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#81
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Role of Production(Recording, Mixing, & Mastering) in Creatinga Great Record
On 12/24/2014 5:27 AM, Trevor wrote:
Why would you have to explain Metro Fire Department Vs micro Farad? To most people, DMV stands for Division of Motor Vehicles. Every state has one. But around here in the Washington DC area, people too lazy to write "Washington Metropolitan Area" use DMV, meanomg District, Maryland, and Virginia. No concern that there are parts of Virginia and Maryland that are more than 200 miles from Washington DC. We have WMATA - Washington Metropolitan Area Transit Agency - that operates the airports and subway system, and they make their area of coverage clear. But why would i eat at a restaurant where I go to renew my driver's license (OK, I can do that on line now)? And wasn't there some concern about the confusion between The Beatles' Apple record label and Apple Computers? After all, both involve music. If The Beatles wasn't so big, they would have lost that battle. But it's possible that you might have occasion to write "The 2000 MFD capacitor blew up and I had to call the MFD when the flames got too big." -- For a good time, visit http://mikeriversaudio.wordpress.com |
#82
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creating aGreat Record
Mike Rivers wrote: "On 12/24/2014 5:27 AM, Trevor wrote:
Why would you have to explain Metro Fire Department Vs micro Farad? To most people, DMV stands for Division of Motor Vehicles. Every state has one. But around here in the Washington DC area, people too lazy to write "Washington Metropolitan Area" use DMV, meanomg District, Maryland, and Virginia. No concern that " WHAT has ANY of this to do with the role of mixing & mastering in creating either a great album or a fatiguing flop? |
#83
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creatinga Great Record
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#84
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Role of Production(Recording, Mixing, & Mastering) in Creating a Great Record
"Scott Dorsey" wrote in message
... It's bad enough that I have to explain MFD instead of uF... Maybe you shouldn't insist on using obsolete and non-standard terminology. When you insist on avoiding the standards, the confusion is obviously the fault of you, and you alone. |
#85
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creating a Great Record
Scott Dorsey wrote:
The cassette world was just so horrible in so many ways... Heh. I learned a couple of days ago that I may be handed an archive of roughly five hundred cassettes to transfer to digital. Until that happens I am going to try not to think about it. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#86
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creatinga Great Record
On 24/12/2014 11:24 PM, Mike Rivers wrote:
But it's possible that you might have occasion to write "The 2000 MFD capacitor blew up and I had to call the MFD when the flames got too big." I'll say, I can only imagine what might happen if a 2000 Mega Farad capacitor blew up!! Trevor. |
#87
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creatinga Great Record
On 25/12/2014 5:48 PM, hank alrich wrote:
Heh. I learned a couple of days ago that I may be handed an archive of roughly five hundred cassettes to transfer to digital. Until that happens I am going to try not to think about it. Why, I'd be thinking about how much I was going to charge if I was you. And whether you have a suitable cassette player, or need to buy or repair one. Or whether to give the job to someone else. Only then will you know what to say if they ask. Trevor. |
#88
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creating a Great Record
"hank alrich" skrev i en meddelelse
... Scott Dorsey wrote: The cassette world was just so horrible in so many ways... Heh. I learned a couple of days ago that I may be handed an archive of roughly five hundred cassettes to transfer to digital. Remember a "their risk" clause, some of them will part from the reels. You don't say what it is and thus also not wether "scott grade" quality is required, but if you can find a portastudio or similar and transfer both sides of the tape in one go you have reduced the workload. Until that happens I am going to try not to think about it. I get it, we can look forward to a stream of comments from you posted while the transter takes place? shut up and play your guitar * HankAlrich.Com First usenet, then coffee and then ... Kind regards Peter Larsen |
#89
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creatinga Great Record
On 25/12/2014 5:48 PM, hank alrich wrote: Heh. I learned a couple of days ago that I may be handed an archive of roughly five hundred cassettes to transfer to digital. Until that happens I am going to try not to think about it. On 12/25/2014 8:45 AM, Trevor wrote: Why, I'd be thinking about how much I was going to charge if I was you. When you hear the words "archive," "roughly," and "cassettes" together, you KNOW this isn't going to be a paying job. The best pay you can hope for is that some of them might be fun to hear. -- For a good time, visit http://mikeriversaudio.wordpress.com |
#90
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creating a Great Record
hank alrich wrote:
Scott Dorsey wrote: The cassette world was just so horrible in so many ways... Heh. I learned a couple of days ago that I may be handed an archive of roughly five hundred cassettes to transfer to digital. Until that happens I am going to try not to think about it. Bill them for the cost of a Nak Dragon, then you can do 90% of it unattended. You'll have a few bad shells and a damaged tape, perhaps, but it's much easier. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#91
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creating aGreat Record
четвртак, 25. децембар 2014. 13.33.23 UTC+1, Mike Rivers је написао/ла:
On 25/12/2014 5:48 PM, hank alrich wrote: Heh. I learned a couple of days ago that I may be handed an archive of roughly five hundred cassettes to transfer to digital. Until that happens I am going to try not to think about it. On 12/25/2014 8:45 AM, Trevor wrote: Why, I'd be thinking about how much I was going to charge if I was you. When you hear the words "archive," "roughly," and "cassettes" together, you KNOW this isn't going to be a paying job. The best pay you can hope for is that some of them might be fun to hear. -- For a good time, visit http://mikeriversaudio.wordpress.com I did a lot of it for money. Even in 2014 I did some, some of my own, too. In 2015, I already know I'll do some for fun, own recordings, rehearsals and so on from '80s and '90s. They come handy for my YT clips. |
#92
Posted to rec.audio.pro
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Role of Production(Recording, Mixing, & Mastering) in Creating a Great Record
None wrote:
"Scott Dorsey" wrote in message ... It's bad enough that I have to explain MFD instead of uF... Maybe you shouldn't insist on using obsolete and non-standard terminology. When you insist on avoiding the standards, the confusion is obviously the fault of you, and you alone. It's my perogative as an old fart. It's not MY fault they keep changing the standards. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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