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#1
Posted to rec.audio.tubes
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hybrid question
Can I use triodes in place of Q13/14?
http://www.headwize.com/projects/sho...lmore4_prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. |
#2
Posted to rec.audio.tubes
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hybrid question
Prune wrote: Can I use triodes in place of Q13/14? What would be the purpose of that ? Graham |
#3
Posted to rec.audio.tubes
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hybrid question
Eeyore wrote in
: What would be the purpose of that ? LOL, isn't this a tube group? Why not put more tubes in a hybrid circut? Let me change the question then: is there any potential aural downside to using triodes in that place? |
#4
Posted to rec.audio.tubes
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hybrid question
Hmm. What about other tubes?
As for the bias, of course I'd have to adjust it from the previous stage. flipper wrote in : On Sat, 01 Jul 2006 06:48:13 GMT, Prune wrote: Can I use triodes in place of Q13/14? http://www.headwize.com/projects/sho...lmore4_prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. Constant current source loaded 12AX7s would give a voltage gain of about 95 where he's got 200 in that stage. Not sure what would happen to his DC bias levels. |
#5
Posted to rec.audio.tubes
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hybrid question
I was referring to US patents 3111630 and 3328711, and he has some updates
to that if you can read past the marketing nonsense at http://www.fsaudioweb.com/listen/wolcottwp.html I think I've mentioned it here in another context. |
#6
Posted to rec.audio.tubes
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hybrid question
Fair enough; I intended to keep the topology mostly the same, just
adding another feedback line (crossed from the other side, since the triodes would be inverting, and I want same-polarity feedback). The main problem with positive feedback is stability. I'll throw this in the simulator soon... flipper wrote in news On Tue, 04 Jul 2006 10:41:34 GMT, Prune wrote: Well, I was thinking the gain limit could be overcome by band-limited positive feedback (Wolcott Audio amps use this, there are some old patents as well). I was just addressing the question of substituting triodes for Q13/14 but you'll have to tell me what the result of redesigning the topology is after you come up with it. flipper wrote in m: On Mon, 03 Jul 2006 07:27:00 GMT, Prune wrote: Hmm. What about other tubes? 'Other' in what way? You said triode and 95 is about as good as it gets with a CCS loaded triode Pentodes will do more but they aren't triodes and you don't generally CCS load the plate. Or, put another way, they don't 'go there that way'. That's probably one reason why he's using solid state up to the high voltage section. As for the bias, of course I'd have to adjust it from the previous stage. flipper wrote in m: On Sat, 01 Jul 2006 06:48:13 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Can I use triodes in place of Q13/14? http://www.headwize.com/projects/sho...?file=gilmore4 _prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. Constant current source loaded 12AX7s would give a voltage gain of about 95 where he's got 200 in that stage. Not sure what would happen to his DC bias levels. |
#7
Posted to rec.audio.tubes
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hybrid question
Not necessarily; you can raise gain a lot more and then use a lot more
NFB. The inrease in distortion from one and the decrease from the other is not a proportional tradeoff. See the patents. flipper wrote in : On Tue, 04 Jul 2006 14:44:47 GMT, Prune wrote: Fair enough; I intended to keep the topology mostly the same, just adding another feedback line (crossed from the other side, since the triodes would be inverting, and I want same-polarity feedback). The main problem with positive feedback is stability. That and increased distortion. I'll throw this in the simulator soon... flipper wrote in news On Tue, 04 Jul 2006 10:41:34 GMT, Prune wrote: Well, I was thinking the gain limit could be overcome by band- limited positive feedback (Wolcott Audio amps use this, there are some old patents as well). I was just addressing the question of substituting triodes for Q13/14 but you'll have to tell me what the result of redesigning the topology is after you come up with it. flipper wrote in m: On Mon, 03 Jul 2006 07:27:00 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Hmm. What about other tubes? 'Other' in what way? You said triode and 95 is about as good as it gets with a CCS loaded triode Pentodes will do more but they aren't triodes and you don't generally CCS load the plate. Or, put another way, they don't 'go there that way'. That's probably one reason why he's using solid state up to the high voltage section. As for the bias, of course I'd have to adjust it from the previous stage. flipper wrote in news:krpca2hautfvadspeckp14km2ojffef7la@4ax. com: On Sat, 01 Jul 2006 06:48:13 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Can I use triodes in place of Q13/14? http://www.headwize.com/projects/sho...?file=gilmore4 _prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. Constant current source loaded 12AX7s would give a voltage gain of about 95 where he's got 200 in that stage. Not sure what would happen to his DC bias levels. |
#8
Posted to rec.audio.tubes
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hybrid question
Any reason the EL34s are not run in pentode mode?
