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Mike Rivers Mike Rivers is offline
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Default DICE II Firewire Driver Settings

I have an Allen & Heath Zed R16 here for review. Great sounding and
feeling mixer (built like a real mixer, too) but its digital part
doesn't seem to be very happy with my computer (which works fine with a
Mackie Onxy 1200F). It snaps, crackles and pops even when playing two
channels, it gets worse with time, and eventually the driver loses
communication with the mixer and it has to be reset.

The driver control panel has a "Normal" setting as well as Safe Modes 1,
2, and 3. No explanation of what those do, but it seems to work worst in
Normal and better in the Safe modes. I haven't been able to find any
significant public information on the DICE II chip other than press
releases. Anyone have experience with those Safe modes or have a product
with a DICE that says something about them in the manual?

The computer is pretty well optimized with all the standard Windows
settings. Setting the buffer to 512 samples seems to work a little
better but it doesn't get any better with a larger or smaller buffer.
I'm not worried about latency (yet), I'd just like to be able to get a
few hours of mixing time on it to get a feel for it without having to
put up with all that hash and eventual silence.

It's the weekend, so I haven't tried to contact A&H yet. I'm afraid that
it's one of those things where the Firewire chip in my computer isn't
the best match for the one in the mixer. The card in the computer has a
VIA chip which most people will tell you doesn't work with anything (but
I can tell you that it works fine with Mackie's stuff). I have a PCMCIA
adapter for my old laptop computer (NEC chip in that one) and I think it
works better than the studio computer when playing stereo tracks through
the Zed, but that laptop doesn't really have enough horsepower to play
more than about 6 tracks so it's not a fair comparison.

Tired of screwing with it for the day, but I was just wondering if
anyone knows what that "Safe Mode" is and whether it's really meant to
make it work better under some conditions.


--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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philicorda[_6_] philicorda[_6_] is offline
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Default DICE II Firewire Driver Settings

On Sat, 08 Nov 2008 21:30:17 +0000, Mike Rivers wrote:

I have an Allen & Heath Zed R16 here for review. Great sounding and
feeling mixer (built like a real mixer, too) but its digital part
doesn't seem to be very happy with my computer (which works fine with a
Mackie Onxy 1200F). It snaps, crackles and pops even when playing two
channels, it gets worse with time, and eventually the driver loses
communication with the mixer and it has to be reset.

The driver control panel has a "Normal" setting as well as Safe Modes 1,
2, and 3. No explanation of what those do, but it seems to work worst in
Normal and better in the Safe modes. I haven't been able to find any
significant public information on the DICE II chip other than press
releases. Anyone have experience with those Safe modes or have a product
with a DICE that says something about them in the manual?


The safe modes are to mitigate problems when other drivers (for video,
usb etc) spend too much time in a DPC call, and the kernel cannot run the
soundcard driver in time for it to service the audio buffers.

They solve this by using larger kernel side buffers = increased latency.
The larger buffer size means there can be a longer delay before the
driver runs.
I imagine the latency gets longer with the higher safe modes.

So, some other driver on your system is not real time safe, or else
perhaps a driver has made a non preemptable system call that must be
carried out before another driver can run.

I learnt most of this from he
http://www.gearslutz.com/board/low-e...s-i-o-konnekt-
firestudio-dice-ii-chipset-interfaces.html
and don't fully understand it.

The difference between the kernel side buffers and the normal audio ones
is that the audio buffers affect how many samples are in each buffer that
is sent to the soundcard, thus a larger buffer means less interrupts so
each interrupt is more likely to be serviced in time. A larger driver
kernel buffer affects how long another driver can spinlock before the
sound card driver must run.

I don't understand why the safe modes work, as if the kernel is
spinlocked, surely it will miss the sound card's interrupt too?


The computer is pretty well optimized with all the standard Windows
settings. Setting the buffer to 512 samples seems to work a little
better but it doesn't get any better with a larger or smaller buffer.
I'm not worried about latency (yet), I'd just like to be able to get a
few hours of mixing time on it to get a feel for it without having to
put up with all that hash and eventual silence.

It's the weekend, so I haven't tried to contact A&H yet. I'm afraid that
it's one of those things where the Firewire chip in my computer isn't
the best match for the one in the mixer. The card in the computer has a
VIA chip which most people will tell you doesn't work with anything (but
I can tell you that it works fine with Mackie's stuff). I have a PCMCIA
adapter for my old laptop computer (NEC chip in that one) and I think it
works better than the studio computer when playing stereo tracks through
the Zed, but that laptop doesn't really have enough horsepower to play
more than about 6 tracks so it's not a fair comparison.

Tired of screwing with it for the day, but I was just wondering if
anyone knows what that "Safe Mode" is and whether it's really meant to
make it work better under some conditions.


I had some initial problems with my DICEII based Presonus Firestudio. Not
working well at low latency and the occasional glitch. Getting a new TI
PCI firewire card improved matters. (And a VIA one too that did not work
so well.)
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Mike Rivers Mike Rivers is offline
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philicorda wrote:

The safe modes are to mitigate problems when other drivers (for video,
usb etc) spend too much time in a DPC call, and the kernel cannot run the
soundcard driver in time for it to service the audio buffers.


Misnamed, I think, but that sounds like a reasonable thing to do to help
people like me who don't know what a DPC call is and thinks a kernel is
where popcorn starts.

They solve this by using larger kernel side buffers = increased latency.
The larger buffer size means there can be a longer delay before the
driver runs.
I imagine the latency gets longer with the higher safe modes.

So, some other driver on your system is not real time safe, or else
perhaps a driver has made a non preemptable system call that must be
carried out before another driver can run.


So, is there anything I can do about this that will make it work better
other than to slow it down? I'll check out that Gearslutz reference to
see if there's anything I can use there. I may have actually run across
that in my Googling, but most of what I saw about the DICE was about the
Alesis I/O thing so I passed it up. The Zed is probably too new for
anyone to start talking about it yet.

The difference between the kernel side buffers and the normal audio ones
is that the audio buffers affect how many samples are in each buffer that
is sent to the soundcard, thus a larger buffer means less interrupts so
each interrupt is more likely to be serviced in time. A larger driver
kernel buffer affects how long another driver can spinlock before the
sound card driver must run.


I thought that Firewire was supposed to mitigate problems like that
because of its smarts to keep data flowing. At least that's one of the
arguments that people use in the Firewire vs. USB2 wars.

I had some initial problems with my DICEII based Presonus Firestudio. Not
working well at low latency and the occasional glitch. Getting a new TI
PCI firewire card improved matters. (And a VIA one too that did not work
so well.)


Yeah, that's one of the standard Firewire audio fix-its. Whatever
Firewire I/O card you have, get something different. g It's getting
harder to tell what chipset a particular card uses though. They used to
put that info on the box sometimes, now you don't always even get a box.
And the hardware manufacturers don't necessarily use the same parts this
year that they used last year. So if someone who bought a Brand A card a
couple of years back and found (by checking it in the Windows Device
Manager) that it had a TI chip tells you to get one like it, unless you
buy one just as old, there's no guarantee that you'll get the chip
you're looking for.

