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#321
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#322
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"Mike Rivers" wrote in message
news:znr1121389890k@trad Got a disk drive on your Yamaha console? None that I've seen. I suspect it boots from EPROM. And a way to connect a keyboard and monitor? Studio Manager via USB. ;-) And do you keep a DOS bootable floppy in your audio toolkit? There's no distinction between my audio toolkit and my computer toolkit. |
#323
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TD-20 does...
JP In article , Arny Krueger wrote: I am highly disappointed that the Roland TD-10 and TD-7 lack proper digital audio signal outputs like SP/DIF or AES3. -- --------------------------------------------------------------------------------- "I'd sell my soul for a Formula 1 racing car" - Bart Simpson --------------------------------------------------------------------------------- |
#324
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"Jonathan Peirce" wrote in
message In article , Arny Krueger wrote: I am highly disappointed that the Roland TD-10 and TD-7 lack proper digital audio signal outputs like SP/DIF or AES3. TD-20 does... Interesting. For the price... ;-) |
#327
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"Arny Krueger" wrote in message... There's no distinction between my audio toolkit and my computer toolkit. That's a shame. ;-) DM |
#328
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"Mike Rivers" wrote in message
news:znr1121444126k@trad In article writes: Got a disk drive on your Yamaha console? None that I've seen. I suspect it boots from EPROM. But what if it doesn't boot? Shoot the bug like you shoot bugs in a computer that won't POST. And a way to connect a keyboard and monitor? Studio Manager via USB. ;-) But what if it doesn't boot? That's fairly easy to shoot. I haven't looked inside, but I'd bet money there is a board with the eprom and the CPU that provides overall control on it. There's no distinction between my audio toolkit and my computer toolkit. So what do you do if your Yamaha computer doesn't boot? As long as its in warranty, take it to the warranty station. ;-) |
#329
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Phildo wrote:
"Pooh Bear" wrote in message ... I have ZERO PROBLEM working in the digital domain. I just hope ppl will wake up to the fact that's it's simply not everything the marketing ppl crank it up to be. In short, digital isn't *best* ! Not always but in terms of flexibility and features for the end user it is the vast majority of times. You sound like the old vinyl junkies who insisted CD would be gone in a couple of years. Which part of " I have ZERO PROBLEM working in the digital domain " do I need to explain ? I'm simply pointing out that digital isn't and indeed never will be the total perfection that the marketing clowns would like to present it as. Graham |
#330
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" Graham Stevenon" = Studiomaster's Worst Enemy. Which part of " I have ZERO PROBLEM working in the digital domain " do I need to explain ? ** Believing it is THE problem - DICKHEAD !!! YOU have amply demonstrated a * COMPLETE * miscomprehension of digital audio. Analogue too for that matter. ............. Phil |
#331
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#332
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shannon wrote:
Scott Dorsey wrote: Forty Winks wrote: I don't understand why a D5 couldn't have been used for the broadcast as well. If the desk being used for OB had been loaded with the FOH mix, all gains eq's and dynamics etc would have been in place and the engineer would have been a lot closer from the word go. Because the broadcast mix often bears no resemblance to the FOH mix. In a stadium concert, it's a lot less different than in a small club, but even so it's usually a very different philosophy. Now, if the remote truck crew had done a run-through and saved a mix (either on a memory stick or with a pencil and clipboard), things might have been better off. But there's never any time or money for that. --scott Probably several of the acts did get their mixes saved on the BBC remote truck SSLs, they are total recall. Hello Only if you have something to recall! Also a recall takes over 20 mins for 48 channels.You have to null every knob by hand. You have to go by whatever sound check you can get and just use a fader reset if you managed to have any kind of sound check to even memorise a fader position. Usually it is a mark on the fader legend. In essence you are broadcasting the soundcheck. You are lucky if you can get a decent sound in 2 mins. Sometimes a band will do a long intro for the first song, so that you can get a sound and level check. The whole thing builds up as the day progresses. Mike Engles |
#333
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Scott Dorsey wrote:
Tim S Kemp wrote: shannon wrote: SSL drool Having had to use the SSL5000 broadcast desks before.... there is nothing there to drool over. There is a lot more to bang your head on the desk over. Has SSL even made any broadcast consoles since then? --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." Hello They used a 48 channel J series 9000 and a 40 channel E series with enough extra mixers to take 64 inputs. Mike Engles |
#334
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"Mike Rivers" wrote in message
news:znr1121515904k@trad In article writes: But what if it doesn't boot? Shoot the bug like you shoot bugs in a computer that won't POST. Yes, but how do you get into it, both visibly (how much can you see on the screen?) and physically? Get out a phillips head screwdriver. It's a lot easier to take apart a computer, particularly with today's fast-breakaway cases, than it is to disassemble a console to check for a loose ribbon cable. I haven't looked inside, but I'd bet money there is a board with the eprom and the CPU that provides overall control on it. Well, don't wait until it fails before you look inside. And I'll bet a dime that you won't find a PC motherboard, or even a commonly known CPU chip. Yamaha is a big semiconductor manufacturer and I'll bet it's full of special-purpose chips. Only the basics of what you know of troubleshooting PCs is likely to apply. I'm sure of that! As long as its in warranty, take it to the warranty station. ;-) That makes it easy. |
#335
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Pooh Bear wrote:
I regret that over-use of samples has led to an increasing banality in music. I regret that the over-use of accountants has led to an increasing banality in music. Gavin |
#336
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Gavin Ramsay wrote: Pooh Bear wrote: I regret that over-use of samples has led to an increasing banality in music. I regret that the over-use of accountants has led to an increasing banality in music. That too. Don't the accountants double as A&R guys too ? Graham |