"hank alrich" wrote in message


Arny Krueger wrote:

much snipped by Hank

For an acoustic guitar I find this would be one mic on the fret, one
on the hole,

much snipped by Hank

This approach often sucks bat weenie for classical guitar, giving
exactly the kind of phony imaging Bill S. was ranting about in
relation to classical recordings of our day.

Well Hank you edited it out, so I presume you had some reason to suppress
the fact that I said "mix and pan to suit".

much snipped by Hank

Get the mic(s) away from the instrument, to Mr. Stamler's suggested 5' or
so.

much snipped by Hank

Hank, I suggested that alternative as well, but you edited it out.

much snipped by Hank

Another part you edited out Hank, was the part where I suggested capturing
the room sound. I'll leave it to the readers to figure out what say 10% of
close sound and 90% of room sound might sound like.

much snipped by Hank

There, it sounds like a classical guitar recorded acoustically
instead of like a pop record.

much snipped by Hank

So what's your agenda Hank, edit my posts in an attempt make them look as
stupid as possible?