When I got the Mackie Onyx mixer card, my first Firewire audio deveice,
I didn't have a Firewire card in any of my computers. My laptop was the
most powerful one at the time, so I got a PCMCIA adapter for it. Got
clicks and pops, so I exchanged it for a different brand, and then a
third one, until I finally found the noises were related to the network
card. A new driver for that fixed the problem, and I suspect that any of
the Firewire cards I had would have worked fine.


--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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hank alrich hank alrich is offline
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Default DICE II Firewire Driver Settings

Mike Rivers wrote:

Misnamed, I think, but that sounds like a reasonable thing to do to help
people like me who don't know what a DPC call is and thinks a kernel is
where popcorn starts.


You are SUCH an old fart. Nowadaze everyone knows popcorn starts with a
microwave!

"I guess the times have changed, kids are different now,
"'Cause some don't even seem to know the milk comes from a cow.
"My little boy can tell the names of all the baseball stars,
"I remember how we memorized the names on railroad cars"
Utah Phillips

(I've been splitting wood all day and seem to be infected with
off-topicness.)

--
ha
shut up and play your guitar
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Mike Rivers Mike Rivers is offline
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Soundhaspriority wrote:

I tried to find some programming information that I could interpret for you,
but I found nothing. I don't think the explanation is completely correct.
All ASIO buffers are in the kernel. "Kernel side buffers" is borrowed
terminology from Linux. The way this field works, people coin and borrow new
terms all the time. There's nothing wrong with this, but I can't find a
correspondence between the term and a programming scenario. However, there
are separate buffers set up by the firewire driver. They're all in the
kernel, along with the ASIO buffers.


Well, thanks for the effort, but the bottom line, as I see it, is that
whatever the explanation, there's absolutely nothing we can do to fix it
other than to try different hardware and see if that works any better.
There's nothing you can test and then repair.

I try to look at the best Firewire can do, not the worst. The fact is, there
is no other even semi generic alternative that provides anywhere near the
performance. Better alternatives exist in proprietary forms. Apogee, Emu,
RME, and Motu all offer proprietary alternatives.


The bottom line is that all of this stuff can work. Manufacturers don't
intentionally make defective products. But since they're trying to work
in the world of open systems and can't possibly test every combination,
they (and we) have to accept that there will be combinations that don't
work very well. It's the responsibility that we take on by not paying
for the engineering and testing of a turnkey system. The majority of the
users get satisfactory operation, the others jump on to forums and
complain about poor designs and inadequately tested drivers.

If there is information that allows someone to predict success with
reasonable certainty -- such as using an Echo product instead of this, it's
a plus. If I were you, and had the responsibility of a reviewer, I would
call up Allen and Heath, and find out exactly what adapter chipset they
engineered to. Ifthat chipset is a $50 proposition, it's not a drawback.


For the purpose of a review, it really doesn't matter. It works well
enough so that I can say that (when it works) it sounds good and go on
to describe the functionality and features. If I wanted to buy it, I'd
certainly make an attempt to find the optimum interface hardware. The
thing is that as a reviewer, I don't work like an ordinary person who
gets a hardware setup and works with it for a couple of years. If I have
to change a card to get the A&H to work, then change to another card to
get the Mackie to work, then another card to get a Personus to work, and
another card to get a t.c. to work . . . Then I get an RME and find that
it works fine with the last Firewire card I put in the computer, so I
get curious and put in another one and it works, and I put in a third
one and it works . . . . I need to say something about this. All
arbitrary of course, for the sake of this discussion, but "I tried Brand
X and I couldn't get it working so I bought a Brand R and it worked
right off" seems to be pretty common. So what do they know that the
others don't?

think that they should loan you a card so as to give the product the best
chance, or possibly you might decline to review. If you get "their" card,
and it still doesn't work, serious reservations may be in order.


Well, maybe, but they don't know what else is on and in my computer. For
the best review, they should lend me a computer that they've tested. And
that gets back to the turnkey engineering. An important part of a review
SHOULD be how well they've dealt with the "it should work with whatever
the customer has" aspect. But that's a really tough assignment. I feel
for them.



--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)


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On Nov 8, 10:24 pm, Mike Rivers wrote:
Soundhaspriority wrote:
I tried to find some programming information that I could interpret for you,
but I found nothing. I don't think the explanation is completely correct.
All ASIO buffers are in the kernel. "Kernel side buffers" is borrowed
terminology from Linux. The way this field works, people coin and borrow new
terms all the time. There's nothing wrong with this, but I can't find a
correspondence between the term and a programming scenario. However, there
are separate buffers set up by the firewire driver. They're all in the
kernel, along with the ASIO buffers.


Well, thanks for the effort, but the bottom line, as I see it, is that
whatever the explanation, there's absolutely nothing we can do to fix it
other than to try different hardware and see if that works any better.
There's nothing you can test and then repair.

I try to look at the best Firewire can do, not the worst. The fact is, there
is no other even semi generic alternative that provides anywhere near the
performance. Better alternatives exist in proprietary forms. Apogee, Emu,
RME, and Motu all offer proprietary alternatives.


The bottom line is that all of this stuff can work. Manufacturers don't
intentionally make defective products. But since they're trying to work
in the world of open systems and can't possibly test every combination,
they (and we) have to accept that there will be combinations that don't
work very well. It's the responsibility that we take on by not paying
for the engineering and testing of a turnkey system. ...
Well, maybe, but they don't know what else is on and in my computer. For
the best review, they should lend me a computer that they've tested. And
that gets back to the turnkey engineering. An important part of a review
SHOULD be how well they've dealt with the "it should work with whatever
the customer has" aspect. But that's a really tough assignment. I feel
for them.


Hank
fell two oaks out in the horse pasture, it is coming into that
season!!
you can tell as mike is bitchin' about firewire and his cheap
computers.
I am thinking that I need to buy a hydraulic splitter, the muscles are
not happy.

mike
will it work with a mac
the newest mac book pro's are the cat's meow.
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[email protected] audioaesthetic@gmail.com is offline
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On Nov 8, 10:24 pm, Mike Rivers wrote:
Soundhaspriority wrote:
I tried to find some programming information that I could interpret for you,
but I found nothing. I don't think the explanation is completely correct.
All ASIO buffers are in the kernel. "Kernel side buffers" is borrowed
terminology from Linux. The way this field works, people coin and borrow new
terms all the time. There's nothing wrong with this, but I can't find a
correspondence between the term and a programming scenario. However, there
are separate buffers set up by the firewire driver. They're all in the
kernel, along with the ASIO buffers.


Well, thanks for the effort, but the bottom line, as I see it, is that
whatever the explanation, there's absolutely nothing we can do to fix it
other than to try different hardware and see if that works any better.
There's nothing you can test and then repair.

I try to look at the best Firewire can do, not the worst. The fact is, there
is no other even semi generic alternative that provides anywhere near the
performance. Better alternatives exist in proprietary forms. Apogee, Emu,
RME, and Motu all offer proprietary alternatives.


