Home |
Search |
Today's Posts |
#1
Posted to rec.audio.pro,alt.music.home-studio,
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Thanks to Hank Alrich for sending me an MCA SP1.
I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Enjoy Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#2
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"Ty Ford" wrote in message
news Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Enjoy Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU Can't seem to locate the files. Are they in: Gear Reviews Mics, Gear Reviews Other, or ?? Steve King |
#3
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sat, 10 Mar 2007 15:31:33 -0500, Steve King wrote
(in article ): Top Level Steve. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Ty --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#4
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"Ty Ford" wrote in message
. .. On Sat, 10 Mar 2007 15:31:33 -0500, Steve King wrote (in article ): Top Level Steve. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Well, that's a very interesting comparison ... the TLM103 vs. the SP1. On first listening the Neumann sounded a little brighter that the SP1, but otherwise very similar. Then I added about 5db Low Q boost centered around 2.5kHz to the SP1 and it became hard for these old ears to tell the difference. Let's see. The TLM103 at about $800 is 20x the cost of the SP1 at $39. I'm not thowing away my good mics, but I am relieved that I wasn't crazy recently to pick the SP1 for a Spanish language narrator with a bit of edge to his voice ;-) Steve King |
#5
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Mar 10, 2:15 pm, Ty Ford wrote:
Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1 What's an SP1? Is that the cheap mic that Jim Williams mentions every time someone mentions a more expensive cheap mic? So, putting on my producer's hat, what did YOU think? I don't have the patience to download the files and get them to someplace where I can listen to them over something more useful for comparison than Minimus 7 speakers on my "good" computer. |
#6
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Ty Ford wrote:
Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. -- ha Iraq is Arabic for Vietnam |
#7
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Steve King wrote:
"Ty Ford" wrote... Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Can't seem to locate the files. Are they in: Gear Reviews Mics, Gear Reviews Other, or ?? Steve King Heh, ain't it somethin' the way he dillys us 'round like that? You'd think "he'll post the link", but you'd be wrong. g -- ha Iraq is Arabic for Vietnam |
#8
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Mike Rivers wrote:
Ty Ford wrote: Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1 What's an SP1? Is that the cheap mic that Jim Williams mentions every time someone mentions a more expensive cheap mic? Yes, it's that one. I finally succumbed to curiousity and spent about $94 on a pair of them, including shipping and CA state sales tax. Ever since, I've been seeking shock mounts that don't cost more than the mics. g I think I've found 'em at BSW, from On Stage, about $25 each. So, putting on my producer's hat, what did YOU think? I don't have the patience to download the files and get them to someplace where I can listen to them over something more useful for comparison than Minimus 7 speakers on my "good" computer. I think it's sort of stupidly good for the money, and actually not bad regardless of cost. i wanted to hate it but the times I've put it up the tracks were entirely usable. I look forward to either modding it myself, if I can figure out what to put where and where to get the what to put there, or sending it to Jim for the mods. I think one of the reasons it sounds decent is that it's transformerless, using a clone of the Schoeps circuitry. I still hear a little edge that I don't hear in some much more expensive LDC's (this has a 20 mm. diaphgram, sort of a smal LDC), and I wonder if the mods will reduce that. But seriously, for what it sounds like and what it cost, I can't see paying one cent more for a Chinese cardioid LDC. I've heard several that cost many multiples of forty bucks that don't sound as good. The construction is not on a par with some famous name brands, the cicuit board being mounted on some leftover Erector Set parts. When reassembling it one must be careful not to try to tighten the body solidly, because it will never feel solid in the way a U87 does, and if one keeps twisting I'm pretty sure the Erector Set parts will give up the cheese ghost in this particular machine. -- ha Iraq is Arabic for Vietnam |
#9
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"hank alrich" wrote in message ... Ty Ford wrote: Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. Hank, Was this the one back from Jim Williams? -zero |
#10
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
hi; who sells them?
