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Anything you think was consistently done better in the past in thepro/commercial recording world than how it's done today?
wrote:
I'm talking about what one would label as the pro world of recording of material for mass consumption. Is there anything about a particular arena of recording - pop, classical, opera, TV news, film, etc. - whatever - that you find lacking compared to an earlier era despite all the technology? Or do you think audio recording is at its zenith now? In the late eighties I worked with a producer in Atlanta who assured me that the music of the early seventies was the best ever, and that nothing better would ever be achieved. His argument was that it was the drugs that made the music what it was and "you can't get stuff like that any more." He had a long list of products from quaaludes to gorilla tranquilizers that he claimed were the key to the fine music of the era. Personally I don't agree with this, but I was doing classical music at the time. Drugs did not appear on the classical scene until much later. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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