The bottom line is that all of this stuff can work. Manufacturers don't
intentionally make defective products. But since they're trying to work
in the world of open systems and can't possibly test every combination,
they (and we) have to accept that there will be combinations that don't
work very well. It's the responsibility that we take on by not paying
for the engineering and testing of a turnkey system. ...
Well, maybe, but they don't know what else is on and in my computer. For
the best review, they should lend me a computer that they've tested. And
that gets back to the turnkey engineering. An important part of a review
SHOULD be how well they've dealt with the "it should work with whatever
the customer has" aspect. But that's a really tough assignment. I feel
for them.


Hank
fell two oaks out in the horse pasture, it is coming into that
season!!
you can tell as mike is bitchin' about firewire and his cheap
computers.
I am thinking that I need to buy a hydraulic splitter, the muscles are
not happy.

mike
will it work with a mac
the newest mac book pro's are the cat's meow.
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Arny Krueger Arny Krueger is offline
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Default DICE II Firewire Driver Settings

wrote in message

On Nov 8, 10:24 pm, Mike Rivers
wrote:
Soundhaspriority wrote:
I tried to find some programming information that I
could interpret for you, but I found nothing. I don't
think the explanation is completely correct. All ASIO
buffers are in the kernel. "Kernel side buffers" is
borrowed terminology from Linux. The way this field
works, people coin and borrow new terms all the time.
There's nothing wrong with this, but I can't find a
correspondence between the term and a programming
scenario. However, there are separate buffers set up by
the firewire driver. They're all in the kernel, along
with the ASIO buffers.


Well, thanks for the effort, but the bottom line, as I
see it, is that whatever the explanation, there's
absolutely nothing we can do to fix it other than to try
different hardware and see if that works any better.
There's nothing you can test and then repair.

I try to look at the best Firewire can do, not the
worst. The fact is, there is no other even semi generic
alternative that provides anywhere near the
performance. Better alternatives exist in proprietary
forms. Apogee, Emu, RME, and Motu all offer proprietary
alternatives.


The bottom line is that all of this stuff can work.
Manufacturers don't intentionally make defective
products. But since they're trying to work in the world
of open systems and can't possibly test every
combination, they (and we) have to accept that there
will be combinations that don't work very well. It's the
responsibility that we take on by not paying for the
engineering and testing of a turnkey system. ...
Well, maybe, but they don't know what else is on and in
my computer. For the best review, they should lend me a
computer that they've tested. And that gets back to the
turnkey engineering. An important part of a review
SHOULD be how well they've dealt with the "it should
work with whatever the customer has" aspect. But that's
a really tough assignment. I feel for them.


Hank
fell two oaks out in the horse pasture, it is coming into
that season!!
you can tell as mike is bitchin' about firewire and his
cheap computers.
I am thinking that I need to buy a hydraulic splitter,
the muscles are not happy.

mike
will it work with a mac
the newest mac book pro's are the cat's meow.


They tell me that a lot of the new Mac Books don't even have firewire ports.
OK, the pro still has a firewire chip, but isn't this a sign that Apple is
abandoning firewire?


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Arny Krueger wrote:
They tell me that a lot of the new Mac Books don't even have firewire ports.
OK, the pro still has a firewire chip, but isn't this a sign that Apple is
abandoning firewire?


none of the most recent mac books have firewire.
the mac book pro does.
there are a lot of petitions to apple about this.
I think that they are just getting ready for the newest firewire, 3.2
gig!!
and it will be backwards compatible.
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On Sun, 09 Nov 2008 00:24:51 +0000, Mike Rivers wrote:

philicorda wrote:

The safe modes are to mitigate problems when other drivers (for video,
usb etc) spend too much time in a DPC call, and the kernel cannot run
the soundcard driver in time for it to service the audio buffers.


Misnamed, I think, but that sounds like a reasonable thing to do to help
people like me who don't know what a DPC call is and thinks a kernel is
where popcorn starts.

They solve this by using larger kernel side buffers = increased
latency. The larger buffer size means there can be a longer delay
before the driver runs.
I imagine the latency gets longer with the higher safe modes.

So, some other driver on your system is not real time safe, or else
perhaps a driver has made a non preemptable system call that must be
carried out before another driver can run.


So, is there anything I can do about this that will make it work better
other than to slow it down? I'll check out that Gearslutz reference to
see if there's anything I can use there.


This is the relevant part:

"When developing a driver that can exhibit low audio latency there is a
compromise between obtaining low latency and avoiding clicks every time
another driver creates a large DPC spike. In the DICE drivers this is
balanced by the €˜safe mode setting. Higher €˜safe mode makes the system
less sensitive to DPC latencies (insensitive to anything below the €˜safe
mode threshold) by relying on more buffering in the kernel and therefore
more latency."

I may have actually run across
that in my Googling, but most of what I saw about the DICE was about the
Alesis I/O thing so I passed it up. The Zed is probably too new for
anyone to start talking about it yet.


If using one of the safe modes improves matters, you could download a
program called 'DPC Latency Checker':

http://www.thesycon.de/deu/latency_check.shtml

This will show you in microseconds the longest spinlock that the kernel
is holding. The safe mode must make the buffers larger to deal with the
time spent waiting for the lock to be released. There is a far better
explanation on that page of the problem than mine.

If there are long spinlocks, then it's back to magic spells and randomly
disabling hardware until the errant driver is found.

I'm sure there is an equivalent for 'latencytop' on Windows that will
tell you exactly where the kernel is spending all it's time, rather than
just that there is a problem. A Windows developer would know more about
this.


The difference between the kernel side buffers and the normal audio
ones is that the audio buffers affect how many samples are in each
buffer that is sent to the soundcard, thus a larger buffer means less
interrupts so each interrupt is more likely to be serviced in time. A
larger driver kernel buffer affects how long another driver can
spinlock before the sound card driver must run.


I thought that Firewire was supposed to mitigate problems like that
because of its smarts to keep data flowing. At least that's one of the
arguments that people use in the Firewire vs. USB2 wars.


The firewire interface can use DMA to transfer data directly into memory,
without utilising the CPU. Once the data is there though, the kernel mode
sound card device driver still needs to run to process that data. If
there is another driver ahead in the queue that is taking too long, then
the data may not be processed before the sound card is ready to send it's
next block.


I had some initial problems with my DICEII based Presonus Firestudio.
Not working well at low latency and the occasional glitch. Getting a
new TI PCI firewire card improved matters. (And a VIA one too that did
not work so well.)


Yeah, that's one of the standard Firewire audio fix-its. Whatever
Firewire I/O card you have, get something different. g It's getting
harder to tell what chipset a particular card uses though. They used to
put that info on the box sometimes, now you don't always even get a box.
And the hardware manufacturers don't necessarily use the same parts this
year that they used last year. So if someone who bought a Brand A card a
couple of years back and found (by checking it in the Windows Device
Manager) that it had a TI chip tells you to get one like it, unless you
buy one just as old, there's no guarantee that you'll get the chip
you're looking for.


My guess is that changing the Firewire card a few times cleans the
contacts in the PCI slot. It could be that the hardware is irrelevant
and what makes the difference is changing the device driver, or perhaps
IRQs getting reassigned when you move hardware around. Or perhaps it
really is just magic.

