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#1
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Wanted to know what is needed (hardware / software) to record from a mixing
board. I want to feed the computer live audio from 6 mics of voices and at least 5 inputs for keyboard/drums. Any suggestions on whats needed is greatly appreciated. Newbie to live recording ![]() |
#2
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Hi..
If you want to do live recordings where your mixer mixes all those inputs down to two channels, then all you need is a sound card with a stereo input and a software program like Sony's Sound Forge. The problem with this is once it's to tape (hard drive) it cannot be mixed anymore. If you wish to do multitrack recording, where each instrument is on a different track and can be independently eq'd, processed, etc...then you need to drop the mixing board out of the equation and use a pre-amp to control mic gain, then you need a multichannel sound card and a multitrack software program such as Adobe Audition, Nuendo, Pro-Tools. In those programs you can assign each input of the sound card to a different track and they will all record at once. It is difficult to do live recordings this way unless you have a sound card with enough inputs for all the instruments. Sounds confusing but I figured it out..its quite logical once you dive in and play around with it. Hope this helps. Doug "CPT Boy" wrote in message 2.198... Wanted to know what is needed (hardware / software) to record from a mixing board. I want to feed the computer live audio from 6 mics of voices and at least 5 inputs for keyboard/drums. Any suggestions on whats needed is greatly appreciated. Newbie to live recording ![]() |
#3
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"Snowdog" wrote in message
... Hi.. If you wish to do multitrack recording, where each instrument is on a different track and can be independently eq'd, processed, etc...then you need to drop the mixing board out of the equation and use a pre-amp to control mic gain, then you need a multichannel sound card and a multitrack software program such as Adobe Audition, Nuendo, Pro-Tools. In those programs you can assign each input of the sound card to a different track and they will all record at once. It is difficult to do live recordings this way unless you have a sound card with enough inputs for all the instruments. Actually, you can keep the board in the picture; wire an unbalanced cable with a TRS plug at one end (that's the same plug used for 1/4" stereo headphones); the tip and ring terminals should be wired together. That end goes into the channel insert on your board. Wire the other end with a TS plug (standard mono 1/4" plug). The hot conductor of the cable goes to the Tip+Ring connection at the mixer end and the Tip connection at the other end. Repeat for however many channels you want. You'll still need a multichannel sound card (RME, MOTU, several other manufacturers). Actually, if you use most of the soundcards mentioned you'll need two of them, since they usually come in 8 channels/card. Some of the MOTU units will do 24 channels. Peace, Paul |
#4
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"Paul Stamler" wrote in message
news:j4%0d.582543$Gx4.191072@bgtnsc04- Actually, you can keep the board in the picture; wire an unbalanced cable with a TRS plug at one end (that's the same plug used for 1/4" stereo headphones); the tip and ring terminals should be wired together. That end goes into the channel insert on your board. Wire the other end with a TS plug (standard mono 1/4" plug). The hot conductor of the cable goes to the Tip+Ring connection at the mixer end and the Tip connection at the other end. Repeat for however many channels you want. You'll still need a multichannel sound card (RME, MOTU, several other manufacturers). Actually, if you use most of the soundcards mentioned you'll need two of them, since they usually come in 8 channels/card. Some of the MOTU units will do 24 channels. Peace, Paul Paul is correct as far as he goes, but most recording consoles have balanced inputs and outputs for each track. I'm using a 48 input console along with a Pro Tools HD3 system, and don't have a single TRS cable involved.. -- Dave Martin Java Jive Studio Nashville, TN www.javajivestudio.com |
#5
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CPT Boy wrote:
Wanted to know what is needed (hardware / software) to record from a mixing board. I want to feed the computer live audio from 6 mics of voices and at least 5 inputs for keyboard/drums. Any suggestions on whats needed is greatly appreciated. Are you running the board? Can you work well with the person running the board? Are you unable to work with the person running the board? Are you going to add additional ambient mikes? Newbie to live recording ![]() I personally wouldn't trust computers for live recording, but there are plenty of folks using Pro Tools in the field. Gives me the willies, but they can bill it. --scitt -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#6
