message
oups.com... The problem with asking for the "best" is that there are options in recording from $35 to $35,000, each with different capabilities and flaws. The key to a good recording is using the correct tool, not using the "best" one. Joe I'm down sizing from a 48 channel analog board and 32 tracks of motu d/i. I want moving touch sensitive faders on 24 tracks at a time (not a switched set of 8 or 12) and I want quality that is good without being something I would have to squint my ears to notice was a little better then great. There are some $3000 units that people say are great but I can't really hear $2400 in better sound then the echo, motu, or firepod type products. If you are considering that level of product then the M-Audio equipment is probably not what you're looking for. Like I said M-Audio is "reasonable" in many ways, but I don't think it could be argued as "exceptional" compared to devices costing several times the cost. Hank's recommendation is probably more in-line with what you're looking for. Joe |
#6
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Posted to rec.audio.pro
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I'd look at the MOTU UltraLite, since you've used MOTU converters in
the past. Scott Fraser |
#7
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Posted to rec.audio.pro
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Danny T wrote:
What's the best bang for the buck, small (not necessarily totally remote) audio/computer interface? There are a ton of them and you can't really go listen to all of them. I don't know what to suggest for you Danny, but I know that if I were shopping for a new interface I wouldn't buy anything until I had at least checked to see what RME has to offer. I can't think of another brand that seems to receive such universally positive user comments. I use an Mbox for that application myself, but only because I need to use Pro Tools with the DV Toolkit option. -- "It CAN'T be too loud... some of the red lights aren't even on yet!" - Lorin David Schultz in the control room making even bad news sound good (Remove spamblock to reply) |
#8
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![]() Lorin David Schultz wrote: -- "It CAN'T be too loud... some of the red lights aren't even on yet!" - Lorin David Schultz in the control room making even bad news sound good (Remove spamblock to reply) Thanks for that tip. I just checked them out on the web and may go that rought. I'd never even heard of them before! |
#9
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Posted to rec.audio.pro
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![]() M-audio is something I have not looked at yet but the most important part of this for me is the flying faders. I want something to move the daw faders more then anything else. THe rest is pretty easy to figure out. Thanks Danny The M-audio Project Mix I/O has moving faders and supports Pro Tools M-Powered. I just bought a bundle with the two for $1250. It is rather big to move around, but then I suspect anything with moving faders will be. Why do you need moving faders for two tracks? |
#10
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Posted to rec.audio.pro
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![]() "Danny T" wrote in message ups.com... Lorin David Schultz wrote: -- "It CAN'T be too loud... some of the red lights aren't even on yet!" - Lorin David Schultz in the control room making even bad news sound good (Remove spamblock to reply) Thanks for that tip. I just checked them out on the web and may go that rought. I'd never even heard of them before! I have their Digi9652 (now discontinued) and love it. The metering software is superb. I would certainly second Lorin's recommendation. They also have a pretty good dedicated newsgroup that offers a good bit of support, including comments from the RME staff. A good company making good gear. Ron |
#11
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![]() Haolemon wrote: M-audio is something I have not looked at yet but the most important part of this for me is the flying faders. I want something to move the daw faders more then anything else. THe rest is pretty easy to figure out. Thanks Danny The M-audio Project Mix I/O has moving faders and supports Pro Tools M-Powered. I just bought a bundle with the two for $1250. It is rather big to move around, but then I suspect anything with moving faders will be. Why do you need moving faders for two tracks? Two tracks in - I end up with around 20 to 28 tracks per tune when I am all done with percussion and all. |
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