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#1
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I'd like to know what's cheaper out there besides the seemingly
expensive SEKD prodif 88, and the new lynx AES 16. i need 4 AES pairs in, 24/96 capability. thanks. dufus |
#2
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#3
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In article znr1088592640k@trad, Mike Rivers wrote:
In article writes: I'd like to know what's cheaper out there besides the seemingly expensive SEKD prodif 88, and the new lynx AES 16. i need 4 AES pairs in, 24/96 capability. You're looking for the least common interface for the low-budget crowd and unfortunately there isn't enough demand to make a cheap one. RME makes a box that will split T-DIF or ADAT into four AES pairs, for under a thousand bucks. You can add it to an existing ADAT or T-DIF card and go. Are you aware of the need for word clock synchronization when feeding multiple AES/EBU inputs from diverse sources? That can push your system cost up, too. That's the real nightmare, yeah. But good master clock synch of everything in the studio is probably a good idea anyway. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#4
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#6
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In article znr1088623164k@trad, Mike Rivers wrote:
In article writes: I *thought* someone had figured out how to build a breakout cable to split TDIF into AES pairs. Just look up the pinout of the connector. It's close enough to AES/EBU that most interfaces will talk to it. No guarantees, but it's a relatively inexpensive experiment. Assuming you have the TDIF part already. I'd be interested in talking to someone who has actually done this. It does look like it might actually work. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#7
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#8
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so is there a spdif version of what i seek? if i have to, i'd be
willing to fart around with 4 of those Neutrik AES to spdif converter thingys that provide proper Z conversion fron 110 to 75 ohm. Are you aware of the need for word clock synchronization when feeding multiple AES/EBU inputs from diverse sources? That can push your system cost up, too. yes, i was thinking from the standpoint of a lavry blue setup, which internally shares clock amongst it modules, but offers only AES/EBU output. but i've been trying out a lavry blue two-channel-loaded AD unit, and it so far doesn't seem to be totally smokin my sonorus AD24, surprisingly. didn't slay my friend's digi002, either, and we had some royer goin on, some api4312 goin on drums. maybe my signals aren't good enuf to reveal real differences, or i'm deaf, but i expected more "wow". don't have enough gold for the lavry gold. blue might go back for a mic pre. Du |
#9
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"dufus" wrote in message
m... ...i've been trying out a lavry blue two-channel-loaded AD unit, and it so far doesn't seem to be totally smokin my sonorus AD24, surprisingly. I would compare how it takes digital eq. and what a bunch of tracks mixed together sounds like before concluding the Lavry isn't worth it. The Benchmark I've been using doesn't sound all that different in an A vs. B comparison but the final results have frequently been night and day. -- Bob Olhsson Audio Mastery, Nashville TN Mastering, Audio for Picture, Mix Evaluation and Quality Control Over 40 years making people sound better than they ever imagined! 615.385.8051 http://www.hyperback.com |
#10
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![]() dufus wrote: so is there a spdif version of what i seek? Maybe - but multiple digital source still have to synchronised. It's part of doing things the *digital way*. The same holds true for video btw. If you want to mix *random sources* then analogue is the way to go. if i have to, i'd be willing to fart around with 4 of those Neutrik AES to spdif converter thingys that provide proper Z conversion fron 110 to 75 ohm. That's not the issue. Avoiding top-posting would also make it clearer to others following this thread. Graham Are you aware of the need for word clock synchronization when feeding multiple AES/EBU inputs from diverse sources? That can push your system cost up, too. yes, i was thinking from the standpoint of a lavry blue setup, which internally shares clock amongst it modules, but offers only AES/EBU output. but i've been trying out a lavry blue two-channel-loaded AD unit, and it so far doesn't seem to be totally smokin my sonorus AD24, surprisingly. didn't slay my friend's digi002, either, and we had some royer goin on, some api4312 goin on drums. maybe my signals aren't good enuf to reveal real differences, or i'm deaf, but i expected more "wow". don't have enough gold for the lavry gold. blue might go back for a mic pre. Du |
#11
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what is "top-posting"?
the 4 aes or spdif pairs would all be coming from one unit, the lavry blue loaded w/ 4 MAD modules. this thing shares clock amongst all its modules, so they are all in sync; this data was included in my response to Mike, if you read it carefully. i'm not talking about disparate sources. Du |
#12
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