flipper wrote in : On Wed, 05 Jul 2006 13:23:45 GMT, Prune wrote: Not necessarily; you can raise gain a lot more and then use a lot more NFB. The inrease in distortion from one and the decrease from the other is not a proportional tradeoff. See the patents. I've read the patents but claims are not always reality and I'm always a bit suspicious of free lunches. Would be happy to see some supporting math, though, as there isn't any in the patent. However, even if the claims perform as implied you aren't raising gain a lot more to add a lot more NFB. You're in the situation of adding gain just to get back to the NFB that's already in the original circuit. And the split load bootstrap doesn't do you any good either, as far as gain goes, as that's just a substitute for a CCS, which is/was already there. Lacking a detailed analysis my gut tells me that the secret, if there is one, lies in the cross coupling and subsequent nulling in the PP transformer. flipper wrote in m: On Tue, 04 Jul 2006 14:44:47 GMT, Prune wrote: Fair enough; I intended to keep the topology mostly the same, just adding another feedback line (crossed from the other side, since the triodes would be inverting, and I want same-polarity feedback). The main problem with positive feedback is stability. That and increased distortion. I'll throw this in the simulator soon... flipper wrote in news On Tue, 04 Jul 2006 10:41:34 GMT, Prune wrote: Well, I was thinking the gain limit could be overcome by band- limited positive feedback (Wolcott Audio amps use this, there are some old patents as well). I was just addressing the question of substituting triodes for Q13/14 but you'll have to tell me what the result of redesigning the topology is after you come up with it. flipper wrote in news:ddnha2t2i53nu2e9vjj3de8mfbo6renbnv@4ax. com: On Mon, 03 Jul 2006 07:27:00 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Hmm. What about other tubes? 'Other' in what way? You said triode and 95 is about as good as it gets with a CCS loaded triode Pentodes will do more but they aren't triodes and you don't generally CCS load the plate. Or, put another way, they don't 'go there that way'. That's probably one reason why he's using solid state up to the high voltage section. As for the bias, of course I'd have to adjust it from the previous stage. flipper wrote in news:krpca2hautfvadspeckp14km2ojffef7la@4a x.com: On Sat, 01 Jul 2006 06:48:13 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Can I use triodes in place of Q13/14? http://www.headwize.com/projects/sho...?file=gilmore4 _prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. Constant current source loaded 12AX7s would give a voltage gain of about 95 where he's got 200 in that stage. Not sure what would happen to his DC bias levels. |
#9
Posted to rec.audio.tubes
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hybrid question
Thanks for the answer. The link works fine, I just checked...
One thing I'm wondering is if this circuit may not be violating one of Nelson Pass' patents, http://free.patentfetcher.com/GetPatentPDF.php? f=Pats/US/53/76/US5376899.pdf I know the patent is valid since Texas Instruments recently licensed it. Since Gilmore is selling amps with this topology, if this falls under the patent it would be a violation. He has fully differential amplifier with NFB from both sides, connected in such a way that some of the error signal would go in same polarity through to the other side (in this case through the connection at the tail of the input differential pair) and cancel out at the output since it's common mode. Or am I missing something? flipper wrote in : On Thu, 06 Jul 2006 10:40:54 GMT, Prune wrote: Any reason the EL34s are not run in pentode mode? For the linearity, so he said. An equally good answer would be, because that's what works. The link doesn't work anymore but, if memory serves, he had a P FET as follower driver to the cathode of a grounded grid EL34 which, in turn, ran into a CCS. Now, a pentode wants to provide a current that is set by the grid-cathode voltage independent of plate. So make it a pentode and you end up with two current mode devices arguing with each other. The pentode insisting, with all it's might, that the current *is* going to change, regardless of what happens to plate voltage, and the CCS insisting, with all it's might, that by golly it ain't and that it'll swing plate voltage to whatever it takes to make it so. Put another way, you end up with infinite gain into an infinite load resulting in infinite instability. If you're thinking you can pick up the lost gain here, don't, as you'll likely end up with an oscillator rather than an amplifier. Again, if memory serves, he had quite modest gains in the front end stages so you might have better luck getting it there. Why do you want to change the FETs to triodes? flipper wrote in m: On Wed, 05 Jul 2006 13:23:45 GMT, Prune wrote: Not necessarily; you can raise gain a lot more and then use a lot more NFB. The inrease in distortion from one and the decrease from the other is not a proportional tradeoff. See the patents. I've read the patents but claims are not always reality and I'm always a bit suspicious of free lunches. Would be happy to see some supporting math, though, as there isn't any in the patent. However, even if the claims perform as implied you aren't raising gain a lot more to add a lot more NFB. You're in the situation of adding gain just