|
#11
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
hank alrich wrote:
solidly, because it will never feel solid in the way a U87 does, Must be pretty flimsy then, cos my U87 feels lilke an empty beer can in comparison to RODE NT1000, K2 etc. Of course that is a design feature of the U87 that totally complements the overall sound... geoff |
#12
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sat, 10 Mar 2007 14:15:00 -0500, Ty Ford
wrote: Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Enjoy Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU Just downloaded the two smaller files (TLM103/SP1), and as they stand they can't be compared fairly. The SP1 needs to be given an extra 1.5dB of gain to bring it up to the same level. That being done, it is really very similar to the TLM103. In much the same way as the fun and games we had with the NT1-A, a very minimal amount of eq will make them indistinguishable. Where they do differ considerably is in the quiet pause, where the TLM drops to a much lower residual noise level than the SP1. d -- Pearce Consulting http://www.pearce.uk.com |
#13
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"BEN" wrote in message
hi; who sells them? No, he solders some fancy capacitors in them and somehow thereby overcomes the random tensioning of the diaphragms. ;-) |
#14
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Mar 11, 12:20 am, (hank alrich) wrote:
I think it's sort of stupidly good for the money, and actually not bad regardless of cost. Lots of that these days, but I think the secret to making a really good mic is still safe with those who still do it. We tolerate a lot of "really good for the money" today because we tend to use more mics than we used to, probably in part to imitate the big studio sessions of the 80s, and partly because of availability. I don't need any more mics, otherwise I'd be curious and probably try one myself. I've heard similarly good reports no the small capsule Behringer and Samson mics. The construction is not on a par with some famous name brands, the cicuit board being mounted on some leftover Erector Set parts. Hmmmm . . . . well I guess they weren't meant to be taken apart, but the cheaper they are, the more we're inclined to do that. |
#15
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"Don Pearce" wrote in message
Just downloaded the two smaller files (TLM103/SP1), and as they stand they can't be compared fairly. The SP1 needs to be given an extra 1.5dB of gain to bring it up to the same level. I came up with a 1 dB difference, but the 103 was still the louder one. That being done, it is really very similar to the TLM103. In much the same way as the fun and games we had with the NT1-A, a very minimal amount of eq will make them indistinguishable. This time the differences are mostly in the midrange. The 103 is a bit brighter this time. Where they do differ considerably is in the quiet pause, where the TLM drops to a much lower residual noise level than the SP1. I don't think a 1.5 dB difference is that much all by itself, however much of the difference was probably masked by other noise sources. The noise in the SP1b could be the most obvious quality difference. |
#16
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"Mike Rivers" wrote in message
oups.com... On Mar 11, 12:20 am, (hank alrich) wrote: I think it's sort of stupidly good for the money, and actually not bad regardless of cost. Lots of that these days, but I think the secret to making a really good mic is still safe with those who still do it. We tolerate a lot of "really good for the money" today because we tend to use more mics than we used to, probably in part to imitate the big studio sessions of the 80s, and partly because of availability. I don't need any more mics, otherwise I'd be curious and probably try one myself. I've heard similarly good reports no the small capsule Behringer and Samson mics. The problem is, however, that professional dares to admit having tested a Samson of Behringer... :-) The construction is not on a par with some famous name brands, the cicuit board being mounted on some leftover Erector Set parts. I have a couple of Samson CL15's and these are very rigidly constructed. Die-cast housing and the PCB is mounted firmly in the die-cast frame. I am curious whether a professional ever tested and compared one of these against the "industry standards". Meindert |
#17
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sun, 11 Mar 2007 08:15:46 -0400, "Arny Krueger"