I'd like some more authoritative explanations of all this stuff too,
which is why I'm writing mine in the hope of making a *real* geek annoyed
enough to correct me.


When I got the Mackie Onyx mixer card, my first Firewire audio deveice,
I didn't have a Firewire card in any of my computers. My laptop was the
most powerful one at the time, so I got a PCMCIA adapter for it. Got
clicks and pops, so I exchanged it for a different brand, and then a
third one, until I finally found the noises were related to the network
card. A new driver for that fixed the problem, and I suspect that any of
the Firewire cards I had would have worked fine.


It would be interesting to know if the network driver would have shown up
on the DPC latency checker.


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Mike Rivers Mike Rivers is offline
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philicorda wrote:

My guess is that changing the Firewire card a few times cleans the
contacts in the PCI slot. It could be that the hardware is irrelevant
and what makes the difference is changing the device driver, or perhaps
IRQs getting reassigned when you move hardware around. Or perhaps it
really is just magic.


I'll go for the magic. My Firewire card seems to be running on an
ancient Microsoft driver. It says 7/1/2001 Ver. 5.1.2535.0. I tried
looking for an update to that driver on the Microsoft support web site
but there doesn't seem to be one. So the card is talking to the CPU the
same way it was seven years ago.


--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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On Nov 9, 1:24 pm, Mike Rivers wrote:
....My point isn't that Firewire doesn't work for audio, i
t's that there isn't yet sufficient standardization of
interface components (including stuff inside the computer, I suspect)
that any particular combination, of which there sure surely thousands
possible, can't be assured of working flawlessly. It doesn't matter to
the user (me, in this case) what the problem is until someone can give
me a solution - not a "try this."

solution given,
buy a Mac Book Pro. no thousands of possibilities, it is your
"turnkey" system.
it works!!!
which is why I laugh every time you restart this same thread!

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On Nov 9, 2:39 pm, Mike Rivers wrote:
but when you get new stuff in every couple of
months that's "supposed" to work with the nominal system that I have,
then, dammit, it SHOULD work. I'm not complaining about the DICE chip or
the Zed mixer, I'm complaining about the perception of compatibility
that isn't.



I say the problem is you have the less expensive, older models of
computers bought with the prime consideration of how little you would
spend. You then try to hook something up to it that requires more then
then your pieces of crap can deliver. Then you post here bellyaching
about how it doesn't work right.
Is this is how they do design and development, low bid.
I wonder how long your patron's will tolerate your inability to work
with their products?
oh yeah, they really don't pay you, you take product as payment.
sounds like payola, should one trust the reviewer who take payola and
can not get the product to work properly?

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On Nov 9, 12:14 pm, philicorda
wrote:

If using one of the safe modes improves matters, you could download a
program called 'DPC Latency Checker':


This will show you in microseconds the longest spinlock that the kernel
is holding. The safe mode must make the buffers larger to deal with the
time spent waiting for the lock to be released. There is a far better
explanation on that page of the problem than mine.


If there are long spinlocks, then it's back to magic spells and randomly
disabling hardware until the errant driver is found.


Interesting. The meter stays well down in the green, in the ballpark
of 30 us range whether a file is playing or not, when using either the
Mackie or Zed interface. The Mackie plays fine, the Zed is more hash
than music.

What I did note, however (and this might be some characteristic of the
DPC checker) was that as soon as I closed Nuendo, it slammed all the
way up to the top of the display and stayed there. I thought maybe it
was that the audio interface (I was using the Mackie at the time) was
desperately trying to find somebody to talk to, but turning it off
didn't stop the high DPC usage even after a couple of minutes. Closing
the DPC checker and restarted it showed all grean.

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wrote:

I say the problem is you have the less expensive, older models of
computers bought with the prime consideration of how little you would
spend. You then try to hook something up to it that requires more then
then your pieces of crap can deliver.


Requires more WHAT? What's missing from my system that more money could
buy (other than an Apple nameplate)? What does Apple know that others
don't?

Then you post here bellyaching about how it doesn't work right.


But it DOES work right. I have three other Firewire audio interfaces
that work just fine with this computer. The fact that the DICE-II chip
wasn't in commercial products at the time that I bought the Firewire
card that I put in this computer may be related to the problem. However,
the Firewire specification and standards were in place when the DICE-II
was developed. So why doesn't it work? I can only surmise that there's
something that the DICE wants or needs that didn't exist a couple of
years ago.

The whole idea behind a computer-based SYSTEM is that things work
together because every interface is designed to meet the standards for
that interface. Now I recognize that standards evolve and the
documentation and universal acceptance often comes along later, and this
may be the case here. But "You need a Macbook Pro" doesn't guarantee
that it won't be obsolete for the DICE-III or whatever comes along next.

I'd be happy to plug this mixer into your Macbook Pro if you bring it
over. That will provide ONE data point. Then we can plug my Onyx
Satellite into your Macbook Pro and you'll see that it doesn't work.

I wonder how long your patron's will tolerate your inability to work
with their products?


I do, too. I'm pretty smart, but I'm not rich. Some of their customers
are the other way around and will gladly buy a new computer that's
guaranteed to work with the new hardware they want. I call that a
turnkey system, and that by purchasing this way, you're paying someone
else to do the research, the worrying, the testing, and the integration.
But much of the gear in the marketplace today is sold to people who are
intent on doing their own system engineering - because they think they
can, or that it's the only way they can afford the functionality that
they want.

oh yeah, they really don't pay you, you take product as payment.
sounds like payola, should one trust the reviewer who take payola and
can not get the product to work properly?


This is bordering on libel. Watch it! I get paid for my reviews. I
don't get given gear in exchange for reviews. And you're getting off the
subject. I think you don't have the technical answers I'm seeking so
you're just shooting the messenger. It doesn't help. There are lots of
messengers, many of whom are less resourceful than I am. At least I'm
trying to find out what the problem is so I can guide my readers toward
getting a successful system. If the only computer it works with is a
Macbook Pro, so be it. If the manufacturer tells me this, or recommends
specific Firewire adapters and OS versions, I'll certainly pass that on.
But from a Mac zealot who has never tried the product I'm testing, your
blanket recommendation doesn't carry much weight with me.



--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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hank alrich wrote:

Since the MIO works so damn well I have no desire or need to think of
upgrading. Hell, Metric Halo has a lot of new action available for my
interface, but I'm not going there until I can't keep this old Mac
running.


Since my Mackie HDR24/96 and Soundcraft 600 work so well together, I see
no need in upgrading my personal system (no computers necessary). But I
can't make the boat payments reviewing gear that nobody will buy today.


--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)


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On Nov 10, 7:39 am, Mike Rivers wrote:
wrote:
I say the problem is you have the less expensive, older models of
computers bought with the prime consideration of how little you would
spend. You then try to hook something up to it that requires more then
then your pieces of crap can deliver.


Requires more WHAT? What's missing from my system that more money could
buy (other than an Apple nameplate)? What does Apple know that others
don't?

