[Deputy Dumbya Dawg[_9_]]

wrote in message
oups.com...

I suppose I could let a multiband compressor do it's stuff
on each
track and look at how much it's doing to each band. That
could be
helpful.

That's it, so long, this one's over as far as I'm concerned.
Arguing
on newsgroups can be fun, but it's not productive is it?


I presume you have not heard what a multiband compressor does
to mastered music and you have not spent much time with
something like Waves L3 mastering your own mixes? There are
four bands with many parameters per band. What it does
completely depends on the settings AND the dynamic character
of the music. Many mastering operations are brutalized with
this type of tool and you want to slap one on all your music?
Please. And by the way a few posts back you were stating you
did not want to compress even denying having expressed a
desire to compress and now you are talking multiband
compression. So you are learning something from all us mean
people after all. Wrong thing though.

Now LOOKING at a display perhaps you can learn something. I
have an old compressor hooked across one of the parallel bus's
of my monitor drive. I have been LOOKING at the peak levels of
whatever it is that is playing on my studio monitors for
years. It is interesting what you can and can not tell from a
meter.

And how is that thread on alt.masterpiece.pro you started on
how to get all those museum paintings to look the same
regardless of lighting and artistic difference.


peace
dawg