wrote: "Don Pearce" wrote in message Just downloaded the two smaller files (TLM103/SP1), and as they stand they can't be compared fairly. The SP1 needs to be given an extra 1.5dB of gain to bring it up to the same level. I came up with a 1 dB difference, but the 103 was still the louder one. That being done, it is really very similar to the TLM103. In much the same way as the fun and games we had with the NT1-A, a very minimal amount of eq will make them indistinguishable. This time the differences are mostly in the midrange. The 103 is a bit brighter this time. I equalized the levels in the midrange - that's probably why we came up with different gain figures. The brightness difference is very slight - I would be hard pressed to know which mic I was hearing if it was simply taken off the shelf and stuck in front of somebody. Where they do differ considerably is in the quiet pause, where the TLM drops to a much lower residual noise level than the SP1. I don't think a 1.5 dB difference is that much all by itself, however much of the difference was probably masked by other noise sources. The noise in the SP1b could be the most obvious quality difference. Looking a bit more carefully it is clear that everything on the screen is external noise. d -- Pearce Consulting http://www.pearce.uk.com |
#18
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Mike Rivers wrote:
Lots of that these days, but I think the secret to making a really good mic is still safe with those who still do it. If that... sometimes it seems like they have forgotten it. I see no other explanation for the C-3000. I don't need any more mics, otherwise I'd be curious and probably try one myself. I've heard similarly good reports no the small capsule Behringer and Samson mics. I have yet to see any small-diaphragm Chinese-made mikes that I would consider okay, with the exception of the punched-metal omni electrets. The truth is that it's just harder to make a small diaphragm mike than a large diaphragm mike, and the tolerances required are greater. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#19
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sun, 11 Mar 2007 00:20:24 -0400, hank alrich wrote
(in article ): Steve King wrote: "Ty Ford" wrote... Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Can't seem to locate the files. Are they in: Gear Reviews Mics, Gear Reviews Other, or ?? Steve King Heh, ain't it somethin' the way he dillys us 'round like that? You'd think "he'll post the link", but you'd be wrong. g For each of those files? With all due respect, bite me. Ty --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#20
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
BEN wrote:
hi; who sells them? I'd love to be corrected, but they look to be out of production. -- Les Cargill |
#21
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
-zero wrote:
"hank alrich" wrote... Ty Ford wrote: Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. Hank, Was this the one back from Jim Williams? -zero No, it's stock. I even sent Ty the original packaging, which has the look and feel (make that "appearance and heft") of HOSA cable packaging, designed to hang on a peg wall. Eventually I'll send Ty a mod'd one, once I have one mod'd. -- ha Iraq is Arabic for Vietnam |
#22
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Les Cargill wrote:
BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. -- ha Iraq is Arabic for Vietnam |
#23
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Mar 11, 10:05 am, Ty Ford wrote:
For each of those files? With all due respect, bite me. Even I was able to find the download link . . . eventually. Chomp! |
#24
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
hank alrich wrote:
Les Cargill wrote: BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. You'd think that would be pretty clear before they got out to start with. Nothing wrong with marking 'em $200 to keep the bottom from falling out. -- Les Cargill |
#25
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Les Cargill wrote:
hank alrich wrote: Les Cargill wrote: BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. You'd think that would be pretty clear before they got out to start with. Not unless they actually listened to the mics. Nothing wrong with marking 'em $200 to keep the bottom from falling out. What? That's like $150 "wrong"! g -- ha Iraq is Arabic for Vietnam |
#26
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"hank alrich" wrote in message
... Les Cargill wrote: hank alrich wrote: Les Cargill wrote: BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. You'd think that would be pretty clear before they got out to start with. Not unless they actually listened to the mics. Nothing wrong with marking 'em $200 to keep the bottom from falling out. What? That's like $150 "wrong"! g I can find no source for these mics. I think that means that the ones Hank and I have are now VINTAGE! I can see the Ebay prices skyrocketing soon. And, all because of Ty's "endorsement". Thanks, Ty. Steve King |
#27
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Steve King wrote:
