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#1
Posted to rec.audio.pro
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Mackie HM-54
http://www.mackie.com/products/hm54/index.html
Looking at buying this headphone amp. Apparently it was discontinued due to poor sales (no one really complained about its perforance so far as I can tell). I just want to do a quick check with the experts here to make sure I'm not missing something here before I spend the cash. The unit is unique (in its price range) in that you can feed a discrete stereo mix to each headphone. I like that because I have 8 unused outputs on my RME Multiface which I can use to feed custom mixes to each of the 4 headphones (RME has pretty nice native matrix mixing software). It looks rugged, like most Mackie gear. Also it's pretty cool that I, while in the control room, can patch my own phones into the front of the unit to modify that musician's mix. Can anyone think why not to buy it (other than the fact it's discontinued)? David |
#2
Posted to rec.audio.pro
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Mackie HM-54
David Grant wrote:
Can anyone think why not to buy it (other than the fact it's discontinued)? Have you actually found one for sale? I didn't know that they had actually got into the pipeline. These things aren't all that complicated, so as long as it can drive your headphones to sufficient volume (an unknown) there's no reason not to get it. But have you looked at alternatives? I put a similar Behringer 4-output headphone amp into a system about five years ago and it's still going strong. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
#3
Posted to rec.audio.pro
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Mackie HM-54
On 15/08/08 1:07, in article QU2pk.829$mP.563@trnddc03, "Mike Rivers"
wrote: David Grant wrote: Can anyone think why not to buy it (other than the fact it's discontinued)? Have you actually found one for sale? I didn't know that they had actually got into the pipeline. These things aren't all that complicated, so as long as it can drive your headphones to sufficient volume (an unknown) there's no reason not to get it. But have you looked at alternatives? I put a similar Behringer 4-output headphone amp into a system about five years ago and it's still going strong. Didn't Tascam have one like that as well? -- Joe Kotroczo |
#4
Posted to rec.audio.pro
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Mackie HM-54
On Aug 14, 2:15*pm, "David Grant" wrote:
http://www.mackie.com/products/hm54/index.html Looking at buying this headphone amp. *Apparently it was discontinued due to poor sales (no one really complained about its perforance so far as I can tell). I just want to do a quick check with the experts here to make sure I'm not missing something here before I spend the cash. The unit is unique (in its price range) in that you can feed a discrete stereo mix to each headphone. I like that because I have 8 unused outputs on my RME Multiface which I can use to feed custom mixes to each of the 4 headphones (RME has pretty nice native matrix mixing software). It looks rugged, like most Mackie gear. Also it's pretty cool that I, while in the control room, can patch my own phones into the front of the unit to modify that musician's mix. Can anyone think why not to buy it (other than the fact it's discontinued)? David I'd look at the Furman multi-channel headphone amp systems, too. -Neb |
#5
Posted to rec.audio.pro
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Mackie HM-54
"Mike Rivers" wrote in message news:QU2pk.829$mP.563@trnddc03... David Grant wrote: Can anyone think why not to buy it (other than the fact it's discontinued)? Have you actually found one for sale? I didn't know that they had actually got into the pipeline. These things aren't all that complicated, so as long as it can drive your headphones to sufficient volume (an unknown) there's no reason not to get it. But have you looked at alternatives? I put a similar Behringer 4-output headphone amp into a system about five years ago and it's still going strong. I thought I had found one but the website was lying about its stock. The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. I'd investigate buying a bunch of single-channel headphone amps but I'd like to have just one chassis. Judging by Mackie's lack of success, there just isn't much demand for something like this. Maybe I'll build something. |
#6
Posted to rec.audio.pro
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Mackie HM-54
David Grant wrote:
The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. Look again. Maybe what I remember is a discontinued model, or maybe I just don't remember right, but it seemed to me that each channel had an input tied to a master stereo pair as well as an additional pair that could be used for "more me" or a reverb return. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
