AudioBanter.com - View Single Post

In article %bC9d.1$z96.0@clgrps12 writes:

I can't think of *anything* you "should" or "should not" hear when
listening to the difference (L-R) signal, since what you'd hear is
completely dependant on aesthetic production decisions.

What you hear when you listen to L-R is a pretty good picture of the
ambience or artificial reverberation. On a multitrack recording with
added reverb, you'll hear too much reverb (as well as a crummy
sounding mix) while on a live stereo recording with a lot of ambient
information, you'll mostly just hear a strange change in balance. But
you really need to listen to L-R, not reverse the polarity of one
channel and listen to it on stereo speakers or headphones.

--
I'm really Mike Rivers )
However, until the spam goes away or Hell freezes over,
lots of IP addresses are blocked from this system. If
you e-mail me and it bounces, use your secret decoder ring
and reach me he double-m-eleven-double-zero at yahoo