"hank alrich" wrote... Les Cargill wrote: hank alrich wrote: Les Cargill wrote: BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. You'd think that would be pretty clear before they got out to start with. Not unless they actually listened to the mics. Nothing wrong with marking 'em $200 to keep the bottom from falling out. What? That's like $150 "wrong"! g I can find no source for these mics. Go to: http://www.pssl.com In the seach window put: mca sp-1 I think that means that the ones Hank and I have are now VINTAGE! I can see the Ebay prices skyrocketing soon. And, all because of Ty's "endorsement". Thanks, Ty. Sooner or later they will be vintage. I'm already approaching vintage myself, so they better hurry up and get these out of production. -- ha Iraq is Arabic for Vietnam |
#28
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sun, 11 Mar 2007 00:06:10 -0400, hank alrich wrote
(in article ): Ty Ford wrote: Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. Just a thought.....What if the SP1 Hank sent me was the only one they got right and the rest were pure crap? Regards, Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#29
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sun, 11 Mar 2007 15:49:46 -0400, Steve King wrote
(in article ): "hank alrich" wrote in message ... Les Cargill wrote: hank alrich wrote: Les Cargill wrote: BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. You'd think that would be pretty clear before they got out to start with. Not unless they actually listened to the mics. Nothing wrong with marking 'em $200 to keep the bottom from falling out. What? That's like $150 "wrong"! g I can find no source for these mics. I think that means that the ones Hank and I have are now VINTAGE! I can see the Ebay prices skyrocketing soon. And, all because of Ty's "endorsement". Thanks, Ty. Steve King I endorsed nothing. I hooked it up, mooshed some noise through it and uploaded it, even though pansy-handed people like Hank had to break a sweat to find the link. Jeeze Hank, bookmark the spot so you won't have to hurt your lilly whites again. (As per the RAP AQ, You'll notice I have yet to employ the term audio ****.) Regards, Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#30
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Sun, 11 Mar 2007 11:43:21 -0400, hank alrich wrote
(in article ): -zero wrote: "hank alrich" wrote... Ty Ford wrote: Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. Hank, Was this the one back from Jim Williams? -zero No, it's stock. I even sent Ty the original packaging, which has the look and feel (make that "appearance and heft") of HOSA cable packaging, designed to hang on a peg wall. Eventually I'll send Ty a mod'd one, once I have one mod'd. The blister pack has the look of something you might find at "The Dollar Store." Regards, Ty Ford --Audio Equipment Reviews Audio Production Services Acting and Voiceover Demos http://www.tyford.com Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU |
#31
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"Ty Ford" wrote in message
On Sun, 11 Mar 2007 11:43:21 -0400, hank alrich wrote (in article ): -zero wrote: "hank alrich" wrote... Ty Ford wrote: Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. Hank, Was this the one back from Jim Williams? -zero No, it's stock. I even sent Ty the original packaging, which has the look and feel (make that "appearance and heft") of HOSA cable packaging, designed to hang on a peg wall. Eventually I'll send Ty a mod'd one, once I have one mod'd. The blister pack has the look of something you might find at "The Dollar Store." My guess is that these are made up out of capsules that couldn't past muster for more expensive mics. Given how cheap Marshall mics can be, that is a bit scary. Not that I don't personally own nearly a half-dozen Marshall mics. ;-) It would be fun to test say 10 samples, and see how the deficiencies stack up. |
#32
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
"hank alrich" wrote in message
Arny Krueger wrote: My guess is that these are made up out of capsules that couldn't past muster for more expensive mics. I kind of doubt they even bother to check that kind of stuff for mics in this sandlot ballpark. If they did, they wouldn't be in this mic business; they'd be in that other mic biz where that kind of detail is considered important. g The pair I have seem decently matched. I'd like to be able to download a pair of mono recordings or a stereo recording made from a pair of them mounted togehter like Ty does. |
#33
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Arny Krueger wrote:
My guess is that these are made up out of capsules that couldn't past muster for more expensive mics. I kind of doubt they even bother to check that kind of stuff for mics in this sandlot ballpark. If they did, they wouldn't be in this mic business; they'd be in that other mic biz where that kind of detail is considered important. g The pair I have seem decently matched. -- ha Iraq is Arabic for Vietnam |
#34
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Ty Ford wrote:
