In article , Scott Dorsey
wrote:

I have 813c's in my control room that work very, very well. Of course
the reason why they do is control room was built and rebuilt three
times by its previous owner and was specifically designed for them.

They still just sound like horns to me, and I don't like anything that
forward as a studio monitor. But that is a matter of personal taste.


Horny or not - I couldn't resist that one - the name of the game, as
you well know, is using something that allows your mixes to walk out
seamlessly into the real world. For any large monitor, that is a huge
accomplishment. I guess that transportability is my personal taste.

The room images very well too. Countless times I've turned my head
looking for sounds that weren't actual ones, they were coming out of
the monitors. Fooled again.

For pretty listening, I use DQ-10's w/sub at home and Grado SR-125's.
And most everything I do these days is just so damn prettay ;





David Correia
Celebration Sound
Warren, Rhode Island


www.CelebrationSound.com