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Scott Dorsey wrote:
CPT Boy wrote: I personally wouldn't trust computers for live recording, but there are plenty of folks using Pro Tools in the field. Gives me the willies, but they can bill it. Hey this is modern world. When it goes wrong it's not their fault, they can just say, "the computer went wrong." :-) -- ***My real address is m/ike at u/nmusic d/ot co dot u/k (removing /s) np: http://www.unmusic.co.uk http://www.unmusic.co.uk/Top_50_Films.html - favorite films http://www.unmusic.co.uk/amh-s.html - alt.music.home-studio |
#7
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killermike wrote:
Scott Dorsey wrote: CPT Boy wrote: I personally wouldn't trust computers for live recording, but there are plenty of folks using Pro Tools in the field. Gives me the willies, but they can bill it. Hey this is modern world. When it goes wrong it's not their fault, they can just say, "the computer went wrong." :-) The problem is that if I say that, I don't get paid. And I like getting paid. I do blame Microsoft for reducing people's expectations with regard to computer reliability. Twenty years ago, anything that came out of the computer was gospel. People would tell you, "It _must_ be right, it came out of the computer." Today people just shrug their shoulders and say, "Oh well, you know how computers are." --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#8
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#9
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![]() "Dave Martin" wrote in message ink.net... "Paul Stamler" wrote in message news:j4%0d.582543$Gx4.191072@bgtnsc04- Actually, you can keep the board in the picture; wire an unbalanced cable with a TRS plug at one end (that's the same plug used for 1/4" stereo headphones); the tip and ring terminals should be wired together. That end goes into the channel insert on your board. Wire the other end with a TS plug (standard mono 1/4" plug). The hot conductor of the cable goes to the Tip+Ring connection at the mixer end and the Tip connection at the other end. Repeat for however many channels you want. You'll still need a multichannel sound card (RME, MOTU, several other manufacturers). Actually, if you use most of the soundcards mentioned you'll need two of them, since they usually come in 8 channels/card. Some of the MOTU units will do 24 channels. Paul is correct as far as he goes, but most recording consoles have balanced inputs and outputs for each track. I'm using a 48 input console along with a Pro Tools HD3 system, and don't have a single TRS cable involved.. Of course, but many live-sound boards have unbalanced TRS jacks for channel inserts. Especially relatively inexpensive boards, which I suspect is what the original poster is using at the live gigs he wants to record. Peace, Paul |
#11
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"Scott Dorsey" wrote in message
I do blame Microsoft for reducing people's expectations with regard to computer reliability. As if IBM, the BUNCH, Apple, Sun or any of the rest are really any better? Twenty years ago, anything that came out of the computer was gospel. That was illogical. Garbage in, garbage out! People would tell you, "It _must_ be right, it came out of the computer." They were mistaken, of course. Today people just shrug their shoulders and say, "Oh well, you know how computers are." The truth: "Oh well, you know how humans and their toys are." |
#12
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Arny Krueger wrote:
"Scott Dorsey" wrote in message I do blame Microsoft for reducing people's expectations with regard to computer reliability. As if IBM, the BUNCH, Apple, Sun or any of the rest are really any better? For the most part, yes. Microsoft and Apple were the first of the OS vendors who went out of their way to obscure as much as possible at the system level and keep people from looking inside. They were the first folks to sell microcomputers that had no programming interface of any sort, and that were designed primarily for users running canned packages. Apple did a much better job of this than Microsoft did. They still ignored things like real pre-emptive multitasking and per-process memory protection that were considered standard everywhere else in the computer industry, and they are still continuing to reinvent things that were standard everywhere else in the computer world in the 1970s. But they progressively improved the reliability of their systems, while Microsoft did not, to the point where the new OS X is actually not so bad. As far as Sun goes: grissom% uname -a SunOS grissom 5.8 Generic_108528-27 sun4u sparc SUNW,Ultra-60 grissom% uptime 11:29am up 385 day(s), 2:03, 8 users, load average: 2.01, 2.32, 2.82 grissom% which is about typical uptime specs around here. I had a 4.1.4 machine up for more than two years without a reboot, but I eventually did something stupid. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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