hank alrich wrote: Ty Ford wrote: Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1. The files are now loading into my On Line Archive into a folder called TLM 103 NT2a SP1. Hank, the SP1 went into the mail back to you several hours ago. Whew, that's a relief, considering my investment in that sucker! Hope you had some fun. I'll get those files and give a listen. Just a thought.....What if the SP1 Hank sent me was the only one they got right and the rest were pure crap? I couldn't tell one from the other in the pair I bought, and I'll bet Jim Williams has seen at least a reasonable sample of these. He's been touting them for several years now. I could've sent you the pair, but I didn't want to spend so much on postage that I could have bought another mic. -- ha Iraq is Arabic for Vietnam |
#35
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Pro Sound Stage and Lighting shows them as in stock, for $39.95. I'm
not sure if that's up-to-date, or not. Dean On Mar 11, 2:49 pm, "Steve King" wrote: "hank alrich" wrote in message ... Les Cargill wrote: hank alrich wrote: Les Cargill wrote: BEN wrote: hi; who sells them? I'd love to be corrected, but they look to be out of production. And I've been wondering about that. It's possible that this is the best side-address mic Marshall has offered, and at the lowest price in their line. Leaving out even a cheap transformer helps lower the price, yet raise the performance. I wonder if this thing is disappearing because if word got all the way out it would cannibalize much of the rest of their line. You'd think that would be pretty clear before they got out to start with. Not unless they actually listened to the mics. Nothing wrong with marking 'em $200 to keep the bottom from falling out. What? That's like $150 "wrong"! g I can find no source for these mics. I think that means that the ones Hank and I have are now VINTAGE! I can see the Ebay prices skyrocketing soon. And, all because of Ty's "endorsement". Thanks, Ty. Steve King- Hide quoted text - - Show quoted text - |
#36
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
drichard wrote:
Pro Sound Stage and Lighting shows them as in stock, for $39.95. I'm not sure if that's up-to-date, or not. It is, it is. Mine came in to-day. snip -- Les Cargill |
#37
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Mar 10, 8:20 pm, (hank alrich) wrote:
Mike Rivers wrote: Ty Ford wrote: Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1 What's an SP1? Is that the cheap mic that Jim Williams mentions every time someone mentions a more expensive cheap mic? Yes, it's that one. I finally succumbed to curiousity and spent about $94 on a pair of them, including shipping and CA state sales tax. Ever since, I've been seeking shock mounts that don't cost more than the mics. g I think I've found 'em at BSW, from On Stage, about $25 each. So, putting on my producer's hat, what did YOU think? I don't have the patience to download the files and get them to someplace where I can listen to them over something more useful for comparison than Minimus 7 speakers on my "good" computer. I think it's sort of stupidly good for the money, and actually not bad regardless of cost. i wanted to hate it but the times I've put it up the tracks were entirely usable. I look forward to either modding it myself, if I can figure out what to put where and where to get the what to put there, or sending it to Jim for the mods. I think one of the reasons it sounds decent is that it's transformerless, using a clone of the Schoeps circuitry. I still hear a little edge that I don't hear in some much more expensive LDC's (this has a 20 mm. diaphgram, sort of a smal LDC), and I wonder if the mods will reduce that. But seriously, for what it sounds like and what it cost, I can't see paying one cent more for a Chinese cardioid LDC. I've heard several that cost many multiples of forty bucks that don't sound as good. The construction is not on a par with some famous name brands, the cicuit board being mounted on some leftover Erector Set parts. When reassembling it one must be careful not to try to tighten the body solidly, because it will never feel solid in the way a U87 does, and if one keeps twisting I'm pretty sure the Erector Set parts will give up the cheese ghost in this particular machine. -- ha Iraq is Arabic for Vietnam The hard sound from these is a result of some of the parts they use. The cap off the casule is a mono ceramic, bad choice. I use a MIT MultiCap there. I replace the 2sk170 fet which I find to sound cloudy to a fast J305 from Siliconix. The bipolars are changed to Hitachi 2sa1083's. I up the polarization voltage from 40 to 57 volts which increases output by around 5 db. That plus the lower noise semiconductors makes this a very quiet mic. The ouput caps are enlarged to allow 20 hz to pass and those are bypassed with more MIT caps. I use Dale RN55 resistors for the audio path. Panasonic FM electrolytics are used for long term reliability. Some of mine I installed Kimber black pearls silver teflon wire off the capsule. I have 14 of these. They are the best cheepo mic made. Many users have reported that these hold up well against the Fatherland originals. I agree. Jim Williams Audio Upgrades |
