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#1
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how to record sound underwater or water sounds?
*Long story short, when I was a kid we used to drop things into my
friends lighted pool at night. We were just goofing around, but now that I remember the experience from 40 or so years ago, I recall we enjoyed the sounds and sights of the experience. One time we dropped, you had to drop cause throwing produced a different effect, a bowling ball held overhead from the diving board and this produced a wonderful sound and splash (it's best if the pool is completely calm). I wonder what it would have sounded like underwater. Does anyone know if such sound effects exist and how would you record such a sound underwater? An underwater video would be interesting too. Thanks, mr. x * |
#2
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how to record sound underwater or water sounds?
"x" wrote ...
*Long story short, when I was a kid we used to drop things into my friends lighted pool at night. We were just goofing around, but now that I remember the experience from 40 or so years ago, I recall we enjoyed the sounds and sights of the experience. One time we dropped, you had to drop cause throwing produced a different effect, a bowling ball held overhead from the diving board and this produced a wonderful sound and splash (it's best if the pool is completely calm). I wonder what it would have sounded like underwater. Does anyone know if such sound effects exist and how would you record such a sound underwater? An underwater video would be interesting too. http://www.instructables.com has several articles on making your own hydrophone (underwater microphone) or under- water camera. |
#3
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how to record sound underwater or water sounds?
x wrote:
*Long story short, when I was a kid we used to drop things into my friends lighted pool at night. We were just goofing around, but now that I remember the experience from 40 or so years ago, I recall we enjoyed the sounds and sights of the experience. One time we dropped, you had to drop cause throwing produced a different effect, a bowling ball held overhead from the diving board and this produced a wonderful sound and splash (it's best if the pool is completely calm). I wonder what it would have sounded like underwater. Does anyone know if such sound effects exist and how would you record such a sound underwater? An underwater video would be interesting too. Thanks, mr. x * A small omni mic is needed (directional mics aren't directional underwater). You also need one of those long balloons you use to make balloon animals - in fact use two for safety. Put the mic inside. Only put the mic far enough into the water to get sound - don't let the level go above the neck of the balloon. For video a sort of periscope is a good idea. Just one angled mirror at the bottom of a sealed tube, and point the camera downwards. That way you don't need to worry about sealing it against water. As for what things sound like underwater - nothing like what you hear on films. Film sound for noises off (Foley effects) is universally **** - a total disgrace in fact. Play the real sounds to most theatre audiences and they won't actually recognise them, so used are they to the nonsense they hear in cinemas. d |
#4
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how to record sound underwater or water sounds?
On Fri, 06 Jun 2008 22:54:08 +0100, Don Pearce
wrote: A small omni mic is needed (directional mics aren't directional underwater). So why not use a directional one if that's what you have? |
#5
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how to record sound underwater or water sounds?
In article , x wrote:
*Long story short, when I was a kid we used to drop things into my friends lighted pool at night. We were just goofing around, but now that I remember the experience from 40 or so years ago, I recall we enjoyed the sounds and sights of the experience. One time we dropped, you had to drop cause throwing produced a different effect, a bowling ball held overhead from the diving board and this produced a wonderful sound and splash (it's best if the pool is completely calm). I wonder what it would have sounded like underwater. Does anyone know if such sound effects exist and how would you record such a sound underwater? An underwater video would be interesting too. Down to a couple feet, you can put an SM-57 in a condom and drop it in the water. You can't get it too deep, though. More than that and you want a hydrophone. Edmund Scientific used to sell war-surplus Clevite hydrophones when I was a kid... they were very high-Z but would be happy into any direct box. I bet some of those turn up on Ebay. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#6
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how to record sound underwater or water sounds?
Found some hydrophone links you might want to check out, depending how
deep you want to record http://www.cetaceanresearch.com/hydrophones/index.html http://www.dolphinear.com/index.htm?...FRMJewodOCPMWw http://www.aquarianaudio.com/ never used one myself but let us know how it goes. Michael |
#7
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how to record sound underwater or water sounds?
