Sugarite wrote:
When a
sound reinforcement system is involved, coincident mics are imperative,
since spacing the mics generates very unnatural correlated differentials
from the separated sound sources putting out the same signal. When you have
a broad ensemble of acoustic sources, you end up somewhere in between.

But why would one be doing stereo with sound reinforcement?
The few times I've tried it the variation due to position
in the audience has made it useless unless you are really
close to center and even then it just doesn't come out right.


Bob
--

"Things should be described as simply as possible, but no
simpler."

A. Einstein