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#1
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What audio file formats do you use if ........
What audio file formats do you use if ........ if your first recording is a band and you know that the music file produced will be open, edited and saved many many times before finally being made available in the MP3 format. I mean, how do you avoid gradual signal degradation with each edit/save operation? Advise appreciated....... thnx! |
#2
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I mean, how do you avoid gradual signal
degradation with each edit/save operation? Anything uncompressed (eg .wav files) or one of the lossless compression schemes. The tools you're using to do the edits will generally prefer the former. |
#3
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#4
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On Tue, 05 Jul 2005 20:14:37 +0800, Racer wrote:
What audio file formats do you use if ........ if your first recording is a band and you know that the music file produced will be open, edited and saved many many times before finally being made available in the MP3 format. I mean, how do you avoid gradual signal degradation with each edit/save operation? By not using a compressed file format. One normally records wav files. Were you considering something else? |
#5
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On Tue, 05 Jul 2005 18:33:42 +0100, Laurence Payne
wrote: On Tue, 05 Jul 2005 20:14:37 +0800, Racer wrote: What audio file formats do you use if ........ if your first recording is a band and you know that the music file produced will be open, edited and saved many many times before finally being made available in the MP3 format. I mean, how do you avoid gradual signal degradation with each edit/save operation? By not using a compressed file format. One normally records wav files. Were you considering something else? I wasn't sure but thanks to you all for the info that I should stick to uncompressed formats like 'wav' until all editing is finished and only then, convert it finally to 'mp3'. thnx! |
#6
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"Racer" wrote in message ... What audio file formats do you use if ........ if your first recording is a band and you know that the music file produced will be open, edited and saved many many times before finally being made available in the MP3 format. I mean, how do you avoid gradual signal degradation with each edit/save operation? Advise appreciated....... thnx! Linear PCM files. That's often WAV format in PC-Land and AIFF in MacWorld. Some applications may favour other or proprietry pCM formats. geoff |
#7
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Racer wrote: On Tue, 05 Jul 2005 18:33:42 +0100, Laurence Payne wrote: On Tue, 05 Jul 2005 20:14:37 +0800, Racer wrote: What audio file formats do you use if ........ if your first recording is a band and you know that the music file produced will be open, edited and saved many many times before finally being made available in the MP3 format. I mean, how do you avoid gradual signal degradation with each edit/save operation? By not using a compressed file format. One normally records wav files. Were you considering something else? I wasn't sure but thanks to you all for the info that I should stick to uncompressed formats like 'wav' until all editing is finished and only then, convert it finally to 'mp3'. thnx! The primary concerns in avoiding any degradation is to avoid any unneeded sample-rate conversions and bit-depth reductions, particularly truncation. If your final format is a CD (or a 44.1/16 MP3) then start and stay at 44.1kHz. Use 24 bit all the way through and dither to 16bit just before making a CD and ruining (converting) to MP3 ;-] Edits and other processing will be more accurate at 24Bit. These points are well debated in these threads but any degradation will be minimal with this approach. good luck rd |
#8
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"Racer" wrote in message
... What audio file formats do you use if ........ if your first recording is a band and you know that the music file produced will be open, edited and saved many many times before finally being made available in the MP3 format. By far the most universally readable format is .wav. Broadcast .wav is the only international standard that is expected to be supported indefinitely. I don't use anything else and convert almost everything I take in to that format. This is because one never knows at the time when one is quite literally making history or at least may need to use the files again after 20 years. -- Bob Olhsson Audio Mastery, Nashville TN Mastering, Audio for Picture, Mix Evaluation and Quality Control Over 40 years making people sound better than they ever imagined! 615.385.8051 http://www.hyperback.com |
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