Laurence Payne wrote:
On Fri, 06 Jun 2008 22:54:08 +0100, Don Pearce wrote: A small omni mic is needed (directional mics aren't directional underwater). So why not use a directional one if that's what you have? Because it will still have all the increased susceptibility to handling noise of a directional mic (and it is inherent), and water movement will cause plenty of that. d |
#8
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how to record sound underwater or water sounds?
Hi Mr X,
A search on this newsgroup would have probably brought up the info that many of use a completely unprotected Countryman B6 omni lavalier mic in water or underwater situations - quite simply, it is so tiny that a natural air bubble covers the diaphragm when it goes underwater (the cable is about 2 meters) and you have a relatively high sensitivity / low impedance hydrophone right there. If you had one or could get a cheap used one give it a try. Wash it afterwards if you use it in salt water etc. Jez Adamson |
#9
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how to record sound underwater or water sounds?
On Jun 6, 3:54 pm, Don Pearce wrote:
x wrote: As for what things sound like underwater - nothing like what you hear on films. Film sound for noises off (Foley effects) is universally **** - a total disgrace in fact. Play the real sounds to most theatre audiences and they won't actually recognise them, so used are they to the nonsense they hear in cinemas. d That's for sure. I can't believe that every fish that moves produces a splashing sound. and that the sound of bubbles seems to be prevalent. Audiences are so ingrained with incorrect sound that it is difficult to use real sound. I recorded some gunshots for a presentation of an Indian wars battle that took place in 1877. The weapons were original period pieces. Colt revolvers and Springfield trapdoor carbines for the soldiers with Henry repeaters and other assorted weapons for the Nez Perce. At the presentation, I was asked why the bullets didn't have ricochets. How is the bullet going to ricochet, when the battlefield is flat prairie land without rock formations? If the bullet didn't hit its target, then it landed so far away that the sound of it hitting was negligible. Unless the situation is a cartoon, I tend to prefer natural sound rather than obvious foley. |
#10
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how to record sound underwater or water sounds?
On Sat, 7 Jun 2008 06:38:36 -0700 (PDT), Richard Kuschel
wrote: I recorded some gunshots for a presentation of an Indian wars battle that took place in 1877. The weapons were original period pieces. Colt revolvers and Springfield trapdoor carbines for the soldiers with Henry repeaters and other assorted weapons for the Nez Perce. At the presentation, I was asked why the bullets didn't have ricochets. How is the bullet going to ricochet, when the battlefield is flat prairie land without rock formations? If the bullet didn't hit its target, then it landed so far away that the sound of it hitting was negligible. Unless the situation is a cartoon, I tend to prefer natural sound rather than obvious foley. Did your employers come round to your way of thinking? Or did you (or someone else) get told to re-record? |
#11
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how to record sound underwater or water sounds?
"Richard Kuschel" wrote in message ... On Jun 6, 3:54 pm, Don Pearce wrote: x wrote: That's for sure. I can't believe that every fish that moves produces a splashing sound. and that the sound of bubbles seems to be prevalent. Audiences are so ingrained with incorrect sound that it is difficult to use real sound. And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. There's a show on Discovery HD called Sunrise Earth International. It's just outside scenes, like jungle, lake, etc, and quite nice. But the audio is odd. In one of a waterfall shot in Iceland (I think), the rush of water sounded very much as though someone had put a delay with feedback, giving it a motorboating sound. Very unnatural. In another jungle one, the birds and frogs you heard had a great deal of large-room reverberation. But it was outside. Not a wall for miles. It should have sounded very clean and dry. Again very unnatural. I suspect that the audio techs were essentially kids with toys. The sad part is that and no one seemed to know they were damaging the show. -- Earl |
#12
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how to record sound underwater or water sounds?
