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---Need FAST Answer: Aud-Vid Matching---
Audio experts here, I need an answer FAST, please! (Usenet messages are slow to
appear on AOL, so please copy to my email, ) I need to videotape for cable an oft-moved candidates debate. I was just informed that it will be live in the studio of a local FM station, TONIGHT. That limits me to one camera. That camera is a Panasonic PV-GS15 MiniDV camcorder, with only a single "mic" input. (I do not have ready access to additional mics or mixers). I presume I can get a feed from the radio station. I presume it will be line level, either -10 or +4. What would be the best way to interface to the camcorder's 1/8" mic input? Of course, it has undefeatable AGC, so I need to get near the correct level to minimize pumping. I have a direct box with associated cables, and a few hi-lo impedance matching xformers. HELP! |
#3
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Blackburst wrote:
I need to videotape for cable an oft-moved candidates debate. I was just informed that it will be live in the studio of a local FM station, TONIGHT. That limits me to one camera. That camera is a Panasonic PV-GS15 MiniDV camcorder, with only a single "mic" input. (I do not have ready access to additional mics or mixers). I presume I can get a feed from the radio station. I presume it will be line level, either -10 or +4. What would be the best way to interface to the camcorder's 1/8" mic input? Of course, it has undefeatable AGC, so I need to get near the correct level to minimize pumping. I have a direct box with associated cables, and a few hi-lo impedance matching xformers. HELP! Go to Radio Shack and get the pad they specifically sell for plugging an RCA line level input into a consumer camcorder. Use an isolation transformer to unbalance the feed you get from the FM guys (a DI box in reverse might be fine). You cannot do anything about the AGC pumping so just live with it. Setting the levels perfectly won't make it any better. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#4
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Thanks for the advice! Just FYI, I did it and it worked!
The radio station fed me from their headphone amplifier (aaaarrrgghhh!). I went 1/4" to the input of a direct box, then used an XLR to mini 1/8" cable to the camcorder mic in. At first test, the air audio was too hot. I tried the -40 pad, but the sound disappeared. The -12 pad brought the level into the ballpark. Then I adjusted the headphone amp to feed approximately the same level as the built-in mic. During the interstitials, the commercial breaks, I just reached over and unplugged the line feed, opening up the built-in mic. The mic-in on the camcorder must be stereo, as the audio was only on the left channel. The level was perfect with no audible hiss or pumping!!! Isn't this what audio operations are about so often: interfacing equipment to get the right levels, the right sound? Maybe this wasn't textbook, but the result was perfect! |
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