In an article by Lynn Fuston in the December issue of EQ, he describes
an interesting approach to recording a group of three background
singers who will be recording more than one pass. He sets up an M-S
pair (which requires a bi-directional mic that the origianal poster
doesn't have) and puts the singers at 9 o'clock, 3 o'clock and a
little off center (11:30 or so). When mixing successive passes,
switch the left/right matrixing so the one on the right moves to the
left, the one on the left moves to the right, and the one off-center
moves to the other side of center.

I know, that sounds like a political song I don't quite remember - and
the one in the back . . . . . burned his draft card.



--
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