"Earl Kiosterud" wrote in message news:6fx2k.3041$Xu2.595@trnddc04... | | And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't | even nose down perceptibly. | | There's a show on Discovery HD called Sunrise Earth International. It's just outside | scenes, like jungle, lake, etc, and quite nice. But the audio is odd. In one of a | waterfall shot in Iceland (I think), the rush of water sounded very much as though someone | had put a delay with feedback, giving it a motorboating sound. Very unnatural. In another | jungle one, the birds and frogs you heard had a great deal of large-room reverberation. But | it was outside. Not a wall for miles. It should have sounded very clean and dry. Again | very unnatural. I suspect that the audio techs were essentially kids with toys. The sad | part is that and no one seemed to know they were damaging the show. | | -- | Earl The first time I hiked through a pine forest near the Kettle Moraine state park in Wisconsin I was amazed at the sounds I heard as I conversed with my hiking companion. The pine trees were the Christmas tree type ranging to 20 feet tall with branches right down to the ground planted in rows about 20 feet apart. The effect was like a very, very short reverb with exaggerated high frequencies, very metallic sounding and very other-worldly. I've experienced similar sound reflections in the jungle in Costa Rica. So, I wouldn't be so sure that the recorded sounds you heard were processed. Steve King |
#13
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how to record sound underwater or water sounds?
Earl Kiosterud wrote:
"Richard Kuschel" wrote in message ... On Jun 6, 3:54 pm, Don Pearce wrote: x wrote: That's for sure. I can't believe that every fish that moves produces a splashing sound. and that the sound of bubbles seems to be prevalent. Audiences are so ingrained with incorrect sound that it is difficult to use real sound. And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. ...snip... -- Earl ....or feedback when ever someone steps up to a microphone. Later... Ron Capik -- |
#14
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how to record sound underwater or water sounds?
"Earl Kiosterud" wrote...
There's a show on Discovery HD called Sunrise Earth International. It's just outside scenes, like jungle, lake, etc, and quite nice. But the audio is odd. In one of a waterfall shot in Iceland (I think), the rush of water sounded very much as though someone had put a delay with feedback, giving it a motorboating sound. Very unnatural. In another jungle one, the birds and frogs you heard had a great deal of large-room reverberation. But it was outside. Not a wall for miles. It should have sounded very clean and dry. Again very unnatural. I suspect that the audio techs were essentially kids with toys. The sad part is that and no one seemed to know they were damaging the show. Traditionally, those hardy cinematographers that went out shooting all that nature footage were shooting MOS, and *all* the SFX on the sound track were produced by Foley artists who specialized in "nature" shots. Now that everyone is switchcing to HD video and using cameras with sound, maybe we will start to get some *actual sound* that was recorded contemporaneous with the video. Although chances are that if they are using the camera-mount mic, they will end up with unusable sound anyway and it will have to be "re-created" in the Foley stage. |
#15
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how to record sound underwater or water sounds?
"Richard Crowley" wrote in message
... who specialized in "nature" shots. Now that everyone is switchcing to HD video and using cameras with sound, maybe we will start to get some *actual sound* that was recorded contemporaneous with the video. Although chances are that if they are using the camera-mount mic, they will end up with unusable sound anyway and it will have to be "re-created" in the Foley stage. Richard....it seems you have no appreciation for the "realism" of the sounds of zooming, focusing and Velcro? |
#16
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how to record sound underwater or water sounds?
On Jun 7, 8:02 am, Laurence Payne wrote:
On Sat, 7 Jun 2008 06:38:36 -0700 (PDT), Richard Kuschel wrote: I recorded some gunshots for a presentation of an Indian wars battle that took place in 1877. The weapons were original period pieces. Colt revolvers and Springfield trapdoor carbines for the soldiers with Henry repeaters and other assorted weapons for the Nez Perce. At the presentation, I was asked why the bullets didn't have ricochets. How is the bullet going to ricochet, when the battlefield is flat prairie land without rock formations? If the bullet didn't hit its target, then it landed so far away that the sound of it hitting was negligible. Unless the situation is a cartoon, I tend to prefer natural sound rather than obvious foley. Did your employers come round to your way of thinking? Or did you (or someone else) get told to re-record? Fortunately, the director was on site for all the recording. It was he who was absolutely insistent on accurate rather than "Hollywood" production. We did have one little inaccuracy that was noticed by one of the attendees at the premiere. The situation was horses crossing a shallow stream. We had failed to notice that the horses were shod, and Indian ponies would have been unshod. The steel striking the rock streambed was audible. She was the only one that noticed. |
#17
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how to record sound underwater or water sounds?
