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Mic grill material -- perforated metal or mesh
Hi all,
I'm working on improvements to my Oktava ML52. I've read all of the relevant past posts I could find. In particular, I found Michael Joly's and Scott Dorsey's posts about their experiences helpful. The consensus indicates replacement of the grill (among other things). I can see/hear why -- it rings like a bell. My plan (criticisms/suggestions welcome): 1) remove the hemispherical top and discard 2) cut away the narrow vertical fins in front and back of the shell 3) roll a grill from appropriate material and glue/fasten it in place inside the modified shell 4) cut a disk of grill material and glue/fasten it in the top ring of the shell 5) apply some dampening material (e.g., RTV) to the top ring (and anything else that needs it) My question is this: should I use wire mesh/cloth or perforated metal? All of the DIY grills I've seen use wire mesh. On the other hand, I note that many of the classic ribbon mics (RCA 44 and 77 among others) use perforated metal plus silk. I haven't heard anyone suggest that the grills on old RCAs should be replaced to improve the sound, and I note that modern re-creations like AEAs stick with the perforated metal. Perhaps this is because the perforated metal is important to the authentic sound. Or, it could be because perforated metal is a reasonable choice (assuming the right material, gauge, hole size and spacing). Does anyone have advice on this topic? Also, if perforated metal is a good choice, does anyone have suggestions regarding material, thickness, hole size and spacing? If I had a 77DX handy, I'd just measure the hole pattern, but alas... McMaster lists open area percentage for their perforated metals. I assume that greater open area is better (more transparent). Is there a minimum acceptable open area percentage? Thanks, Da5id |