Then you post here bellyaching about how it doesn't work right.


But it DOES work right. I have three other Firewire audio interfaces
that work just fine with this computer. The fact that the DICE-II chip
wasn't in commercial products at the time that I bought the Firewire
card that I put in this computer may be related to the problem. However,
the Firewire specification and standards were in place when the DICE-II
was developed. So why doesn't it work? I can only surmise that there's
something that the DICE wants or needs that didn't exist a couple of
years ago.

The whole idea behind a computer-based SYSTEM is that things work
together because every interface is designed to meet the standards for
that interface. Now I recognize that standards evolve and the
documentation and universal acceptance often comes along later, and this
may be the case here. But "You need a Macbook Pro" doesn't guarantee
that it won't be obsolete for the DICE-III or whatever comes along next.

I'd be happy to plug this mixer into your Macbook Pro if you bring it
over. That will provide ONE data point. Then we can plug my Onyx
Satellite into your Macbook Pro and you'll see that it doesn't work.

I wonder how long your patron's will tolerate your inability to work
with their products?


I do, too. I'm pretty smart, but I'm not rich. Some of their customers
are the other way around and will gladly buy a new computer that's
guaranteed to work with the new hardware they want. I call that a
turnkey system, and that by purchasing this way, you're paying someone
else to do the research, the worrying, the testing, and the integration.
But much of the gear in the marketplace today is sold to people who are
intent on doing their own system engineering - because they think they
can, or that it's the only way they can afford the functionality that
they want.

oh yeah, they really don't pay you, you take product as payment.
sounds like payola, should one trust the reviewer who take payola and
can not get the product to work properly?


This is bordering on libel. Watch it! I get paid for my reviews. I
don't get given gear in exchange for reviews. And you're getting off the
subject. I think you don't have the technical answers I'm seeking so
you're just shooting the messenger. It doesn't help. There are lots of
messengers, many of whom are less resourceful than I am. At least I'm
trying to find out what the problem is so I can guide my readers toward
getting a successful system. If the only computer it works with is a
Macbook Pro, so be it. If the manufacturer tells me this, or recommends
specific Firewire adapters and OS versions, I'll certainly pass that on.
But from a Mac zealot who has never tried the product I'm testing, your
blanket recommendation doesn't carry much weight with me.

--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)


Mike
should I do a search of this group and get a list of how many times
you have posted about having problems with YOUR computer and the
firewire interface for equipment you are trying to review? (earliest
post Dec 29 2000 total #1660)
or how about the article you were going to write and wanted resource
material.
(which I suppled many links for!)

why does the apple product work ... good design with a build that is
not looking for the cheapest price point.
My research into a computer daw lead me to purchase the mac and metric
halo products.
this same research had me purchase plextor optical burners and a
windows machine.
I buy based on research and not some cult inspiration or how cheap I
can buy it !!!

I have given my advice in the past but you always disregard it unless
Scot on Dan Lavery say the same thing. I would think that having 8
years of posting here about your lack of firewire understanding would
have given you the tools needed but this new thread proves otherwise.
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Dammit! It's getting better, or at least more interesting. If I change
anything in the DICE driver control panel - the buffer size or the Safe
Mode setting (this is really complicated and I don't want to go into it,
but there's a detailed - though I don't know how accurate - explanation
of it on the Gearslutz forum) it plays fine for a while, and then gets
progressively worse.

I had left it playing in a loop while I went off to check the e-mail,
and when I was walking back to the studio, I thought my neighbor was
blowing his leaves in my back yard. It was the Zed/Nuendo grinding away.
I changed the buffer size (made it a notch smaller), and that seemed to
kick-start it into correct operation for a while before it started
grinding away again. This is the sort of behavior I've read about with
Onyx Firewire stuff here, I think.

This might be an off-the-wall postulate, but it almost sounds like
there's no clock synchronization between the Zed and the computer. I
thought that was supposed to happen magically through the Firewire
connection, but maybe it's not happening and the audio output from the
console is getting out of sync with what the Firewire I/O card in the
computer is expecting. If the clock rates weren't synchronized, they'd
start off close enough, but would gradually drift apart, causing
progressively more missed samples.

Does anyone really know how this works?
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wrote:

should I do a search of this group and get a list of how many times
you have posted about having problems with YOUR computer and the
firewire interface for equipment you are trying to review? (earliest
post Dec 29 2000 total #1660)


Me? Firewire in 2000? It must have been a mention of the word, but
searches without context will do that for you. Thanks for trying.

why does the apple product work ... good design with a build that is
not looking for the cheapest price point.


What's better about the design that makes it work? That's what I'm
trying to find out. Instead of giving me technical information, you just
wave the Apple flag. Sorry, but I'm not buying it, particularly in light
of Apple's recent decision to discontinue Firewire on their computers
that don't carry the "Pro" label. I think this may be a very smart
MARKETING (not technical) decision on their part, being as how there are
more and more people (like me) who will be buying Firewire audio gear
(because there's more and more of it on the market) and finding that it
doesn't work with their $400 Mac Mini. Apple doesn't like to have
unhappy customers. If they get $1800 for the computer, they can afford
to support it better.

So I guess this supports your "cheap" argument. But it also supports my
argument that the Firewire standard is not yet sufficiently well
defined, or stable, or strictly adhered to (or all of those) for
whatever reason. Therefore it WILL require more support from the
manufacturers, and problem-solving for specific interface combinations.

I buy based on research and not some cult inspiration or how cheap I
can buy it !!!


I do, as well, for certain things. But we're talking about a Firewire
interface card, not a computer. If I was using the Firewire port on the
computer (which I'm not, because it doesn't have one) you could question
Dell's engineering vs. Apple's. But there aren't a lot of choices when
you want to buy a PCI or PCIe Firewire I/O card, and there's precious
little research that leads to a solid conclusion as to which one will
work in a given application. So what's a fellow to do?

I have given my advice in the past but you always disregard it unless
Scot on Dan Lavery say the same thing. I would think that having 8
years of posting here about your lack of firewire understanding would
have given you the tools needed but this new thread proves otherwise.


Oh, don't feel sorry for yourself. I've tried some of your suggestions
and may have even learned something from what you've had to say. But I
want to know the reasons behind what works, and "not spending enough
money" isn't a good one. I ask a lot of questions, or the same question
many times and perhaps in different ways, because I'm searching for a
MEANINGFUL ANSWER, not just a recommendation. Rest assured, you've been
helpful at times.

If I wanted to use a Metric Halo I/O box, I'd have to buy a Mac, because
that's all they support, and my Mac research would lead me to the
particular computer that best suited my needs. This might even be the
best solution for what I do. But that's not the problem here. Given
that, at least for a few weeks, I MUST use this A&H Zed R16, I need to
find a suitable mate for it, and not at great personal expense. The way
to do this is to gather real technical information, not anecdotes.


--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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Mike
and how did you deal with the pin 3 dilemma??
I mean the differences between the AES and the EBU until an agreement
was reached?
(does any standard really get followed if the manufacturer finds a
REASON not to?)

I think your first post as I found it was about using firewire to
create a LAN between some Roland device or was it a Korg ... in one
room and your studio setup elsewhere.