And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** |
#18
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how to record sound underwater or water sounds?
Tobiah wrote:
And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** What about the car chase where by the time the car has reached about 60MPH (which is as fast as they ever go in Hollywood films) the gearbox has made about thirty audible up-changes. d |
#19
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how to record sound underwater or water sounds?
On Jun 7, 10:48*am, Ron Capik wrote:
...or feedback when ever someone steps up to a microphone. I HATE that. I mean... yeah, it sometimes happens in real life. But it's as if there's a union rule that if you're sweetening a film that includes a scene where someone speaks at a podium microphone, there MUST be feedback. |
#20
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how to record sound underwater or water sounds?
....where someone speaks at a podium microphone, there
MUST be feedback. and tapping the mic is the best way to fix it. |
#21
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how to record sound underwater or water sounds?
On Jun 9, 6:52*pm, DX Dave wrote:
and tapping the mic is the best way to fix it. hehehe... exactly! |
#22
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how to record sound underwater or water sounds?
Les Cargill wrote:
Don Pearce wrote: Tobiah wrote: And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** What about the car chase where by the time the car has reached about 60MPH (which is as fast as they ever go in Hollywood films) the gearbox has made about thirty audible up-changes. d The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. d |
#23
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how to record sound underwater or water sounds?
Don Pearce wrote:
Les Cargill wrote: The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. Yes, but it was done as a satire of all of those terrible movies that screwed the effects up. My favorite was the 3-D spectacular _Swinging Stewardesses_ in which everybody gets onto a 707, and we cut to the cockpit. Except it's a cockpit of some sort of four-engined prop plane. Also on takeoff we hear the engines spinning up... but they aren't actually turning at all.. it's clearly a shot of a parked plane with sound effects dubbed in... --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#24
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how to record sound underwater or water sounds?
On 2008-06-09 19:52:07 -0400, DX Dave said:
...where someone speaks at a podium microphone, there MUST be feedback. and tapping the mic is the best way to fix it. If you've got one of the Eventide multi-DSP boxes, look for the algorithm called "PA System". Among other things, it adds feedback to any incoming signal (room size / resonance is variable), and has a button marked "Thunk" which taps the mic. (There's also a panic button to kill feedback instantly instead of letting it die out naturally.) (I wrote it for them in '95, and it's still in their lineup.) -- Jay Rose CAS tutorials and other sound goodies at dplay.com email is "jay@" plus the dot-com in the previous line. |
#25
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how to record sound underwater or water sounds?
Don Pearce wrote:
Les Cargill wrote: Don Pearce wrote: Tobiah wrote: And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** What about the car chase where by the time the car has reached about 60MPH (which is as fast as they ever go in Hollywood films) the gearbox has made about thirty audible up-changes. d The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. d Have you ever been in the vicinity of a jet engine in operation? 130 dB is nothing to laugh at.... jak |
#26
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how to record sound underwater or water sounds?
jakdedert wrote:
Don Pearce wrote: Les Cargill wrote: Don Pearce wrote: Tobiah wrote: And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** What about the car chase where by the time the car has reached about 60MPH (which is as fast as they ever go in Hollywood films) the gearbox has made about thirty audible up-changes. d The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. d Have you ever been in the vicinity of a jet engine in operation? 130 dB is nothing to laugh at.... Nope, you lost me with that one. d |
#27
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how to record sound underwater or water sounds?
Scott Dorsey wrote:
Don Pearce wrote: Les Cargill wrote: The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. Yes, but it was done as a satire of all of those terrible movies that screwed the effects up. My favorite was the 3-D spectacular _Swinging Stewardesses_ in which everybody gets onto a 707, and we cut to the cockpit. Except it's a cockpit of some sort of four-engined prop plane. Also on takeoff we hear the engines spinning up... but they aren't actually turning at all.. it's clearly a shot of a parked plane with sound effects dubbed in... --scott As long as they are doing it deliberately for laughs, that is all fine by me. d |
#28
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how to record sound underwater or water sounds?