to get back to the NFB that's already in the original circuit. And the split load bootstrap doesn't do you any good either, as far as gain goes, as that's just a substitute for a CCS, which is/was already there. Lacking a detailed analysis my gut tells me that the secret, if there is one, lies in the cross coupling and subsequent nulling in the PP transformer. flipper wrote in m: On Tue, 04 Jul 2006 14:44:47 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Fair enough; I intended to keep the topology mostly the same, just adding another feedback line (crossed from the other side, since the triodes would be inverting, and I want same-polarity feedback). The main problem with positive feedback is stability. That and increased distortion. I'll throw this in the simulator soon... flipper wrote in newsuqka2lafpl3c2pbuvdiqsge5ja18n7la5@4ax. com: On Tue, 04 Jul 2006 10:41:34 GMT, Prune wrote: Well, I was thinking the gain limit could be overcome by band- limited positive feedback (Wolcott Audio amps use this, there are some old patents as well). I was just addressing the question of substituting triodes for Q13/14 but you'll have to tell me what the result of redesigning the topology is after you come up with it. flipper wrote in news:ddnha2t2i53nu2e9vjj3de8mfbo6renbnv@4a x.com: On Mon, 03 Jul 2006 07:27:00 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Hmm. What about other tubes? 'Other' in what way? You said triode and 95 is about as good as it gets with a CCS loaded triode Pentodes will do more but they aren't triodes and you don't generally CCS load the plate. Or, put another way, they don't 'go there that way'. That's probably one reason why he's using solid state up to the high voltage section. As for the bias, of course I'd have to adjust it from the previous stage. flipper wrote in news:krpca2hautfvadspeckp14km2ojffef7la@ 4ax.com: On Sat, 01 Jul 2006 06:48:13 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Can I use triodes in place of Q13/14? http://www.headwize.com/projects/sho...?file=gilmore4 _prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. Constant current source loaded 12AX7s would give a voltage gain of about 95 where he's got 200 in that stage. Not sure what would happen to his DC bias levels. |
#10
Posted to rec.audio.tubes
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hybrid question
While the first figure in the patent has independend amplifiers, it is
just an example and the patent is not limited to that. Indeed, an LTP- based version is also covered by the patent; see the Aleph-X schematic http://www.facstaff.bucknell.edu/esa...es/axschem.jpg (also covered by another Pass patent, on modulated current sources). Any 'positive feedback' one might wish to argue takes place in the long tail pair is the same 'coupling' that has been in every long tail pair since time immemorial so if it's 'the same' it would invalidate the patent from prior art, not the other way around. Well yes, except that what the patent covers is the combination of this process with negative feedback from both sides of a fully differential in/out amplifier. Up to the patent, that this effect is in an LTP doesn't seem to have been a major consideration in reducing distortion. If prior art was really invalidating the patent, TI's lawyers wouldn't have bothered to license it. BTW, when simulating such a circuit in SPICE, injecting a pulse at the output to represent distortion, the simulation clearly shows the effect, and a pulse appears on the other side of the circuit with the same polarity. I'd like to see if this happens with the electrostatic amp, but the EL34 model I found isn't working right when cathode driven... flipper wrote in : On Wed, 12 Jul 2006 19:53:59 GMT, Prune wrote: Thanks for the answer. The link works fine, I just checked... Yes. I was using the link in your replies and hadn't noticed word wrap had screwed it up One thing I'm wondering is if this circuit may not be violating one of Nelson Pass' patents, http://free.patentfetcher.com/GetPatentPDF.php? f=Pats/US/53/76/US5376899.pdf I know the patent is valid since Texas Instruments recently licensed it. Since Gilmore is selling amps with this topology, if this falls under the patent it would be a violation. It isn't the same topology. He has fully differential amplifier with NFB from both sides, connected in such a way that some of the error signal would go in same polarity through to the other side (in this case through the connection at the tail of the input differential pair) and cancel out at the output since it's common mode. Or am I missing something? Nelson's patent has two 'independent' (identical) inverting amplifiers on the input, not a long tail differential. It has two current sources under them (one for each as they're 'independent' and identical), not one. And it has a single resistor 'coupling' the two separate inverting amplifiers, not separate resistors going to a common long tail CCS. Any 'positive feedback' one might wish to argue takes place in the long tail pair is the same 'coupling' that has been in every long tail pair since time immemorial so if it's 'the same' it would invalidate the patent from prior art, not the other way around. And the series resistors do not participate in any positive feedback 'coupling' (other than to, perhaps, make it worse) so their existence, while visually similar, is functionally different. They are there for the negative