January 26th 07, 12:31 PM
On 2007-01-25 said:
>> THis is why I'm doing the remote rig in a vehicle, my
>> monitoring environment stays the same whereverI go and I can
>> make critical decisions on these issues.
>> Since you're using the guerilla film approach, you're stuck
>> with less than optimum results, and possibly more than one
>> attempt to get the recording right. your hobby is also
>> teaching you a lotin the process, so enjoy and figure you
>> might have to attempt this a few times toget it right.
>Very true. Thanks for the caution.
AS long as you and the musicians understand this, especially
the musicians you probably can get something usable with a
few attempts. I've worked that way when i had less than
optimum conditions, but I could always turn off the
microphones, gather everybody around, listen, reposition
instruments and microphones then record again.
YOu on the other hand have to take your recording home,
listen, look at the notes you made regarding placement of
microphones and musicians, go back again hopefully to the
same venue on another occasion and put what you learned last
time into play. COpious notes are going to be your friend
here I think.
Richard webb,
Electric Spider Productions
Replace anything before the @ symbol with elspider for real
email address.
Great audio is never heard by the average person, but bad
audio is heard by everyone.
>> THis is why I'm doing the remote rig in a vehicle, my
>> monitoring environment stays the same whereverI go and I can
>> make critical decisions on these issues.
>> Since you're using the guerilla film approach, you're stuck
>> with less than optimum results, and possibly more than one
>> attempt to get the recording right. your hobby is also
>> teaching you a lotin the process, so enjoy and figure you
>> might have to attempt this a few times toget it right.
>Very true. Thanks for the caution.
AS long as you and the musicians understand this, especially
the musicians you probably can get something usable with a
few attempts. I've worked that way when i had less than
optimum conditions, but I could always turn off the
microphones, gather everybody around, listen, reposition
instruments and microphones then record again.
YOu on the other hand have to take your recording home,
listen, look at the notes you made regarding placement of
microphones and musicians, go back again hopefully to the
same venue on another occasion and put what you learned last
time into play. COpious notes are going to be your friend
here I think.
Richard webb,
Electric Spider Productions
Replace anything before the @ symbol with elspider for real
email address.
Great audio is never heard by the average person, but bad
audio is heard by everyone.