Don Pearce wrote:
jakdedert wrote: Don Pearce wrote: Les Cargill wrote: Don Pearce wrote: Tobiah wrote: And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** What about the car chase where by the time the car has reached about 60MPH (which is as fast as they ever go in Hollywood films) the gearbox has made about thirty audible up-changes. d The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. d Have you ever been in the vicinity of a jet engine in operation? 130 dB is nothing to laugh at.... Nope, you lost me with that one. d In that case, you've lost me as well. I thought we were talking about sound effects.... jak |
#29
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how to record sound underwater or water sounds?
jakdedert wrote:
Don Pearce wrote: jakdedert wrote: Don Pearce wrote: Les Cargill wrote: Don Pearce wrote: Tobiah wrote: And how about the invariable screeching of tires when a vehicle comes to a stop, but doesn't even nose down perceptibly. What bothers me time and again, is seeing a car accelerate on a dirt road, kicking up dust, accompanied by same screeching sound. ** Posted from http://www.teranews.com ** What about the car chase where by the time the car has reached about 60MPH (which is as fast as they ever go in Hollywood films) the gearbox has made about thirty audible up-changes. d The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. d Have you ever been in the vicinity of a jet engine in operation? 130 dB is nothing to laugh at.... Nope, you lost me with that one. d In that case, you've lost me as well. I thought we were talking about sound effects.... jak we were talking about inadequate foleys - effects that were not appropriate to what was on the screen. I don't see the relevance of a 130dB jet engine being very noisy. If the picture is of a jet, use a jet sound, and it doesn't have to be at mega volume. When the picture is a spacecraft, they need a rocket sound. d |
#30
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how to record sound underwater or water sounds?
Don Pearce wrote:
we were talking about inadequate foleys - effects that were not appropriate to what was on the screen. I don't see the relevance of a 130dB jet engine being very noisy. If the picture is of a jet, use a jet sound, and it doesn't have to be at mega volume. When the picture is a spacecraft, they need a rocket sound. No, when the picture is a spacecraft, they need a Hoover upright vacuum cleaner sound. Preferably recorded at 15ips and played back at 3 3/4. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#31
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how to record sound underwater or water sounds?
Don Pearce wrote:
we were talking about inadequate foleys - effects that were not appropriate to what was on the screen. I don't see the relevance of a 130dB jet engine being very noisy. If the picture is of a jet, use a jet sound, and it doesn't have to be at mega volume. When the picture is a spacecraft, they need a rocket sound. Or go with "2001", & have only effects that you could actually hear if you were at the camera position. IMHO, "2010" lost a lot by going with the crowd. Just my 2 penn'orth. -- Tciao for Now! John. |
#32
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how to record sound underwater or water sounds?
On Jun 10, 9:33*am, (Scott Dorsey) wrote:
Don Pearce wrote: Les Cargill wrote: The propeller noise on the jet in the "Airplane!" movies is priceless. I think maybe that was done deliberately for comedic effect. On the other hand the jet engines that appear able to power spacecraft are just stupid. Yes, but it was done as a satire of all of those terrible movies that screwed the effects up. My favorite was the 3-D spectacular _Swinging Stewardesses_ in which everybody gets onto a 707, and we cut to the cockpit. *Except it's a cockpit of some sort of four-engined prop plane. *Also on takeoff we hear the engines spinning up... but they aren't actually turning at all.. it's clearly a shot of a parked plane with sound effects dubbed in... --scott -- "C'est un Nagra. *C'est suisse, et tres, tres precis." we're on a roll he http://www.filmsound.org/cliche/ Mark |
#33
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how to record sound underwater or water sounds?
Scott Dorsey wrote:
Don Pearce wrote: we were talking about inadequate foleys - effects that were not appropriate to what was on the screen. I don't see the relevance of a 130dB jet engine being very noisy. If the picture is of a jet, use a jet sound, and it doesn't have to be at mega volume. When the picture is a spacecraft, they need a rocket sound. No, when the picture is a spacecraft, they need a Hoover upright vacuum cleaner sound. Preferably recorded at 15ips and played back at 3 3/4. --scott Surely it is two coconut shells tapped together - or was that for a man falling off a roof? I tend to get confused these days. d |
#34
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how to record sound underwater or water sounds?