If someone with your depth of experience can not get a satisfactory
setup,
what does a layman expect when using these devices.

Have you explored finding a local mac user to help test the firewire.
ps the mini still has a firewire port.


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Mike Rivers wrote:

The whole idea behind a computer-based SYSTEM is that things work
together because every interface is designed to meet the standards for
that interface. Now I recognize that standards evolve and the
documentation and universal acceptance often comes along later, and this
may be the case here. But "You need a Macbook Pro" doesn't guarantee
that it won't be obsolete for the DICE-III or whatever comes along next.


Agreed. It seems to me that either the "standard" has some unfortunate
wiggle room, or that manufuacturers are claiming to meet the standard
but not doing so.

Even with Macs, when wanting to expand my FW interface capabilities in
order to hang the MIO and the outboard HD on different ports, the TiBook
having but one, I was directed to make sure the PCMCIA card I bought
used the TI chip. I do that and things have perfectly. But there were
plenty of warning of other chipsets not working well or at all with the
same computers.

--
ha
shut up and play your guitar
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wrote:

why does the apple product work ... good design with a build that is
not looking for the cheapest price point.


It doesn't take much time to scan the 'net for info on Macs ****ting
around some FW situation. And I use Macs erxclusively, with generally
fine results and little downtime.

Mike said you're not helping. He's right.

How about you go get a ZED and hook it to yoru Mac and report back?

--
ha
shut up and play your guitar
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wrote:
Mike
and how did you deal with the pin 3 dilemma??
I mean the differences between the AES and the EBU until an agreement
was reached?


Is this a real question? What dilemma? Since you're going back to
prehistoric times with my writings and references, did you read my July
1999 article in Recording on the subject? The important thing is to
understand what "Pin 2 Hot" means. In general, I wired up everything
here with pins 2 and 3 connected straight through (not "corrected"
anywhere). If something had an XLR connector but was unbalanced with
signal on pin 3 rather than pin 2, I either rewired it or I made a
special cable for it. My tape decks maintained polarity from input to
output so it really didn't matter how the cables were conceived as long
as the wiring wasn't reversed. If I was mixing or overdubbing on to a
tape that came from elsewhere (for example, was recorded on a Studer - I
had an Ampex) that had the opposite polarity at the heads, I just
inverted the signal going to it or coming from it. No problem.

But the important part was that either by inspection or with simple test
equipment (which could be as simple as a headphone) I could DETERMINE
how something was wired and could deal with it by finding the proper
adapter in a drawer or by making it. I can't do either at the boundaries
of a Firewire interface. If there IS test equipment, I don't know what
it is, and it's not likely to be simple. And you sure can't tell by
inspection what's going on. It's getting harder even to tell what chips
are in the devices.

(does any standard really get followed if the manufacturer finds a
REASON not to?)


That's a good question. Talk to John LaGrou (Millenia Media) about the
AES grounding and shielding standard and he'll tell you why doing it
their way everywhere can reduce the performance of his mic preamp, so he
modifies the standard to comply where practical. But talk to Grant of
Gordon Instruments, who redesigned the whole grounding system of his
preamp to comply with the standard and he'll tell you that it was a
bugger, but in the end he was better off. Both are fine preamps, and
neither one has been known to cause problems when installed in the
obvious and reasonable manner.

I think your first post as I found it was about using firewire to
create a LAN between some Roland device or was it a Korg ... in one
room and your studio setup elsewhere.


Can't imagine what that would be, must have been just in passing.
Clearly it isn't relevant to the issue we're discussing now.

If someone with your depth of experience can not get a satisfactory
setup,
what does a layman expect when using these devices.


My point, exactly. But if we all went back to analog interfacing, we
could figure these things out much more easily. g

Have you explored finding a local mac user to help test the firewire.
ps the mini still has a firewire port.


I have a friend with a Mac Mini and I just asked him last night to bring
it along when he and his wife come over for Thanksgiving dinner. Now
this is my friend Don who has more stuff than Scott Dorsey's old
garage, and more layers of cabling than a TV switch room. He's into old
computers and networking. Anyway, he begged off. Said that he has the
power supply and power cable tied into place where it's not easy to
access. And (getting back to standards) he said that even if he could
pull the power supply from the front of the rack, and he thinks that
might be possible, he'd want to leave the AC cable in place - and it
doesn't use a standard IEC connector, so he, nor I, don't have another
one to use.

However, here's one for you. I've been working this Zed with files
imported from other recorders and getting the progressively worse
crackles and dropouts. I didn't want to start recording with it until I
knew it worked. Well, this afternoon, I connected my Mackie HDR (analog
outputs) to the mixer inputs, put Nuendo into record, and copied an
8-track project to the computer. It played back flawlessly, and has been
looping for an hour or so. I opened up Sound Forge and played one of the
stereo files that previously crackled and groaned and it, too, played
back just fine. It's been going about 15 minutes now without a snort.

Now, I didn't DO anything other than to open Nuendo for recording.
Surely that couldn't have fixed it. And if it did, how would Nuendo fix
it for Sound Forge? I can't retrace my footsteps because there aren't
any footprints. I hate it when you don't know why you apparently fixed
something, because it's probably still broken.




--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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On Nov 10, 3:23 pm, (hank alrich) wrote:
wrote:
why does the apple product work ... good design with a build that is
not looking for the cheapest price point.


It doesn't take much time to scan the 'net for info on Macs ****ting
around some FW situation. And I use Macs erxclusively, with generally
fine results and little downtime.

Mike said you're not helping. He's right.

How about you go get a ZED and hook it to yoru Mac and report back?

--
ha
shut up and play your guitar


and what type of wood were you splitting? oak/black locust/ shag bark
hickory
with a maul or did you get some mechanical advantage?
after how many years of hearing the same thing does one have the right
to claim that
crying wolf is not professional?

do you think I could get paid to do it?
do you think he will send it to me to try (grin)
should I use the ti powerbook or the mac book pro (or the inspiron or
the xps)?
I just was doing a gut response to his _constant_ plea for firewire
help!!!
Would you use SAE tools on a metric machine??



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wrote:

On Nov 10, 3:23 pm, (hank alrich) wrote:
wrote:
why does the apple product work ... good design with a build that is
not looking for the cheapest price point.


It doesn't take much time to scan the 'net for info on Macs ****ting
around some FW situation. And I use Macs erxclusively, with generally
fine results and little downtime.

Mike said you're not helping. He's right.

How about you go get a ZED and hook it to yoru Mac and report back?



and what type of wood were you splitting? oak/black locust/ shag bark
hickory


Ponderosa Pine, Douglas Fir, and Incense Cedar. Later I will split some
California Black Oak, some Alder, and some Post Oak.

with a maul or did you get some mechanical advantage?


About three-quarters of it with a maul, and the rest with my
father-in-law's splitter.

after how many years of hearing the same thing does one have the right
to claim that
crying wolf is not professional?


Every situation is unique. Tell me: does the ZED work with _your_ Mac?
Yes or no? If you haven't tried it then assuming it will work with a Mac
may not turn out to be valid.

do you think I could get paid to do it?


