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Chumley the Walrus
 
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Default Shure SM58LC microphones

Wondering if these are good vocal mikes for $100.
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Greg Taylor
 
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While there are many mics out there much better sounding than the SM58,
it is still the most durable mic you can get for $100. Their handling
characteristics and sonic quality qualify them more for live sound but
you still see them in the studio sometimes. I have SM58's in my church
I bought back in 1986 that I still use mainly because I can't break them
and justify buying new ones.
They have a self proclaimed upper midrange boost you should be aware of.

Chumley the Walrus wrote:
Wondering if these are good vocal mikes for $100.

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Scott Dorsey
 
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In article ,
Chumley the Walrus wrote:
Wondering if these are good vocal mikes for $100.


They are probably the world's most common vocal mikes.

If you don't pop your Ps, you might like the SM57 better.
Then again, you might not.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
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U-CDK_CHARLES\\Charles
 
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On 19 Jul 2004 12:44:13 -0700, Chumley the Walrus
wrote:
Wondering if these are good vocal mikes for $100.


Clearly Good Enough for most everyone to use live, especially for
handheld use.

Watch most any live show.

It's a durable beast with, perhaps not a PERFECT sound, but it's a sound
everyone knows well.

If you shop for live vocal mics, you can look forward to this
discussion:

"Oh it's like the '58 BUT . . . "

It's not the newest kid on the block by a long stretch, and its sound is
decidedly distinctive. BUT, there's a good reason why they're still
making it after *insert insanely long number of years*

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James Perrett
 
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Chumley the Walrus wrote:

Wondering if these are good vocal mikes for $100.


They'll work acceptably well with just about any gear and on just about
any voice. In a given application with a particular voice you'll almost
certainly find a better mic but it won't work as well on a different
voice or with a different PA. The SM58 is just about the most versatile
live mic around.

Cheers.

James.


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Scott Dorsey
 
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U-CDK_CHARLES\\Charles wrote:

You might want to shop for matched sets as well. You can either DAGS on
"How to annoy salesmen while you match mics" (actually "How to purchase
microphones" . . some shops will also sell you pairs they've already
matched.

That applies to most any mic, though '57s and '58s are the ones I've
seen sold as "Matched Pairs" most often.


Okay, I give up. WHY would anyone even want a matched pair of 57s or
58s? It's not like you're going to use them for stereo miking.
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."
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U-CDK_CHARLES\\Charles
 
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On 21 Jul 2004 10:28:36 -0400, Scott Dorsey wrote:
U-CDK_CHARLES\\Charles wrote:

You might want to shop for matched sets as well. You can either DAGS on
"How to annoy salesmen while you match mics" (actually "How to purchase
microphones" . . some shops will also sell you pairs they've already
matched.

That applies to most any mic, though '57s and '58s are the ones I've
seen sold as "Matched Pairs" most often.


Okay, I give up. WHY would anyone even want a matched pair of 57s or
58s? It's not like you're going to use them for stereo miking.
--scott


*shrugs* Ask the guy who's selling 'em . .

I've worked live with groups who "INSISTED" that all the vocal channels
on the board be setup identically (one of those "nod as you fix it"
situations). I imagine they'd want 'em.

I can't imagine a studio situation where I would, but LOTS of
"unimaginable" things have been done on particular projects.

A certain poor brown boy who grew up to be a wealthy white woman is
reputed to have burned through a pile of ribbon mics using them on kick
drum.

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ScotFraser
 
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We also have a Sennheiser 835, and we've noticed it feeds back thru
our PA (2 Mackie 1400s with EV 18" bottoms and Yamaha 15"s). Since the
SM58s aren't as bright, perhaps we may eliminate/curtail this problem
?

Any mic can be made to feed back if the gain & positioning of the system are
not right. SM58s will certainly feed back, too, if not set up properly. It has
practically nothing to do with the "brightness" of the mic. If you prefer the
sound of the Sennheisers, keep them & get some system EQ & a person to set it
for you to eliminate the feedback.


Scott Fraser
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