Home |
Search |
Today's Posts |
#1
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
Can anyone recommend a particular brand of archival-grade DVDRs and
CDRs? Seems that "regular" CDRs and DVDRs (e.g. the cheapies you buy in spindles) can degrade and become unreadable in as little as 2 years. I've heard anything gold-plated will work well, and last for decades, if not a lifetime. Also, what type of a marker should I be using to label DVDRs and CDRs so as not to contribute to media degradation? I've read that one should not use a "solvent-based" felt-tip marker. I've been using Sharpies... What's a non-solvent based marker and where can I buy some? I suppose another backup solution is to keep material on several external hard drives. |
#2
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
dananrg wrote ...
Can anyone recommend a particular brand of archival- grade DVDRs and CDRs? Seems that "regular" CDRs and DVDRs (e.g. the cheapies you buy in spindles) can degrade and become unreadable in as little as 2 years. IMHO, it is a risky gamble at best. Field-writable optical media are not to be trusted 2 years in my experience. Doesn't matter whether you buy "cheapie" or "premium". I've seen even "premium" discs that were unreadable even immediately after writing. I've heard anything gold-plated will work well, and last for decades, if not a lifetime. Good luck. You'll need it. Note that it is usually NOT the reflective layer (aluminum vs. gold) that deteriorates, but the light-sensitive dye layer. But then I'm highly dubious of ANYTHING "gold-plated". It makes me think somebody's trying to impress me with a few molecules of gold to distract me from some other feature where they cut the cost/quality. Witness the "boutique" cables, etc. The cheaper it is (or the higher the markup for the retailer), the more likely it is "gold plated" to make you feel you're actually getting value for your $$$. Also, what type of a marker should I be using to label DVDRs and CDRs so as not to contribute to media degradation? I've read that one should not use a "solvent- based" felt-tip marker. I've been using Sharpies... Note that there is an enormous difference between CD and DVD media. The dye and reflective layers of a DVD are within a (relatively) thick layer of plastic on EACH side. You can write on a DVD with practically anything without danger to the information. OTOH, the dye/reflective layer of CDs are protected by a very thin layer(s) of something screen-printed on the "label side". The data is at risk from both mechanical and chemical hazards of writing. What's a non-solvent based marker and where can I buy some? IMHO, the dye layer can't be trusted any longer than it takes for that noxious solvent in a Sharpie to eat through the thin layer of lacquer. i.e. it is not the writing that is the primary source of failure. I suppose another backup solution is to keep material on several external hard drives. I used to think that, also. Until I lost 6 months of editing work :-((( We can take a clue from people with very valuable data and the budgets to research the best methods of saving it. The overwhelming choice of corporate and government caches of both tactical backup and strategic archival data storage is digital magnetic tape. Fortunately, I kept the original recording on digital tape to recover from the hard drive failure and repeat all the editing again. |
#3
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
But then I'm highly dubious of ANYTHING "gold-plated".
It makes me think somebody's trying to impress me with a few molecules of gold to distract me from some other feature where they cut the cost/quality. Witness the "boutique" cables, etc. The cheaper it is (or the higher the Agreed. I was immediately skeptical, which is why I asked here - and I'm glad I did. Thank you. Note that there is an enormous difference between CD and DVD media. The dye and reflective layers of a DVD are within a (relatively) thick layer of plastic on EACH side. You can write on a DVD with practically anything without danger to the information. OTOH, the dye/reflective layer of CDs are protected by a very thin layer(s) of something screen-printed on the "label side". The data is at risk from both mechanical and chemical hazards of writing. Didn't know that, thanks. A friend told me DVDs were more fickle / sensitive / prone to damage. He also said to only ever store DVDRs in separate jewel cases, due to the scratch issue. I've heard people say you should store DVDRs in jewel cases only in the upright position. Not sure why. Perhaps that's B.S. as well. I suppose another backup solution is to keep material on several external hard drives. I used to think that, also. Until I lost 6 months of editing work :-((( Sorry about that. That couldn't have been uplifting. How about a home RAID mirror, or manually mirroring 1 external hard drive? For true paranoids, or the wise? We can take a clue from people with very valuable data and the budgets to research the best methods of saving it. The overwhelming choice of corporate and government caches of both tactical backup and strategic archival data storage is digital magnetic tape. Any consumer, or prosumer, grade tape-backup units you'd recommend for storing data of any kind? Fortunately, I kept the original recording on digital tape to recover from the hard drive failure and repeat all the editing again. Nice "save". :-) I don't always enjoy a happy ending (e.g. most mindless, Big Budget hollywood films), but in this case I'm glad your story ended well. Dana |
#4
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
Make copies of all your work every year!
Assume the worst. Use any media but copy it every year and you should be ok... wrote: Can anyone recommend a particular brand of archival-grade DVDRs and CDRs? Seems that "regular" CDRs and DVDRs (e.g. the cheapies you buy in spindles) can degrade and become unreadable in as little as 2 years. I've heard anything gold-plated will work well, and last for decades, if not a lifetime. Also, what type of a marker should I be using to label DVDRs and CDRs so as not to contribute to media degradation? I've read that one should not use a "solvent-based" felt-tip marker. I've been using Sharpies... What's a non-solvent based marker and where can I buy some? I suppose another backup solution is to keep material on several external hard drives. |
#5
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
"Chel van Gennip" wrote ...
Tape units, tapes, tape care, unit care, data care, etc. for professional magnetic tape archives is better not compared with a DV tape (one of the least reliable digital storage media) lying on a shelf for years. It is interesting to note the DV has wider tracks and lower bit-density than the formats used by your "professional magnetic tape archives". The tapes I have "lying on a shelf for years" are fine. Sorry to hear about yours. |
#6
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
Found an intriguing article:
http://www.itl.nist.gov/div895/gipwo...ilityStudy.pdf which indicates that there really are differences between the different approaches to CD and DVD media; silver/gold does seem to win! Unfortunately, they don't identify the manufacturers or types which were best. Perhaps some sleuthing can unambiguously uncover the answers. d. |
#7
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
On Sat, 08 Apr 2006 20:54:34 +0200, david morley
wrote: Make copies of all your work every year! Assume the worst. Use any media but copy it every year and you should be ok... There's an honest approach! Julian |
#8
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
Would a "dry erase" marker for whiteboards - the kind made by a company
called Expo - be more gentle than a sharpie? Advised or ill-advised? Thanks again for all the help and ideas. |
#9
Posted to rec.audio.pro
|
|||
|
|||
Archival quality DVDs / long-term backup of projects
On Sun, 09 Apr 2006 02:01:06 +0100, dhs wrote:
Found an intriguing article: http://www.itl.nist.gov/div895/gipwo...ilityStudy.pdf which indicates that there really are differences between the different approaches to CD and DVD media; silver/gold does seem to win! Unfortunately, they don't identify the manufacturers or types which were best. Perhaps some sleuthing can unambiguously uncover the answers. I found it fairly easy to guess the Taiyo Yuden and Mitsui discs in that study. The Mitsuis are the ones that start with a high error rate that stays almost constant for the whole test while the T-Y's start low and remain low for a while before rapidly increasing after a certain time. This behaviour ties in with their specified lifetime which is lower than the Mitsui's spec. Cheers James. |
Reply |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Never got bob's answer: Long Term Listening Myth thread... | High End Audio | |||
Just for Ludovic | Audio Opinions | |||
Powerful Argument in Favor of Agnosticism and Athetism | Audio Opinions | |||
Short term - Long term listening | High End Audio | |||
wrap test | Pro Audio |