Garthrr
September 9th 03, 12:21 PM
In article >,
(David Bock) writes:
>The difference your hearing between the 149 and a 49 is the radically
>different electronics of the 149.
So, for there anyone who's had a chance to use both mics, I'd like to know your
opinion of the sound of both. If it were generally acknowledged that the
electronics of the M 149 are sonically inferior to those of the M 49 I'd be
curious why the change has been for the worse rather than the better. Is it a
matter of being able to advertise better specs? When he worked on my KM84 years
ago Klaus Heyne told me that he thought Neumann sacrificed sound quality to get
a lower distortion figure.
It just seems like we should be able to make better mics than we did 50 years
ago, doesnt it?
Garth~
"I think the fact that music can come up a wire is a miracle."
Ed Cherney
(David Bock) writes:
>The difference your hearing between the 149 and a 49 is the radically
>different electronics of the 149.
So, for there anyone who's had a chance to use both mics, I'd like to know your
opinion of the sound of both. If it were generally acknowledged that the
electronics of the M 149 are sonically inferior to those of the M 49 I'd be
curious why the change has been for the worse rather than the better. Is it a
matter of being able to advertise better specs? When he worked on my KM84 years
ago Klaus Heyne told me that he thought Neumann sacrificed sound quality to get
a lower distortion figure.
It just seems like we should be able to make better mics than we did 50 years
ago, doesnt it?
Garth~
"I think the fact that music can come up a wire is a miracle."
Ed Cherney