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#1
Posted to rec.audio.tech
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attentuators
Anyone have any experience using something like this?
http://www.rothwellaudioproducts.co....tenuators.html |
#2
Posted to rec.audio.tech
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attenuators
Chris wrote:
Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html Plenty, especially when Scoop Newsworthy shows up two minutes before show time, wants a 'line level feed,' plugs it into the mic input on his camera and wonders why my 'line level feed' is so hot. Put the XLR version in between my stuff and his and he's usually happy and goes away before the end of the second song. (Hint for you video types: Show up earlier, much earlier. How would you like it if I showed up 30 seconds before you go on the air and wanted feeds from all your cameras?) I've never had a use for the RCA/Phono version but I still have some in the box, just in case... |
#3
Posted to rec.audio.tech
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attenuators
gwatts wrote:
Chris wrote: Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html Plenty, especially when Scoop Newsworthy shows up two minutes before show time, wants a 'line level feed,' plugs it into the mic input on his camera and wonders why my 'line level feed' is so hot. Put the XLR version in between my stuff and his and he's usually happy and goes away before the end of the second song. (Hint for you video types: Show up earlier, much earlier. How would you like it if I showed up 30 seconds before you go on the air and wanted feeds from all your cameras?) I've never had a use for the RCA/Phono version but I still have some in the box, just in case... I noticed the XLR versions in the advert only cut by 10 dB, my XLR pads are 30 dB and I frequently need two for the ENG types. |
#4
Posted to rec.audio.tech
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attentuators
"Chris" wrote ...
Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html Sure, many (most?) of us have experience using similar attenuators for various purposes. The ones in the URL you cited appear to be "tweako", "boutique", even "snake-oil" remarkably over-priced gadgets. I would expect to pay 1/10th those prices for equal quality. (Or make my own from some connectors and a few pennies worth of resistors.) If you are on the selling end of those things, congratulations, when is your next holiday to the Riviera? If you are on the buying side, you can likely do as well for more realistic prices. |
#5
Posted to rec.audio.tech
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attentuators
"Chris" wrote in message
Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html I'm never going to have any experience with products like these because they are incredibly overpriced and I can make my own. However, the basic concept is good, its just that someone is trying to profiteer on people's ignorance. |
#6
Posted to rec.audio.tech
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attentuators
Chris wrote: Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html What's your application Chris? You can actually build pads with a few $ of components and a soldering iron. Muso's call the Mic-line one's DI's to run keyboards,etc into mixer inputs. For the price of those you linked you can buy a mighty fine one. |
#7
Posted to rec.audio.tech
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attentuators
On Wed, 22 Feb 2006 09:49:52 -0500, "Arny Krueger"
wrote: "Chris" wrote in message m Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html I'm never going to have any experience with products like these because they are incredibly overpriced and I can make my own. However, the basic concept is good, its just that someone is trying to profiteer on people's ignorance. I have plenty of experience with products like this, as inline coaxial attenuators are commonly used in measurement gear. Of course, they use professional BNC connections rather than RCS, and are 50-ohm constant-impedance L-pad or PI circuits, but they are flat from DC to to several hundred MegaHertz, and have no known nonlinearities down to less than -140dB. Expect to pay about ten bucks.................. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
#8
Posted to rec.audio.tech
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attentuators
wrote in message oups.com... Chris wrote: Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html What's your application Chris? You can actually build pads with a few $ of components and a soldering iron. Muso's call the Mic-line one's DI's to run keyboards,etc into mixer inputs. For the price of those you linked you can buy a mighty fine one. i'm sure i could make them with the right recipie. I was moe interested in learning what the benefits of using such are. Thanks |
#9
Posted to rec.audio.tech
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attentuators
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#10
Posted to rec.audio.tech
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attentuators
"Chris" wrote ...
i'm sure i could make them with the right recipie. I was moe interested in learning what the benefits of using such are. Thanks The main benefit is preventing overload of the input of an audio device. That is a VERY significant "benefit" IMHO. :-) I don't see them as "optional". When you need one, there is no real substitute. |
#11
Posted to rec.audio.tech
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attentuators
Chris wrote: wrote in message oups.com... Chris wrote: Anyone have any experience using something like this? http://www.rothwellaudioproducts.co....tenuators.html What's your application Chris? You can actually build pads with a few $ of components and a soldering iron. Muso's call the Mic-line one's DI's to run keyboards,etc into mixer inputs. For the price of those you linked you can buy a mighty fine one. i'm sure i could make them with the right recipie. I was moe interested in learning what the benefits of using such are. Thanks Here's the recipe: http://www.rapco.com/catalog/tpad.html Benefit: DIY prevents overload of wallet. Premade comparisons: http://www.partsexpress.com/webpage....ain& desc=ASC Benefit: YMMV Any properly applied pad prevents distortion from an overdriven input. |