#38
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
On Mar 17, 11:26 am, wrote:
The cap off the casule is a mono ceramic, bad choice. I use a MIT MultiCap there. I replace the 2sk170 fet which I find to sound cloudy to a fast J305 from Siliconix. The bipolars are changed to Hitachi 2sa1083's. I up the polarization voltage from 40 to 57 volts which increases output by around 5 db. The ouput caps are enlarged to allow 20 hz to pass and those are bypassed with more MIT caps. I use Dale RN55 resistors for the audio path. Panasonic FM electrolytics are used for long term reliability. Some of mine I installed Kimber black pearls silver teflon wire off the capsule. Not much left of the original than the capsule and the case, is there? Have you done any experiments with damping the metal parts or opening up the grill? |
#39
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Hi Jim,
Do you do this as a service for others? If so, how much do you charge to upgrade an SP1 as you've described? Do you have a website? Thanks, Dean On Mar 17, 9:26 am, wrote: On Mar 10, 8:20 pm, (hank alrich) wrote: Mike Rivers wrote: Ty Ford wrote: Thanks to Hank Alrich for sending me an MCA SP1. I have just uploaded some two channel files to my server. TLM 103 versus SP1 and Rode NT2-a versus SP1 What's an SP1? Is that the cheap mic that Jim Williams mentions every time someone mentions a more expensive cheap mic? Yes, it's that one. I finally succumbed to curiousity and spent about $94 on a pair of them, including shipping and CA state sales tax. Ever since, I've been seeking shock mounts that don't cost more than the mics. g I think I've found 'em at BSW, from On Stage, about $25 each. So, putting on my producer's hat, what did YOU think? I don't have the patience to download the files and get them to someplace where I can listen to them over something more useful for comparison than Minimus 7 speakers on my "good" computer. I think it's sort of stupidly good for the money, and actually not bad regardless of cost. i wanted to hate it but the times I've put it up the tracks were entirely usable. I look forward to either modding it myself, if I can figure out what to put where and where to get the what to put there, or sending it to Jim for the mods. I think one of the reasons it sounds decent is that it's transformerless, using a clone of the Schoeps circuitry. I still hear a little edge that I don't hear in some much more expensive LDC's (this has a 20 mm. diaphgram, sort of a smal LDC), and I wonder if the mods will reduce that. But seriously, for what it sounds like and what it cost, I can't see paying one cent more for a Chinese cardioid LDC. I've heard several that cost many multiples of forty bucks that don't sound as good. The construction is not on a par with some famous name brands, the cicuit board being mounted on some leftover Erector Set parts. When reassembling it one must be careful not to try to tighten the body solidly, because it will never feel solid in the way a U87 does, and if one keeps twisting I'm pretty sure the Erector Set parts will give up the cheese ghost in this particular machine. -- ha Iraq is Arabic for Vietnam The hard sound from these is a result of some of the parts they use. The cap off the casule is a mono ceramic, bad choice. I use a MIT MultiCap there. I replace the 2sk170 fet which I find to sound cloudy to a fast J305 from Siliconix. The bipolars are changed to Hitachi 2sa1083's. I up the polarization voltage from 40 to 57 volts which increases output by around 5 db. That plus the lower noise semiconductors makes this a very quiet mic. The ouput caps are enlarged to allow 20 hz to pass and those are bypassed with more MIT caps. I use Dale RN55 resistors for the audio path. Panasonic FM electrolytics are used for long term reliability. Some of mine I installed Kimber black pearls silver teflon wire off the capsule. I have 14 of these. They are the best cheepo mic made. Many users have reported that these hold up well against the Fatherland originals. I agree. Jim Williams Audio Upgrades- Hide quoted text - - Show quoted text - |
#40
Posted to rec.audio.pro,alt.music.home-studio
|
|||
|
|||
SP1, NT2-a and TLM 103 mic files on line
Hi Les,
Yes, I got one too. For $40 it's worth it just to play with. And except for the ultra-cheesy packaging, I'm very pleasantly surprised. I can find things to use this mic on, for sure. Dean On Mar 16, 10:10 pm, Les Cargill wrote: drichard wrote: Pro Sound Stage and Lighting shows them as in stock, for $39.95. I'm not sure if that's up-to-date, or not. It is, it is. Mine came in to-day. snip -- Les Cargill |
Reply |
|
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Stereo Line to Mono line. | Pro Audio | |||
FS: Sonic Frontiers Line 2 Black/Silver - SF Line 2.jpg (0/1) | Marketplace | |||
FA: Crystal-Line, Line Driver. | Car Audio | |||
Connecting 4-Wire (Line-in and Line-out) to a headset jack | Tech | |||
Logic 5 Files to AIFF Files | Pro Audio |