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#361
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MOSFET output stage
"Eeysore the Criminal Lunatic " The classic QSC arrangement with grounded collectors has no qiescent current in the output devices. ** Massive BLATANT LIE !! FACT. ** But it is not fact. And you have no proof. Cos it is simply not true. It can improve the THD performance **Another blatant LIE !! Stevenson is completely INSANE with: 1. Congenital autism. 2. Massive narcissism. 3. Manic personality disorder. He tells massive lies, thousands of them. ...... Phil |
#362
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MOSFET output stage
Phil Allison wrote: ** The audio is funking MP3 "perceptually compressed " ****e. We were talking about mp2. Did you not read this bit in Jan's file ? AUDIO: 48000 Hz, 2 ch, and several more instances. Graham |
#363
Posted to sci.electronics.design,rec.audio.tech
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Eeysore the Lunatic
Phil Allison wrote: ** Five QSC MX series amps I have here RIGHT NOW prove you WRONG. All have about 20 mA per output BJT at idle - more when hot. I suppose you set them that way. ** That is they are - from the factory. The factory no longer makes them and hasn't for about 10 ? years. Graham |
#364
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" = Graham Stevenson = a RABID NUT CASE Phil Allison wrote: ** The audio is funking MP3 "perceptually compressed " ****e. We were talking about mp2. ** The sub topic was DTV audio - you LYING ASD ****ED PILE of POMMY **** !! ...... Phil |
#365
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Phil Allison wrote: "Eeysore the Criminal Lunatic " The classic QSC arrangement with grounded collectors has no qiescent current in the output devices. ** Massive BLATANT LIE !! FACT. ** But it is not fact. And you have no proof. Cos it is simply not true. It can improve the THD performance **Another blatant LIE !! Clearly you know nothing about amplifier design and the role of rapidly changing gm in the output stage in the crossover area. Correctly configured, the above technique helps enormously. All you have to do is measure one of my D or E series amps. Or an AX series even. Inidentally, the 700D had a full power 1kHz THD of 0.008%. Better than many hi-fi amps. In the AX I got it down to about 0.005%. Graham |
#366
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
On a sunny day (Fri, 26 Sep 2008 00:51:01 +1000) it happened "Phil Allison"
wrote in : ** Nonsense - DTV is all MP3 encoded. There is no defined sampling rate. First it is mp2 encoded, and second most is 48KHz sampled. ** ROTFLMFAO !! WOT COMPLETE ******** !!!!!!!!!! MP2 is a ****ing VIDEO format - you MORON !!!!!!!!!!! Oh really? http://en.wikipedia.org/wiki/MP2 More specific: http://en.wikipedia.org/wiki/MPEG-1_Audio_Layer_II Wot a pathetic, ridiculous ASD ****ed, wog IMBECILE !!! The next nuthouse (psychiatric help) is quite close to where you live, according to google maps. Go DROP ****ING DEAD - NOW !!!!!!!!!!!!!!!!!!!!!!!!!!! Why, because you are wrong? Go listen to ants in the outback :-) .... Phil |
#367
Posted to sci.electronics.design,rec.audio.tech
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Eeysore the Lunatic
"Eeyore = Graham Stevenson = CRIMINAL SCUM ** Five QSC MX series amps I have here RIGHT NOW prove you WRONG. All have about 20 mA per output BJT at idle - more when hot. I suppose you set them that way. ** That is as they are - from the factory. The factory no longer makes them ** YOU raised the issue of the QSC USA and MX models. " Anyone that can't hear the distortion of QSC USA or MX series must have severely damaged hearing. The classic QSC arrangement with grounded collectors has no quiescent current in the output devices. " So now you admit you have never even seen one !!! YOU ****ING LIAR !! Get cancer and DIE you vile scumbag. ASAP. ...... Phil |
#368
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Jan Panteltje" ** Hey you WOG **** HEAD . DTV = broadcast digital TV It is all ****ing MPEG encoded. The BROADCAST digital audio signal has no defined bit rate. YOU COLOSSAL ****ING MORON !!! ...... Phil |
#369
Posted to sci.electronics.design,rec.audio.tech
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Eeysore = Criminal Lunatic
"Eeysore the Criminal Lunatic "
The classic QSC arrangement with grounded collectors has no qiescent current in the output devices. ** Massive BLATANT LIE !! FACT. ** But it is not fact. And you have no proof. Cos it is simply not true. It can improve the THD performance **Another blatant LIE !! YOU just told everyone how these QSC amps have audible crossover distortion. Stevenson is a completely INSANE LIAR with: 1. Congenital autism. 2. Massive narcissism. 3. Manic personality disorder. He tells MASSIVE lies, thousands of them. He is telling MORE right now. ...... Phil |
#370
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
On a sunny day (Fri, 26 Sep 2008 02:29:05 +1000) it happened "Phil Allison"
