Thanks. I know Gantt Kushner still uses Paris about a mile down the road
from me, but I've often wondered just what one would need to see in a
product to make the move. Nuendo certainly seems to be impressive, although
my 2.0 version doesn't want to see my Digi9652 even though Samplitude 7.23
does.

That was basically the question I was really trying to run down. The
problem is that the Nuendo v2 software came with the 9652 and it's not able
to be registered. I figured that I'd at least take a look at it in terms of
working with video but it only recognizes my stupid onboard sound. As far
technically astute, the program kicks butt, however I don't have any real
methods of working with it to see how it "performs".

It's not like I can't do the job in Samplitude but there are some extremely
nice features in Nuendo that could make a job just fly by.

--


Roger W. Norman
SirMusic Studio

"Neil Henderson" wrote in message
m...

"Roger W. Norman" wrote in message
...
Thanks. Now I know what happened to Brian Tankersley! g Was
wondering
what he was going to do after Paris went tits up in a ditch.

AFAIK, he still uses Paris for some things. I recall some posts when he
was
still hanging in the Paris NG where he was saying he was tracking through
one & importing the tracks into the other for mixdown - I think Nuendo for
tracking & Paris for mixing. Dunno if he's still doing that. A couple guys
on the Paris NG are doing something similar. Me, I really liked the sound
of
Paris, but I don't have the desire to get as complex as all that, so SX
with
good convertors does fine for me.

Neil Henderson