#7
Posted to rec.audio.pro
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Mackie HM-54
On 15/08/08 16:12, in article ,
"David Grant" wrote: (...) The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. Nah, the 8 channel Behringer has a "direct input" per channel. Works as 8in-8out. -- Joe Kotroczo |
#8
Posted to rec.audio.pro
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Mackie HM-54
David Grant wrote:
The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. I'd investigate buying a bunch of single-channel headphone amps but I'd like to have just one chassis. Judging by Mackie's lack of success, there just isn't much demand for something like this. Maybe I'll build something. Radio Systems makes a stick-on headphone amp, I think. You could get a dozen of the things. Alternately if you want to build something and it doesn't need to sound wonderful, let me know and I'll send you a handful of TDA2003 chips. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#9
Posted to rec.audio.pro
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Mackie HM-54
"Joe Kotroczo" wrote in message ... On 15/08/08 16:12, in article , "David Grant" wrote: (...) The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. Nah, the 8 channel Behringer has a "direct input" per channel. Works as 8in-8out. I thought that was a mono jack but it's actually stereo. According to the manual, "Allocating a signal to this connector mutes the MAIN IN signal". That kind of worries me...Any idea if they are doing signal sensing, or does this mean as soon as you stick a 1/4" in there that it mutes? |
#10
Posted to rec.audio.pro
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Mackie HM-54
David Grant wrote:
"Joe Kotroczo" wrote in message ... On 15/08/08 16:12, in article , "David Grant" wrote: (...) The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. Nah, the 8 channel Behringer has a "direct input" per channel. Works as 8in-8out. I thought that was a mono jack but it's actually stereo. According to the manual, "Allocating a signal to this connector mutes the MAIN IN signal". That kind of worries me...Any idea if they are doing signal sensing, or does this mean as soon as you stick a 1/4" in there that it mutes? Keep it simple: when you connect a direct input to a particular channel the direct signal replaces the main signal for that channel. -- ha Iraq is Arabic for Vietnam |
#11
Posted to rec.audio.pro
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Mackie HM-54
David Grant wrote:
"Joe Kotroczo" wrote in message ... On 15/08/08 16:12, in article , "David Grant" wrote: (...) The problem with the Behringer and just about every other model on the market is that they have only one stereo input. I'm not looking for a distribution amp, I'm looking for a 8in-8out, or 6in-6out. Nah, the 8 channel Behringer has a "direct input" per channel. Works as 8in-8out. I thought that was a mono jack but it's actually stereo. According to the manual, "Allocating a signal to this connector mutes the MAIN IN signal". That kind of worries me...Any idea if they are doing signal sensing, or does this mean as soon as you stick a 1/4" in there that it mutes? I'm not sure we can tell from this text. You can download PDFs of the manuals for 'em. They're easy to read. -- Les Cargill |
#12
Posted to rec.audio.pro
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Mackie HM-54
David Grant wrote:
Nah, the 8 channel Behringer has a "direct input" per channel. Works as 8in-8out. I thought that was a mono jack but it's actually stereo. According to the manual, "Allocating a signal to this connector mutes the MAIN IN signal". That kind of worries me...Any idea if they are doing signal sensing, or does this mean as soon as you stick a 1/4" in there that it mutes? There's no block diagram in the manual so it's hard to tell for sure but the way I read the text, it's like the common (Main) input of the 4800 is normalled to the "Direct" input jacks of all of the eight individual amplifiers. When you plug in to the Direct jack on any channel, it disconnects the Main signal and feeds whatever is plugged into the Direct input to the headphone output for that channel. Thus it can function as an 8-in/8-out amplifier if you don't use the Main input. I was actually thinking of the 4700, which actually mixes two stereo inputs in each of the four sections, the Main input (common to all sections) and the Aux input, which is unique to each section. A Balance control adjusts the ratio of Main to Direct input. If you need more than four channels, you'd need more than one 4700, but they're cheap. If you only need one stereo line level input to one (stereo) headphone output per channel, you can go with one 4800. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
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