Ty Ford wrote:

Instead, HH is captured mostly by the overheads.

I beg to differ.

I find that each and every drum shows up in every single microphone as
well as the guitar and bass mics' if they are in the vicinity.

Listening to all the drums in ALL the microphones and coming up with the
perfect MIX of all these microphones is what elevates the true mix
'artist' from the 'follow the numbers' guys.

(but shhhh, don't tell anyone)