"Lorin David Schultz" wrote in message...

It's not about the sound of the instrument being recorded. It certainly
doesn't have anything to do with the way the instrument is played. The
arrangement of the song doesn't even factor into it.
It's not about using mics that are appropriate for the recording. It's
not about mic placement. It's not even about mix decisions.

Heck no, it's the SOFTWARE.

The inmates have the keys to the asylum.


Why do you come here? TO PARTY Duuuuuuuuuude!!

If you leave I'll have to drive to Canada and... and... um... well....
ask you not to abandon the asylum just yet. I don't know about
anyone else, but I do believe that I am seeing a resurgence of
interest in 'the real thing'. Over the past six months the studio
biz has swung towards an increase for me. It appears people
are tiring of beeing swooned by low dollar, errr.... excuse me
wannabes that claim to do things they really can't... at least it
seems that way. Potential clients are once again looking at
hiring session players and aren't so blasted concerned about
what cool looking 'plug ins' we have. I have only lost one client
to a home studio in the past 6 months, and that's after they had
recorded everything but vocals. (I think they'd rather be in a more
altered state when they track those and I don't go there often any
more, so this one doesn't concern me). If this keeps up, all may
not be lost to home computers after all.

Anyway... after all these years, your input is still valued by me.

--
David Morgan (MAMS)
http://www.m-a-m-s DOT com
Morgan Audio Media Service
Dallas, Texas (214) 662-9901
_______________________________________
http://www.artisan-recordingstudio.com