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#1
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Wondering if these are good vocal mikes for $100.
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#2
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While there are many mics out there much better sounding than the SM58,
it is still the most durable mic you can get for $100. Their handling characteristics and sonic quality qualify them more for live sound but you still see them in the studio sometimes. I have SM58's in my church I bought back in 1986 that I still use mainly because I can't break them and justify buying new ones. They have a self proclaimed upper midrange boost you should be aware of. Chumley the Walrus wrote: Wondering if these are good vocal mikes for $100. |
#3
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In article ,
Chumley the Walrus wrote: Wondering if these are good vocal mikes for $100. They are probably the world's most common vocal mikes. If you don't pop your Ps, you might like the SM57 better. Then again, you might not. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#4
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On 19 Jul 2004 12:44:13 -0700, Chumley the Walrus
wrote: Wondering if these are good vocal mikes for $100. Clearly Good Enough for most everyone to use live, especially for handheld use. Watch most any live show. It's a durable beast with, perhaps not a PERFECT sound, but it's a sound everyone knows well. If you shop for live vocal mics, you can look forward to this discussion: "Oh it's like the '58 BUT . . . " It's not the newest kid on the block by a long stretch, and its sound is decidedly distinctive. BUT, there's a good reason why they're still making it after *insert insanely long number of years* |
#5
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Chumley the Walrus wrote:
Wondering if these are good vocal mikes for $100. They'll work acceptably well with just about any gear and on just about any voice. In a given application with a particular voice you'll almost certainly find a better mic but it won't work as well on a different voice or with a different PA. The SM58 is just about the most versatile live mic around. Cheers. James. |
#6
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#7
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On 20 Jul 2004 16:45:52 -0700, Lee Salter wrote:
(Chumley the Walrus) wrote in message . com... Wondering if these are good vocal mikes for $100. Yes, they are good general purpose vocal mics. I have 6 of them that I use for live sound and occasionally I use one for voice-over work. I also like the Sennheiser E835 which is a little bit brighter but still smooth sounding and while priced the same as the SM58 for a single, you can buy a 3 pack for $200, if you need more than one. You might want to shop for matched sets as well. You can either DAGS on "How to annoy salesmen while you match mics" (actually "How to purchase microphones" . . some shops will also sell you pairs they've already matched. That applies to most any mic, though '57s and '58s are the ones I've seen sold as "Matched Pairs" most often. |
#8
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U-CDK_CHARLES\\Charles wrote:
You might want to shop for matched sets as well. You can either DAGS on "How to annoy salesmen while you match mics" (actually "How to purchase microphones" . . some shops will also sell you pairs they've already matched. That applies to most any mic, though '57s and '58s are the ones I've seen sold as "Matched Pairs" most often. Okay, I give up. WHY would anyone even want a matched pair of 57s or 58s? It's not like you're going to use them for stereo miking. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#9
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On 21 Jul 2004 10:28:36 -0400, Scott Dorsey wrote:
U-CDK_CHARLES\\Charles wrote: You might want to shop for matched sets as well. You can either DAGS on "How to annoy salesmen while you match mics" (actually "How to purchase microphones" . . some shops will also sell you pairs they've already matched. That applies to most any mic, though '57s and '58s are the ones I've seen sold as "Matched Pairs" most often. Okay, I give up. WHY would anyone even want a matched pair of 57s or 58s? It's not like you're going to use them for stereo miking. --scott *shrugs* Ask the guy who's selling 'em . . I've worked live with groups who "INSISTED" that all the vocal channels on the board be setup identically (one of those "nod as you fix it" situations). I imagine they'd want 'em. I can't imagine a studio situation where I would, but LOTS of "unimaginable" things have been done on particular projects. A certain poor brown boy who grew up to be a wealthy white woman is reputed to have burned through a pile of ribbon mics using them on kick drum. |
#11
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We also have a Sennheiser 835, and we've noticed it feeds back thru
our PA (2 Mackie 1400s with EV 18" bottoms and Yamaha 15"s). Since the SM58s aren't as bright, perhaps we may eliminate/curtail this problem ? Any mic can be made to feed back if the gain & positioning of the system are not right. SM58s will certainly feed back, too, if not set up properly. It has practically nothing to do with the "brightness" of the mic. If you prefer the sound of the Sennheisers, keep them & get some system EQ & a person to set it for you to eliminate the feedback. Scott Fraser |
#12
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Chumley the Walrus wrote:
(Lee Salter) wrote in message . com... (Chumley the Walrus) wrote in message . com... Wondering if these are good vocal mikes for $100. Yes, they are good general purpose vocal mics. I have 6 of them that I use for live sound and occasionally I use one for voice-over work. I also like the Sennheiser E835 which is a little bit brighter but still smooth sounding and while priced the same as the SM58 for a single, you can buy a 3 pack for $200, if you need more than one. We also have a Sennheiser 835, and we've noticed it feeds back thru our PA (2 Mackie 1400s with EV 18" bottoms and Yamaha 15"s). Since the SM58s aren't as bright, perhaps we may eliminate/curtail this problem ? The e835 has an outrageously wide and sloppy pattern. If you like the tone on it, try the e855. Brightness has nothing to do with it. Poor pattern control does. The SM58 is okay in that regard but not much better than the e835. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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