feedback node, not 'positive coupling'. Lastly, the patent is essentially a single gain stage and I'm not sure it would translate to multiple stage global feedback even if the rest were similar, nor do see a claim for it. The manner in which you describe the Gilmore circuit raises another point, though, in that one cannot patent a 'goal' nor a 'result'. One patents the means to accomplish it so, while it might be fortuitous if the Gilmore circuit achieved the same results by other means, that, alone, would not violate the patent. ---------------- To back track a bit to the earlier discussion on positive feedback and distortion, I didn't mean to leave the impression that you can't reduce distortion by combining positive and negative feedback. You can, but It also increases distortion. Contradictory? No. The traditional use of positive feedback, to reduce distortion, is based on the premise that one, or more, stages are low distortion with a 'problem' high distortion stage(s) (usually the output). Now, you can reduce distortion with negative feedback but you need excess gain to do so and, since extra gain stages are not 'free', positive feedback to a low distortion stage increases it's gain, and distortion, so you can then apply negative feedback. The problematic stage's distortion is reduced at the expense of increased distortion in the low distortion stage (from the positive feedback) but since the low distortion stage is 'so much better' than the problematic stage the amplifier's overall distortion is improved. You always get the distortion increase on the positive feedback stage but the 'improvement' only happens if you've got one significantly worse, or better, so you can trade one for the other. It isn't a 'free lunch', you're just shuffling the meat around on the table What I meant regarding the Wolcott patent was in relation to the claim that using positive and negative feedback is such an 'improvement' over prior art and I'm saying that, if his topology is, it's likely due to the cross coupling and subsequent cancellation in the PP OPT rather than the combination of positive and negative feedback, per see, since that technique was well known and routinely employed. In my opinion, the cross coupling would be the 'new thing'. And back to your idea of using triodes, the problem is you lose gain and while popping in some positive feedback might get it back it would do so at the expense of distortion *somewhere*, compared to the existing circuit. How much I don't know because it depends on where you'd stick it and how good each of the existing stages already are but it can't possibly be 'equivalent' because you have less inherent gain before applying the positive/negative feedback (unless we get into an argument about whether triodes are 'inherently more linear' than what they're replacing). It also happens to be, assuming his description is correct, that where you lose the gain is where he's generating the lion's share of it, around 200, while the input stages are a relatively modest 5 and 4. So it seems to me that 'positive feedback' would be acting on the most vulnerable stage, hence my suggestion to increase the input stage gain to compensate.. Their distortion would go up but at gains of only 4 and 5 one would think it must be incredible small to begin with, compared to where the 'problem' is. My only concern would be potential biasing problems because he seemed to be particularly worried about offset drift. flipper wrote in m: On Thu, 06 Jul 2006 10:40:54 GMT, Prune wrote: Any reason the EL34s are not run in pentode mode? For the linearity, so he said. An equally good answer would be, because that's what works. The link doesn't work anymore but, if memory serves, he had a P FET as follower driver to the cathode of a grounded grid EL34 which, in turn, ran into a CCS. Now, a pentode wants to provide a current that is set by the grid-cathode voltage independent of plate. So make it a pentode and you end up with two current mode devices arguing with each other. The pentode insisting, with all it's might, that the current *is* going to change, regardless of what happens to plate voltage, and the CCS insisting, with all it's might, that by golly it ain't and that it'll swing plate voltage to whatever it takes to make it so. Put another way, you end up with infinite gain into an infinite load resulting in infinite instability. If you're thinking you can pick up the lost gain here, don't, as you'll likely end up with an oscillator rather than an amplifier. Again, if memory serves, he had quite modest gains in the front end stages so you might have better luck getting it there. Why do you want to change the FETs to triodes? flipper wrote in m: On Wed, 05 Jul 2006 13:23:45 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Not necessarily; you can raise gain a lot more and then use a lot more NFB. The inrease in distortion from one and the decrease from the other is not a proportional tradeoff. See the patents. I've read the patents but claims are not always reality and I'm always a bit suspicious of free lunches. Would be happy to see some supporting math, though, as there isn't any in the patent. However, even if the claims perform as implied you aren't raising gain a lot more to add a lot more NFB. You're in the situation of adding gain just to get back to the NFB that's already in the original circuit. And the split load bootstrap doesn't do you any good