wrote in : "Jan Panteltje" ** Hey you WOG **** HEAD . DTV = broadcast digital TV It is all ****ing MPEG encoded. The BROADCAST digital audio signal has no defined bit rate. From: http://en.wikipedia.org/wiki/MPEG-1_Audio_Layer_II quote Technical Specifications MPEG-1 Layer II is defined in ISO/IEC 11172-3 * Sampling rates: 32, 44.1 and 48 kHz * Bitrates: 32, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 and 384 kbit/s An extension has been provided in MPEG-2 Layer II and is defined in ISO/IEC 13818-3 * Additional sampling rates: 16, 22.05 and 24 kHz * Additional bitrates: 8, 16, 24, 40 and 144 kbit/s The format is based on successive digital frames of 1152 sampling intervals with four possible formats: * mono format * stereo format * joint stereo format (stereo irrelevance) * dual channel (uncorrelated) format end quote YOU COLOSSAL ****ING MORON !!! You really do not understand digital audio I think :-) ..... Phil |
#371
Posted to sci.electronics.design,rec.audio.tech
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Eeysore = Criminal Lunatic
Phil Allison wrote: "Eeysore the Criminal Lunatic " It can improve the THD performance **Another blatant LIE !! YOU just told everyone how these QSC amps have audible crossover distortion. CAN do. It requires good design too. Certainly never been a problem for me. If it's true that the MXs do have an idle current and I know the RMXs don't, that could help explain why the RMXs have better specs. Graham |
#372
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Jan Panteltje"
** Hey, you STUPID WOG **** HEAD . DTV = broadcast digital TV !!! It is all ****ing MPEG encoded. The ** BROADCAST digital audio signal ** has no defined bit rate. YOU COLOSSAL ****ING ILLITERATE MORON !!! ...... Phil |
#373
Posted to sci.electronics.design,rec.audio.tech
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Eeysore = Criminal Lunatic
Eeysore the Criminal Lunatic " The classic QSC arrangement with grounded collectors has no qiescent current in the output devices. ** Massive BLATANT LIE !! FACT. ** But it is not fact. And you have no proof. Cos it is simply not true. It can improve the THD performance ** Another blatant LIE !! YOU just told everyone how these QSC amps have audible crossover distortion !!!!!!!!!!!!!! Stevenson is a completely INSANE LIAR with: 1. Congenital autism. 2. Massive narcissism. 3. Manic personality disorder. He tells MASSIVE lies, thousands of them. He is telling MORE LIES right now. ...... Phil |
#374
Posted to sci.electronics.design,rec.audio.tech
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Eeysore = Criminal Lunatic
Phil Allison wrote: Eeysore the Criminal Lunatic " The classic QSC arrangement with grounded collectors has no qiescent current in the output devices. ** Massive BLATANT LIE !! FACT. ** But it is not fact. And you have no proof. Cos it is simply not true. It can improve the THD performance ** Another blatant LIE !! YOU just told everyone how these QSC amps have audible crossover distortion !!!!!!!!!!!!!! Which may simply be bad design unrelated to the biasing factor. I can beat QSC's figures with zero large device quiescent. Graham |
#375
Posted to sci.electronics.design,rec.audio.tech
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Eeysore the Lunatic
BobW wrote: Phil, You have a mental illness. You probably don't realize it, but it's obvious to others. If you're not already doing so, for your own sake, you should seek professional help. So what. Anyone who participates in the newsgroups has a mental disorder. Normal people have no interest for that; they have sex, pray God, take precarious mortgages and watch TV. This is what they call "having a life". VLV |
#376
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
JosephKK wrote:
Don't you at least agree there are many similarities between 1/f noise and offset? Actually, I do. By and large, they amount to the same thing. Its all low frequency variations. For example, if one designs a chopper amp to get low offset, it also kills/corrects for 1/f noise as well. If one has 1/f problems in an system, one immediately thinks about using a chopper..well I do any way... Kevin Aylward www.anasoft.co.uk SuperSpice I am less sure about it killing 1/f (flicker) noise rather than band shifting it to a place where is can be filtered out. The 1/f noise ends up in a part of the spectrum that you were going to filter out anyway, given that you're using a chopper amp. It is not offset, though the chopper amplifiers can mask it out. No, it's not the same, but it is related. It has many of the same properties. |
#377
Posted to sci.electronics.design,rec.audio.tech
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Eeysore the Lunatic
BobW wrote: Phil, You have a mental illness. You probably don't realize it, but it's obvious to others. If you're not already doing so, for your own sake, you should seek professional help. I agree with you but of course now he'll call you a lunatic too ! Graham |
#378
Posted to sci.electronics.design,rec.audio.tech
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Eeysore the Lunatic
