This exact thing happened to me a couple of years ago. The session was
supposed to be 48K, and we re-sampled to 44.1 on the bounce, but the files
played too fast. ProTools apparently thought it was at 48K, but was really
at 44.1, and things got messed up.
The producer "fixed" the problem by externally clocking at 44.1 minus the
difference between 44.1 and 48. I also later discovered that the problem
could've been fixed by simply changing the info in the file headers of the
bounced files.

Sean

"mr c deckard" wrote in message
om...
that's the only thing i can think of -- a 44.1k file was recorded with
a clock source of 48k, and saved as a 44.1k .aiff file.

oh well, turns out we can get the da-88's here (and the band wasted
$200 on a useless xfer).

cd /..





Be sure your ProTools Hardware Setup is set to internal 44.1 kHz clock
and not
external where it might be coming from a 48kHz source.

-Jay