Do you have a decade or so of published reviews that support your
reputation as a reviewer? Do you have a publisher seeking a review from
you?

do you think he will send it to me to try (grin)


Probably not. He did send me the FW option card for the Mackie Onyx
line, because I had one here at the time and we wanted to know how it
sounded, if it worked with my Mac, and with Logic Pro 6.4.3. Conversion
quality was average, far below that of my MIO, and it worked fine with
the computer and app. It also worked fine with the Cube.

should I use the ti powerbook or the mac book pro (or the inspiron or
the xps)?


You should try them all and report back. g

I just was doing a gut response to his _constant_ plea for firewire
help!!!


In general, Mike, when looking for help, gives pretty detailed
information about what he's trying to do with what, and about what is or
is not happening.

The point to take home here is this: he is troubleshooting a specific
system and it is pointless to say, "Oh, just change the system". Imagine
the moon shots if NASA had taken that approach. "Yeah, guys, well it's
not working, so we're going to abandon y'all and try another approach.
Any last words for the folks back home? Have a nice death!"

Would you use SAE tools on a metric machine??


Not relevant. Firewire is supposed to be a standard at least as tight as
either of those, and apparently, as itereated by various manufacturers,
it is not. Hence, the pointer to get a card with a TI chip for my Mac
when I needed a PCMCIA FW card. Some folks had to return card with other
chips and get one with the TI in order to have FW work with their Macs
via a PCMCIA card.

--
ha
shut up and play your guitar


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On Mon, 10 Nov 2008 21:02:18 +0000, Mike Rivers wrote:

snip
However, here's one for you. I've been working this Zed with files
imported from other recorders and getting the progressively worse
crackles and dropouts. I didn't want to start recording with it until I
knew it worked. Well, this afternoon, I connected my Mackie HDR (analog
outputs) to the mixer inputs, put Nuendo into record, and copied an
8-track project to the computer. It played back flawlessly, and has been
looping for an hour or so. I opened up Sound Forge and played one of the
stereo files that previously crackled and groaned and it, too, played
back just fine. It's been going about 15 minutes now without a snort.

Now, I didn't DO anything other than to open Nuendo for recording.
Surely that couldn't have fixed it. And if it did, how would Nuendo fix
it for Sound Forge? I can't retrace my footsteps because there aren't
any footprints. I hate it when you don't know why you apparently fixed
something, because it's probably still broken.


Of course it will work today.
November the 10th is the Scottish Pagan festival of Nincnevin, honouring
the goddess Diana, who had a daughter by Lucifer. She tricked him by
appearing in the form of a cat and seducing him.

The celebration of the God who tricked Lucifer (latin: 'Carrier of fire')
means this is a most auspicious time for these interfaces.
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philicorda wrote:

Of course it will work today.
November the 10th is the Scottish Pagan festival of Nincnevin, honouring
the goddess Diana, who had a daughter by Lucifer. She tricked him by
appearing in the form of a cat and seducing him.


By the time I tried it here, it would have been very close to tomorrow
in Scotland, but that's probably as good a reason as any for it
mysteriously starting to work. I suppose if I tried it with a Macbook
Pro and it worked, after that it would work with my Dell with the
CompUSA Firewire card.

The celebration of the God who tricked Lucifer (latin: 'Carrier of fire')
means this is a most auspicious time for these interfaces.



--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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Default DICE II Firewire Driver Settings

On Nov 10, 4:53 pm, (hank alrich) wrote:
wrote:
On Nov 10, 3:23 pm, (hank alrich) wrote:
wrote:
why does the apple product work ... good design with a build that is
not looking for the cheapest price point.


It doesn't take much time to scan the 'net for info on Macs ****ting
around some FW situation. And I use Macs erxclusively, with generally
fine results and little downtime.


Mike said you're not helping. He's right.


How about you go get a ZED and hook it to yoru Mac and report back?


and what type of wood were you splitting? oak/black locust/ shag bark
hickory


Ponderosa Pine, Douglas Fir, and Incense Cedar. Later I will split some
California Black Oak, some Alder, and some Post Oak.

with a maul or did you get some mechanical advantage?


About three-quarters of it with a maul, and the rest with my
father-in-law's splitter.

after how many years of hearing the same thing does one have the right
to claim that
crying wolf is not professional?


Every situation is unique. Tell me: does the ZED work with _your_ Mac?
Yes or no? If you haven't tried it then assuming it will work with a Mac
may not turn out to be valid.

do you think I could get paid to do it?


Do you have a decade or so of published reviews that support your
reputation as a reviewer? Do you have a publisher seeking a review from
you?

do you think he will send it to me to try (grin)


Probably not. He did send me the FW option card for the Mackie Onyx
line, because I had one here at the time and we wanted to know how it
sounded, if it worked with my Mac, and with Logic Pro 6.4.3. Conversion
quality was average, far below that of my MIO, and it worked fine with
the computer and app. It also worked fine with the Cube.


so all his problems were with his windows setup?


should I use the ti powerbook or the mac book pro (or the inspiron or
the xps)?


You should try them all and report back. g

I just was doing a gut response to his _constant_ plea for firewire
help!!!


In general, Mike, when looking for help, gives pretty detailed
information about what he's trying to do with what, and about what is or
is not happening.


what is not happening is his computer setup
it is flawed!! do you want to go into outer space using a flawed low
bid system


The point to take home here is this: he is troubleshooting a specific
system and it is pointless to say, "Oh, just change the system". Imagine
the moon shots if NASA had taken that approach. "Yeah, guys, well it's
not working, so we're going to abandon y'all and try another approach.
Any last words for the folks back home? Have a nice death!"


yeah but then they would have a working system before lift off
it seems like mike's is never really working!
so the scenario would be this
we saved $$$$ on a different part
does anyone know why it crashed?


Would you use SAE tools on a metric machine??


Not relevant. Firewire is supposed to be a standard at least as tight as
either of those, and apparently, as itereated by various manufacturers,
it is not. Hence, the pointer to get a card with a TI chip for my Mac
when I needed a PCMCIA FW card. Some folks had to return card with other
chips and get one with the TI in order to have FW work with their Macs
via a PCMCIA card.


not relevant ...
so using any old tool (no mater what the spec is) should work
9/16 is 11 mm about ... why did the bolt strip
I bought the lest expensive firewire card ... didn't work
tried the next card ... same thing ... after four cards I have one
that works ... kinda.
some of the time ... when the moon is right.


--
ha
shut up and play your guitar


I was a trombone player now I play the loudspeaker (electro acoustic
musician)

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Mike Rivers Mike Rivers is offline
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Default DICE II Firewire Driver Settings

wrote:

what is not happening is his computer setup
it is flawed!! do you want to go into outer space using a flawed low
bid system


If that's the case, how come it works now? My problem isn't that I have
a flawed system, my problem is that I don't understand what's happening
under the hood and I STILL (after years of asking) haven't found out how
to figure that out. I can tell you how to troubleshoot what appears to
be a cable problem (or determine absolutely that it isn't) using
inexpensive, easy-to-use, and easily obtainable tools. Can you tell me
how to troubelshoot a Firewire connection problem other than to get
another computer? You keep avoiding my real question - which I've
certainly stated enough ways so that you surely know what it is that I
don't know.