either, as far as gain goes, as that's just a substitute for a CCS, which is/was already there. Lacking a detailed analysis my gut tells me that the secret, if there is one, lies in the cross coupling and subsequent nulling in the PP transformer. flipper wrote in news:j9gma21apud2sh7gd41nss5fiq81bfmed1@4ax. com: On Tue, 04 Jul 2006 14:44:47 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Fair enough; I intended to keep the topology mostly the same, just adding another feedback line (crossed from the other side, since the triodes would be inverting, and I want same-polarity feedback). The main problem with positive feedback is stability. That and increased distortion. I'll throw this in the simulator soon... flipper wrote in newsuqka2lafpl3c2pbuvdiqsge5ja18n7la5@4a x.com: On Tue, 04 Jul 2006 10:41:34 GMT, Prune wrote: Well, I was thinking the gain limit could be overcome by band- limited positive feedback (Wolcott Audio amps use this, there are some old patents as well). I was just addressing the question of substituting triodes for Q13/14 but you'll have to tell me what the result of redesigning the topology is after you come up with it. flipper wrote in news:ddnha2t2i53nu2e9vjj3de8mfbo6renbnv@ 4ax.com: On Mon, 03 Jul 2006 07:27:00 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Hmm. What about other tubes? 'Other' in what way? You said triode and 95 is about as good as it gets with a CCS loaded triode Pentodes will do more but they aren't triodes and you don't generally CCS load the plate. Or, put another way, they don't 'go there that way'. That's probably one reason why he's using solid state up to the high voltage section. As for the bias, of course I'd have to adjust it from the previous stage. flipper wrote in news:krpca2hautfvadspeckp14km2ojffef7l : On Sat, 01 Jul 2006 06:48:13 GMT, Prune bobysgotguns_@_yahoo_. _com wrote: Can I use triodes in place of Q13/14? http://www.headwize.com/projects/showfile.php? file=gilmore4 _prj.htm (hybrid electrostatic headphones amp) Since that's doing most of the voltage gain, seems to me a good place for triodes. Constant current source loaded 12AX7s would give a voltage gain of about 95 where he's got 200 in that stage. Not sure what would happen to his DC bias levels. |
#11
Posted to rec.audio.tubes
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hybrid question
In the simulator I tried replacing the N-channel MOSFETs of the third stage
with 6DJ8s. Gain is lower but my source provides sufficient output to still drive this amp to full swing. My question is how to optimally set up the operating point of the triodes, as I don't know much about tubes. I was getting large distortion until I pulled the 6DJ8 cathodes and the bottom of the 2nd stage that feeds them 30 V below the -400 rail, as well as decreasing the resistors on the current source at their anodes. Now it's better, but not perfect. Suggestions on how to do it best? It would be very nice if I could get tubes to work in this stage as well. |
#12
Posted to rec.audio.tubes
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hybrid question
Hi flipper, thanks for the help.
flipper wrote in news Best gain you're going to get with CCS loaded 6DJ8s is around 30 to 33. His open loop gain was 4,000 (4x5x200) and 1,000 closed. You're at 650, or so, open loop... unless you've increased the gain on the front end. My source can do 2.7 V on each side of the differential inputs. That means I'd need gain under 300 to get full swing. Q13/Q14 are enhancement mode FETs, meaning they operate with the gate above source. Tubes operate with the grid below cathode potential. Right, but I can always add a more negative supply by referencing the DC I get from another winding to the negative rail. Making it virtually impossible you could just pop them in and have it magically work. Well I didn't expect it to be that easy. That's why I'm asking here how to best bias this. I'm curious how you decided what value those unmarked resistors were to begin with. From Gilmore's original sketch; I simply forgot to add the numbers when I redrew the schematic for Headwize. They are 100 ohms. Now it's better, but not perfect. Suggestions on how to do it best? It would be very nice if I could get tubes to work in this stage as well. Well, you need to pick an appropriate operating point for the tube and adjust everything so it's biased there. http://www.turneraudio.com.au/tube-operation1.html http://www.turneraudio.com.au/tube-operation2.html |
#13
Posted to rec.audio.tubes
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hybrid question
Here's my attempt this far in the simulation. I used 6DJ8, and to
partially make up for lost gain I decreased feedback (200K to 250K), as well as pulling the triode cathodes and 2nd stage bottom another 70 V, adjusting the second stage Vbe multiplier gate resistor. The 100 V zener for the second stage supply was decreased to 80 V; the CCS resistors went from 100 to 67 ohm. That runs the triodes at about 15 mA each with swing between 55 and 130 V above the new more negative supply. I left the P- channel followers' drains at -400. So this seems to work. Not sure how I can generate the needed 60 mA -70 V to reference from the -400 V yet, maybe use a doubler fed by the low voltage of the front end. |
#14
Posted to rec.audio.tubes
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hybrid question
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