Vladimir Vassilevsky wrote: BobW wrote: Phil, You have a mental illness. You probably don't realize it, but it's obvious to others. If you're not already doing so, for your own sake, you should seek professional help. So what. Anyone who participates in the newsgroups has a mental disorder. Normal people have no interest for that; they have sex, pray God, take precarious mortgages and watch TV. This is what they call "having a life". Doesn't sound like much of a life to me except the sex bit. Graham |
#379
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: Short answer - Graham has no immediate practical experience with measuring QSC amps, just like I said. What's 'immediate' got to do with it ? I've measured plenty of QSCs and the MX1500 I had was shocking. OK, but was it representative or just broken? The RMXs are a bit better but still nothing to write home about. I refined the RMX design for a semi-cloner of the output stage btw and knocked the THD down significantly with some of my little tricks like pole-zero compensation and also made the input to the amp 'module' quasi balanced to reduce 50/100 etc hum pickup.. Neither of which relate to claims about crossover distortion. I've also measured the Powerlights but I don't exactly recall their THD now mainly because my enduring memory of them is that the short circuit protection doesn't work if you short out a 'live signal'. Thankfully it was under guarantee. It probably works if powered up with a short on the output. It's easy to see why. Their protection method is ****. Read the patent. There's too much stored charged in those 2 electrolytic caps. Which again does not relate to claims about crossover distortion. |
#380
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: If you had a group of 30 well-chosen, well-trained listeners, then there would be no such thing as "...30 listeners and 3 were consistently about to determine A from B and the other 27 couldn't..." And how exactly do you determine that ? By using well-trained, well-chosen listeners. They tend to perform near the limits of human perception, which is to say that they are consistent with each other. Reality might be be that 27 out of 30, when evaluated individually, consistently distinguish A from B at the 99 percent confidence level, and maybe 3 others are off that pace, but not enough to ruin the results of the group taken as a whole. When you sum up the results of 30 people, far fewer correct results are required for a high-confidence result, than would be required for just one person with the same number of trials. You just proved that ABX testing ignores those with the most sensitive or highly trained hearing and is therefore merely a lowest common denominator test. No such thing. I don't think you really understand what proof or good experimental design and analysis is, Graham. |
#381
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: However I WILL NOT engage in futile discussion about things *I* know I *can* hear. All the audiophool golden ears say *exactly* the same thing. And as I said it was chalk and cheese. And as I said, all the audiophool golden ears say *exactly* the same thing. Not stupid liquid nitrogen dipped speaker cables or that kind of garbage. No possible audible difference is the same whether the test is ludicrous or close enough to be interesting. |
#382
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: I have more highly sensitive audio test gear by accident then most people have on purpose. I probably shouldn't admit this because it shows a certain kind of carelessness. Not more sensitive than Audio Precision or Prism Sound. Better than a Prism Sound ADA-8 or an AP System One. |
#383
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: Short answer - Graham has no immediate practical experience with measuring QSC amps, just like I said. What's 'immediate' got to do with it ? I've measured plenty of QSCs and the MX1500 I had was shocking. OK, but was it representative or just broken? Brand new out of the box as I recall. It met its miserable specs. It sounded like a gravel machine. Why are so against low distortion ? You're sounding like a tubie. Graham |
#384
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: If you had a group of 30 well-chosen, well-trained listeners, then there would be no such thing as "...30 listeners and 3 were consistently about to determine A from B and the other 27 couldn't..." And how exactly do you determine that ? By using well-trained, well-chosen listeners. Chosen by whom ? Graham |
#385
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: I don't think you really understand what proof or good experimental design and analysis is, Graham. I don't think you understand that ultra low distortion is a GOOD THING. You're merely an apologist for the mediocre. Graham |
#386
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: However I WILL NOT engage in futile discussion about things *I* know I *can* hear. All the audiophool golden ears say *exactly* the same thing. And as I said it was chalk and cheese. And as I said, all the audiophool golden ears say *exactly* the same thing. But I don't claim to be an "audiophool golden ear", just someone with decent hearing. Graham |
