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#1
Posted to rec.audio.pro
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ns-10's mod
Hi guys.... I have recently pulled out my old Ns-10 monitors from
storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? |
#2
Posted to rec.audio.pro
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ns-10's mod
"Martin Martini" wrote:
Hi guys.... I have recently pulled out my old Ns-10 monitors from storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? One of the best things that can happen to NS-10s is that they be overdriven and their voice coils smoked. A fuse could spoil the party. ;-) -- ~ ~ Roy "If you notice the sound, it's wrong!" |
#3
Posted to rec.audio.pro
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ns-10's mod
Martin Martini wrote:
Hi guys.... I have recently pulled out my old Ns-10 monitors from storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? Just cut the line to the tweeter and put an inline fuse holder in there. There was always argument over what size fuse to put in there... I would suggest a 1A fast-blow as being very conservative. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#4
Posted to rec.audio.pro
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ns-10's mod
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#5
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ns-10's mod
"Roy W. Rising" wrote in message ... "Martin Martini" wrote: Hi guys.... I have recently pulled out my old Ns-10 monitors from storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? One of the best things that can happen to NS-10s is that they be overdriven and their voice coils smoked. A fuse could spoil the party. ;-) I don't think you understand the point of having NS-10s. \bm |
#7
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ns-10's mod
Tony wrote:
Not my idea of conservative - even a fast-blow 1A fuse can take 2A (32W) for quite a while, and much more short-term, enough to damage the tweeter. I would instead try a Polyswitch below 1A, maybe with a 20 ohm resistor or lamp in parallel (as in many commercial speakers). You really don't want anything in series with the speaker. A 1/4-20 NoBlow is best, but a fuse that blows occasionally, combined with taking care that you have enough power driving the speakers so that you won't be feeding them a clipped waveform is the best policy for keeping the speakers alive. Of course with today's mixes, the waveform is often clipped before it hits the power amplifier, so there's more energy going to the speakers for a given peak current level than there used to be when NS-10s were designed. The best modification is a piece of tissue paper over the tweeters, but finding 1970-vintage tissue paper is difficult today and expensive when you can find it at all. Why, just a month ago, an unopened four-pack of Waldorf went for $870 on eBay. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
#8
Posted to rec.audio.pro
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ns-10's mod
Tony wrote:
Not my idea of conservative - even a fast-blow 1A fuse can take 2A (32W) for quite a while, and much more short-term, enough to damage the tweeter. I would instead try a Polyswitch below 1A, maybe with a 20 ohm resistor or lamp in parallel (as in many commercial speakers). I've seen temporary crossovers using 1/2W resistors as tweeter attenuators that suffered no trauma through extensive testing, so I doubt that any sane / non-deaf listener would need a 1A tweeter fuse. But with the Polyswitch, you'll then hear it if/when it drops out, and be able to experiment and decide if you really want to increase the rating (and take the extra risk). The polyswitch has some good and bad points, and the fact that the time to trigger is tied to the current going through it can be either a big advantage or a big disadvantage depending on the failure mode you're trying to protect. Problem is that the added series resistance means you need to design the crossover around the thing and it's not an easy drop-in replacement unless you can suffer some sonic change. On the gripping hand, it's just an NS-10 anyway. I _believe_ the main NS-10 failure is voice coil overheating and so a slow-acting device would be just fine. Ask me more after the AES show when I can talk more about this. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#9
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ns-10's mod
Badmuts wrote:
"Roy W. Rising" wrote in message "Martin Martini" wrote: Hi guys.... I have recently pulled out my old Ns-10 monitors from storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? One of the best things that can happen to NS-10s is that they be overdriven and their voice coils smoked. A fuse could spoil the party. ;-) I don't think you understand the point of having NS-10s. A lot of people don't. I can't stand the things myself. Fletcher gets great mixes that translate well off of them, but it doesn't look fun. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#10
Posted to rec.audio.pro
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ns-10's mod
Scott Dorsey wrote:
I can't stand the things myself. Fletcher gets great mixes that translate well off of them, but it doesn't look fun. I think he's learned to watch how the cone buckles when turning it up, and that tells him how the bass will sound on other speakers. That's a usage mode that might be defeated by a fuse. -- If you e-mail me and it bounces, use your secret decoder ring and reach me he double-m-eleven-double-zero at yahoo -- I'm really Mike Rivers ) |
#11
Posted to rec.audio.pro
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ns-10's mod
I don't think you understand the point of having NS-10s.
A lot of people don't. I can't stand the things myself. Fletcher gets great mixes that translate well off of them, but it doesn't look fun. I also traded mine for a set of heavily modded JBL's that works nicely for me so far. I also have a pair of HS80. They look similar to NS10's and many people (musicians mostly) mistake them for NS10's but they sound OK and are actually usable for creating good mixes that translate well - for me. I still think it's all about how well you know your monitors. I've done decent rough mixes on computer speakers way back... Bm |
#12
Posted to rec.audio.pro
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ns-10's mod
On Tue, 26 Aug 2008 17:51:29 -0400, Martin Martini wrote
(in article ): Hi guys.... I have recently pulled out my old Ns-10 monitors from storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? don't forget the toilet paper over the tweeters. Regards, Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#13
Posted to rec.audio.pro
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ns-10's mod
"Ty Ford" ha scritto nel messaggio don't forget the toilet paper over the tweeters. Before or after playing music through them? ;-) F. |
#14
Posted to rec.audio.pro
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ns-10's mod
Ty Ford wrote:
On Tue, 26 Aug 2008 17:51:29 -0400, Martin Martini wrote (in article ): Hi guys.... I have recently pulled out my old Ns-10 monitors from storage....I remember seeing in some pro studios in the 80's a modification to these little gems that added an inline fuse to them....anyone have this information or know where I can get it? don't forget the toilet paper over the tweeters. Used. geoff |
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