John Williamson wrote:
Don Pearce wrote: we were talking about inadequate foleys - effects that were not appropriate to what was on the screen. I don't see the relevance of a 130dB jet engine being very noisy. If the picture is of a jet, use a jet sound, and it doesn't have to be at mega volume. When the picture is a spacecraft, they need a rocket sound. Or go with "2001", & have only effects that you could actually hear if you were at the camera position. IMHO, "2010" lost a lot by going with the crowd. Just my 2 penn'orth. Amen to all of that. d |
#35
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how to record sound underwater or water sounds?
On 10 Jun 2008 14:37:39 -0400, in rec.arts.movies.production.sound
(Scott Dorsey) wrote: Don Pearce wrote: we were talking about inadequate foleys - effects that were not appropriate to what was on the screen. I don't see the relevance of a 130dB jet engine being very noisy. If the picture is of a jet, use a jet sound, and it doesn't have to be at mega volume. When the picture is a spacecraft, they need a rocket sound. No, when the picture is a spacecraft, they need a Hoover upright vacuum cleaner sound. Preferably recorded at 15ips and played back at 3 3/4. --scott NAB or IEC? martin |
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how to record sound underwater or water sounds?
On 2008-06-10 14:24:29 -0400, Don Pearce said:
When the picture is a spacecraft, they need a rocket sound. .... which is why just about every spaceship "whooshes" when it crosses camera in outer space? -- Jay Rose CAS tutorials and other sound goodies at dplay.com email is "jay@" plus the dot-com in the previous line. |
#37
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how to record sound underwater or water sounds?
On Jun 8, 12:50*am, "Earl Kiosterud" wrote:
In another jungle one, the birds and frogs you heard had a great deal of large-room reverberation. *But it was outside. *Not a wall for miles. *It should have sounded very clean and dry. Not necessarily... I make many recordings in jungle and rainforest areas from Borneo to Nepal, and am often surprised at the level of 'reverberation' (diffuse sound field is probably a better description) they can produce. Especially in the dense hardwood forests in the Terai region in Nepal. I've got a recording of distant elephant trumpeting that you would swear had large reverberation added to it. Likewise with swamp recordings, if the swamp borders a forested area. The sound travels across the swamp water and produces a diffuse slapback off the forest edge - this is particularly strong at night time, when many frog recordings are made. The combination of cool air immediately above the water and the warmer layer above it create a channel that carries sound very well across the water to the forest edge and then back again to the listener/microphone. Like the reverberation, it can be hard to believe when listening back. - Greg Simmons |
#38
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how to record sound underwater or water sounds?
Jay Rose wrote:
On 2008-06-10 14:24:29 -0400, Don Pearce said: When the picture is a spacecraft, they need a rocket sound. ... which is why just about every spaceship "whooshes" when it crosses camera in outer space? Nope, you can pretty much always hear a turbine whining. Of course if we want to be really picky, there should be no noise at all. d |
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how to record sound underwater or water sounds?
On Jun 10, 5:13*pm, Don Pearce wrote:
On the other hand the jet engines that appear able to power spacecraft are just stupid. Especially when the spacecraft is shot passing overhead with enormous rumbling, as in the opening scene of Star Wars Episode 4 (or whatever number it was, the first one he made). Being a vacuum, there's nothing to carry sound from the spacecraft to the listener. The only thing you'd hear from the camera position is the internal noises of your space suit's life support system! Kubrick got it right in '2001' by using classical music during all of the, er, outdoor, space scenes. It put across the sensation of silence very nicely, IMHO. |
#40
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how to record sound underwater or water sounds?
Don Pearce wrote:
Jay Rose wrote: On 2008-06-10 14:24:29 -0400, Don Pearce said: When the picture is a spacecraft, they need a rocket sound. ... which is why just about every spaceship "whooshes" when it crosses camera in outer space? Nope, you can pretty much always hear a turbine whining. Of course if we want to be really picky, there should be no noise at all. Very few films actually have silent passages. _M_ and 2001 are probably the best examples of the use of silence that I can think of. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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