#387
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote in Arny Krueger wrote: I have more highly sensitive audio test gear by accident then most people have on purpose. I probably shouldn't admit this because it shows a certain kind of carelessness. Not more sensitive than Audio Precision or Prism Sound. Better than a Prism Sound ADA-8 Which isn't test equipment anyway. or an AP System One. Better than a brilliant 20+ year old design ? No longer in production btw. It's System 2 now. I'd like to know by how much to be honest. Graham |
#388
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
JosephKK wrote:
Noise-like phenomena, in increasing order of bandwith: Offset == 1/f noise == white noise OK alligator, where does shot noise fall in the spectrum? I never claimed that the list was exhausistive, but to answer your question: I would put it between 1/f noise and white noise. |
#389
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Jorden Verwer wrote:
JosephKK wrote: Noise-like phenomena, in increasing order of bandwith: Offset == 1/f noise == white noise OK alligator, where does shot noise fall in the spectrum? I never claimed that the list was exhausistive, but to answer your question: I would put it between 1/f noise and white noise. The spectrum of shot noise is white - why would it be otherwise? d |
#390
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: Short answer - Graham has no immediate practical experience with measuring QSC amps, just like I said. What's 'immediate' got to do with it ? I've measured plenty of QSCs and the MX1500 I had was shocking. OK, but was it representative or just broken? Brand new out of the box as I recall. It met its miserable specs. It sounded like a gravel machine. The specs are such that the machine could have a pretty serious fault, and still meet specs. Why are so against low distortion ? Me, against low distortion? However, there's plenty of evidence that THD below 0.02% in actual use is a nit. You're sounding like a tubie. Not at all. |
#391
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Phil Allison" writes:
"Jan Panteltje" ** Hey, you STUPID WOG **** HEAD . DTV = broadcast digital TV !!! It is all ****ing MPEG encoded. The ** BROADCAST digital audio signal ** has no defined bit rate. YOU COLOSSAL ****ING ILLITERATE MORON !!! Proof by derision? -- % Randy Yates % "The dreamer, the unwoken fool - %% Fuquay-Varina, NC % in dreams, no pain will kiss the brow..." %%% 919-577-9882 % %%%% % 'Eldorado Overture', *Eldorado*, ELO http://www.digitalsignallabs.com |
#392
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Don Pearce wrote:
Jorden Verwer wrote: JosephKK wrote: Noise-like phenomena, in increasing order of bandwith: Offset == 1/f noise == white noise OK alligator, where does shot noise fall in the spectrum? I never claimed that the list was exhausistive, but to answer your question: I would put it between 1/f noise and white noise. The spectrum of shot noise is white - why would it be otherwise? Shot noise will always be band limited because electrons have a nonzero transit time. Its bandwith is very high, but not infinite. |
#393
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Jorden Verwer" writes:
Don Pearce wrote: Jorden Verwer wrote: JosephKK wrote: Noise-like phenomena, in increasing order of bandwith: Offset == 1/f noise == white noise OK alligator, where does shot noise fall in the spectrum? I never claimed that the list was exhausistive, but to answer your question: I would put it between 1/f noise and white noise. The spectrum of shot noise is white - why would it be otherwise? Shot noise will always be band limited because electrons have a nonzero transit time. Its bandwith is very high, but not infinite. Not that it's related, but it may be interesting to note that thermal noise is also bandlimited. See http://www.claysturner.com/dsp/Johns...st%20Noise.pdf -- % Randy Yates % "Remember the good old 1980's, when %% Fuquay-Varina, NC % things were so uncomplicated?" %%% 919-577-9882 % 'Ticket To The Moon' %%%% % *Time*, Electric Light Orchestra http://www.digitalsignallabs.com |
#394
Posted to sci.electronics.design,rec.audio.tech
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Eeysore the Lunatic
"Bob******" ** Drop dead you ****ing tenth witted ass. ...... Phil |
#395
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: However I WILL NOT engage in futile discussion about things *I* know I *can* hear. All the audiophool golden ears say *exactly* the same thing. And as I said it was chalk and cheese. And as I said, all the audiophool golden ears say *exactly* the same thing. But I don't claim to be an "audiophool golden ear", just someone with decent hearing. Again, that is exactly we hear from virtually all of the audiophiles who believe in weird cables and all the rest. There is a pervasive natural tendency to underestimate the effects of bias on what we perceive. Most people are shocked by what they hear the first time they participate in a bias-controlled listening test involving even subtle, but audible differences. They find out that they have been living in a glass house. |
