"Bob Morein" wrote in message
"Arny Krueger" wrote in message
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"Bob Morein" wrote in message
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One could argue with Krueger for days, and he'll come back with
charts, figures, tables, and wav samples.
Just the relevant facts, ma-am.
Morein you didn't mention my two web sites. One with over 40,000
readers per month
May we have a Price-Waterhouse-Cooper audit of those counters?
Have your Price-Waterhouse-Cooper rep call me. If you want to pay for the
report, I've got the numbers.
No?
Yes, your nickel.
Don't try a public offering.
It's a hobby, just like say writing plays.
and the other distributing enough materials to support maybe two
hundred (200) NEW ABX tests PER DAY and 200 NEW ABX testers per
week. It's been running full force for about 24 months. Go figure.
I still can't find one in my 'hood.
Please see
http://www.learnthenet.com/english/html/35dwnld.htm
Let me know when the Oscar Meyer Wiener truck arrives.
Irrelevant.
He is a dangerous opponent.
Not only dangerous, victorious. The most dangerous delusion clouding
my opponent's minds is that RAO is all there is. It is for them.
Thank you!
I think it's fair to say that the high end is dying.
Over-generalized. The high end as we knew it 20 years ago IS dying. "The
High End Of Audio" is a marketing concept and there will always be one.
What changes is the tokens, not the game.
You're just helping it along.
The winds of change and demographics rule us all. I'm just trying to help
myself and others have a little peace while the winds blow us along.
There is a kernel of truth in what you say. Greg's nonperforming
speakers are an example.
The market segment Greg is trying to address, yes it's an example. Greg's
speakers are too trivial and too tiny of a force to even make a good
example.
Unfortunately, you want to take down the whole edifice, which has some
valuable parts.
Not at all.
If you were the problem, the answer would be simple.
But as you correctly observe Morein, I'm not the problem.
But, as I sit here listening with my Nomad Jukebox and new Shure E2s, I at
least have a foot in the present and future of audio.