Are you suggesting that computers are just too complicated for mere
mortals and they only way to troubleshoot the problem is to start over
from scratch?

I bought the lest expensive firewire card ... didn't work
tried the next card ... same thing ... after four cards I have one
that works ... kinda.
some of the time ... when the moon is right.


Given no valid technical means for making a choice, one must start
somewhere. Why not start off with the one with the lowest cost?

I was a trombone player now I play the loudspeaker (electro acoustic
musician)


Clearly, then, you have no real world experience with the many varieties
of studio equipment. Shut up and play your MP3 files.



--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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[email protected] audioaesthetic@gmail.com is offline
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Default DICE II Firewire Driver Settings

On Nov 11, 7:29 am, Mike Rivers wrote:
If that's the case, how come it works now? My problem isn't that I have
a flawed system, my problem is that I don't understand what's happening
under the hood and I STILL (after years of asking) haven't found out how
to figure that out. I can tell you how to troubleshoot what appears to
be a cable problem (or determine absolutely that it isn't) using
inexpensive, easy-to-use, and easily obtainable tools. Can you tell me
how to troubelshoot a Firewire connection problem other than to get
another computer? You keep avoiding my real question - which I've
certainly stated enough ways so that you surely know what it is that I
don't know.

Are you suggesting that computers are just too complicated for mere
mortals and they only way to troubleshoot the problem is to start over
from scratch?

I bought the lest expensive firewire card ... didn't work
tried the next card ... same thing ... after four cards I have one
that works ... kinda.
some of the time ... when the moon is right.


Given no valid technical means for making a choice, one must start
somewhere. Why not start off with the one with the lowest cost?

I was a trombone player now I play the loudspeaker (electro acoustic
musician)


Clearly, then, you have no real world experience with the many varieties
of studio equipment. Shut up and play your MP3 files.


mike
hey great come back
I do not own an mp3 or anything that has lossy compression,
they suck!!!
I do not have your real world experience with the many varieties of
studio equipment.
I do not write on subjects I have no knowledge.
I did give you my answer,
http://www.1394ta.org/index.html
this was posted here three years ago when you were writing an article
on firewire!!!
buy something based on research!!
if you do not understand something,
find an expert!
why haven't you posted these problems on the other list-serves I have
seen you on?
ie http://www.pgm.com/pipermail/proaudio/
http://recforums.prosoundweb.com/

or some place new gearslutz

or maybe your public library!!


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Default DICE II Firewire Driver Settings

On Nov 11, 7:29 am, Mike Rivers wrote:
I was a trombone player now I play the loudspeaker (electro acoustic
musician)


Clearly, then, you have no real world experience with the many
varieties
of studio equipment. Shut up and play your MP3 files.

ah now I get it
you have a thing against trombone players...

as an electro acoustic musician, I need to explain to you that
the original recording studios were for broadcasting
so the original engineers were broadcast engineers.
when classically trained musicians gained access to these tools
they experimented with the electronics.
They played sounds created by electronics (the recusers to synthesis)
through the transducers that changed electrical energy onto
acoustical energy.
You know this as a speaker.
So they played the loudspeaker, which is the last musical instrument.

So all studio engineers who are musicians and are concerned with the
"sound" they are creating are electro acoustic musicians.

Even classically trained trombone players.
or self taught bluegrass pickers!!!








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Mike Rivers Mike Rivers is offline
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Posts: 8,744
Default DICE II Firewire Driver Settings

wrote:

I did give you my answer,
http://www.1394ta.org/index.html
this was posted here three years ago when you were writing an article
on firewire!!!


I don't remember the question and I never wrote an article on Firewire.
I did write an article on interfaces in general that were used for audio
equipment. Firewire was included, as well as USB, and all the various
flavors of analog audio. However, no matter what the question a pointer
to an industry organization web site isn't usually the answer. And in
this case, it isn't even a good start. If, for instance, if the question
was "Which PCI cards have a TI Firewire chipset, where can I buy one,
and how much does it cost?" the answer could not be found there.

I think I may have asked about acutal throughput speed, and there is
indeed a table for a a specific chip and a disk drive. I don't know how
this relates to audio, however. I'm still looking for that Firewire
benchmark speed test.

if you do not understand something, find an expert!


I've been trying, but I haven't found the right expert yet. Either he or
she doesn't exist or costs too much.

why haven't you posted these problems on the other list-serves I have
seen you on?
ie http://www.pgm.com/pipermail/proaudio/
http://recforums.prosoundweb.com/
or some place new gearslutz


I try to ask questions where I think there might be some knowledge. I
ask certain questions on the Pro Audio list that I don't ask here, and
if you've seen a post of mine on ProSoundWeb, it was either incidental
or a copy from some other forum. I expected that there might be some
EXPERIENCE here, and that's what I was seeking. I guess I was wrong
since all I seem to be getting is arguments from you about why I haven't
bought a Mac.


--
If you e-mail me and it bounces, use your secret decoder ring and reach
me he
double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers
)
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Default DICE II Firewire Driver Settings

On Nov 11, 12:30 pm, Mike Rivers wrote:

Actually, I played the trombone when I was in 7th through 9th grade.
Sold it to buy a guitar when I got into college during the Folk Scare.
Turns out that a lot of folk musicians from the late '50s and '60s were
trombone players in another life. I actually wanted to be the next Paul
Desmond, but the school didn't have any alto saxes but they needed
trombone players for the band. I kind of liked JJ Johnson and Kai
Winding's duets at the time, so I said "OK, I'll learn to play the
trombone."



mike
my writing ability is always correct, opps sorry for misattribution
true blue trombonium - jj & kia on dave brubeck live at the 57
newport lp.

may I suggest you post on a computer savvy group.
my logic is that although your topic is audio,
your subject problem is computer.
and maybe someone more computer literate may be able to better direct
you
to someone or place that will further your quest.
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hank alrich hank alrich is offline
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Posts: 4,736
Default DICE II Firewire Driver Settings

wrote:

On Nov 11, 12:30 pm, Mike Rivers wrote:

Actually, I played the trombone when I was in 7th through 9th grade.
Sold it to buy a guitar when I got into college during the Folk Scare.
Turns out that a lot of folk musicians from the late '50s and '60s were
trombone players in another life. I actually wanted to be the next Paul
Desmond, but the school didn't have any alto saxes but they needed
trombone players for the band. I kind of liked JJ Johnson and Kai
Winding's duets at the time, so I said "OK, I'll learn to play the
trombone."



mike
my writing ability is always correct, opps sorry for misattribution
true blue trombonium - jj & kia on dave brubeck live at the 57
newport lp.

may I suggest you post on a computer savvy group.
my logic is that although your topic is audio,
your subject problem is computer.
and maybe someone more computer literate may be able to better direct
you
to someone or place that will further your quest.


Now _that's_ the spirit! g

--
ha
shut up and play your guitar
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