#396
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
"Eeyore" wrote in
message Arny Krueger wrote: "Eeyore" wrote in Arny Krueger wrote: I have more highly sensitive audio test gear by accident then most people have on purpose. I probably shouldn't admit this because it shows a certain kind of carelessness. Not more sensitive than Audio Precision or Prism Sound. Better than a Prism Sound ADA-8 Which isn't test equipment anyway. Well, yes and no. With computer testing software, any ADC-DAC can perform as some kind of audio test equipment. Besides, I'm not the one who brought Prism up. or an AP System One. Better than a brilliant 20+ year old design ? No longer in production btw. It's System 2 now. I'd like to know by how much to be honest. The LynxTwo runs neck-and-neck with an AP System 2, according to its designer who of course has one. |
#397
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: Short answer - Graham has no immediate practical experience with measuring QSC amps, just like I said. What's 'immediate' got to do with it ? I've measured plenty of QSCs and the MX1500 I had was shocking. OK, but was it representative or just broken? Brand new out of the box as I recall. It met its miserable specs. It sounded like a gravel machine. The specs are such that the machine could have a pretty serious fault, and still meet specs. Why are so against low distortion ? Me, against low distortion? However, there's plenty of evidence that THD below 0.02% in actual use is a nit. You're sounding like a tubie. Not at all. 0.02% is at least more reasonable than 0.1% which is all even some modern transistor amps can deliver. I'm happier with 0.01% myself (that's why I designed for 0.008% on my 700D model) although as I've stated before, full power THD is only a small part of the whole story. Graham |
#398
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: However I WILL NOT engage in futile discussion about things *I* know I *can* hear. All the audiophool golden ears say *exactly* the same thing. And as I said it was chalk and cheese. And as I said, all the audiophool golden ears say *exactly* the same thing. But I don't claim to be an "audiophool golden ear", just someone with decent hearing. Again, that is exactly we hear from virtually all of the audiophiles who believe in weird cables and all the rest. There is a pervasive natural tendency to underestimate the effects of bias on what we perceive. Most people are shocked by what they hear the first time they participate in a bias-controlled listening test involving even subtle, but audible differences. They find out that they have been living in a glass house. Well, you're wrong about this one. Remember it was a comparison between a 0.1% rated THD amp and one with 0.01%. You yourself have set a benchmark in your previous post of 0.02%. Graham |
#399
Posted to sci.electronics.design,rec.audio.tech
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MOSFET output stage
Arny Krueger wrote: "Eeyore" wrote Arny Krueger wrote: "Eeyore" wrote: Arny Krueger wrote: I have more highly sensitive audio test gear by accident then most people have on purpose. I probably shouldn't admit this because it shows a certain kind of carelessness. Not more sensitive than Audio Precision or Prism Sound. Better than a Prism Sound ADA-8 Which isn't test equipment anyway. Well, yes and no. With computer testing software, any ADC-DAC can perform as some kind of audio test equipment. Besides, I'm not the one who brought Prism up. or an AP System One. Better than a brilliant 20+ year old design ? No longer in production btw. It's System 2 now. I'd like to know by how much to be honest. The LynxTwo runs neck-and-neck with an AP System 2, according to its designer who of course has one. So not actually 'better' then ? Graham |
#400
Posted to rec.audio.tech
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MOSFET output stage
headers trimmed to my newsgroup of interest - recommended
On Thu, 25 Sep 2008 19:25:06 -0000, "Jorden Verwer" wrote: JosephKK wrote: Noise-like phenomena, in increasing order of bandwith: Offset == 1/f noise == white noise OK alligator, where does shot noise fall in the spectrum? I never claimed that the list was exhausistive, but to answer your question: I would put it between 1/f noise and white noise. Although this thread is drifting way beyond topic, it's maybe interesting that 1/f falls into the realm of "excess" noise, inherently non-"white", that is (properly) non-Gaussian. "Shot noise" has taken several meanings over the decades, sometimes mutually contradictory. Originally the term meant a fuzzy version of thermal or Johnson or whatever one calls the simple excitation of matter with temperature. This was back in the dark ages before last week. Lately, it seems to have acquired a grad-school meaning associated with the tranfer of finite numbers of electrons. Goes without saying, these two meanings are contradictory, so everybody needs to specify whether (s)he is or isn't a grad student. All good fortune, Chris Hornbeck |
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