Home |
Search |
Today's Posts |
#42
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#43
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#44
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
среда, 21. јануар 2015. 02.28.29 UTC+1, hank alrich је написао/ла:
Luxey wrote: ...advocating "music for free" said: "You do not buy a fork each time you're to eat a steak." Go figure. (His idea was that author would sell piece of music once, for fixed price, fairly high, and be done with it.) I will make a CD for him for $25,000.00. One copy only. Have him get in touch. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic Well, Hank, if I thought there was a speck of chance to sell anything to this youngster, except, maybe, but doubtfully, some retro Ford car cosmetic upgrades, at flea market rates, I'd surelly give you that contact and would not even charge. For the serious talk, a. your kind, or mine, we were not in that conversation. People making own music, in the eyes of these young intellectuals, are having it for free (since they did not buy it from someone else) so, by default, they should give it for free, while recouping all the costs and possibly earning something exclusively by playing gigs. b. Mentioned authors, selling pieces of music, were understood to be professional music writers, hit makers, ... and the buing party was understood to be advancing, or established performing artist. After selling, author should not expect any royalties, and artist should proceede as explained in a. above. That is their reasoning. |
#45
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#46
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#47
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
geoff wrote: "I think YOU are the racist here. "
Well maybe I am! Or, maybe I just feel ashamed to be a member of the most racist ethnic group of human beings to walk this planet. |
#48
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Les Cargill wrote:
(hank alrich) wrote: The suits entered when the founders retired and the labels were taken over by Wall Street. I'm thinking that began in earnest in the 1980's. The money started getting bigger in the 1980s. Remember Geffen Records? Yep. So much power, the ability to shatter dreams as easily as enable them. See The Sims Foundation, following the suicide of Sims Ellison. Too much money makes you lose focus. Plus reselling all that back catalog was so profitable... An extractive resource industry, rather that a creative one. http://thinkjarcollective.com/articl...-on-the-value- of-cigar-chomping-old-guys/ I dig that video. Frank is always insightful. He left us just as he was thinking about running for POTUS. The "cigar chomping old guys" were actual entrepreneurs. "Too much money" is generally a huge problem if you care about what you do. It attracts the wrong element, pumps your ego the wrong way. Billionaires have millionaires for groupies. This is one big butt sniffering fest. Perspective fades. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#49
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
(hank alrich) wrote:
Les Cargill wrote: (hank alrich) wrote: The suits entered when the founders retired and the labels were taken over by Wall Street. I'm thinking that began in earnest in the 1980's. The money started getting bigger in the 1980s. Remember Geffen Records? Yep. So much power, the ability to shatter dreams as easily as enable them. See The Sims Foundation, following the suicide of Sims Ellison. Whew. Too much money makes you lose focus. Plus reselling all that back catalog was so profitable... An extractive resource industry, rather that a creative one. To an extent, but even extractive industries practice some measure of husbandry. Where they go bad is when the money leaves and they don't have the resources to follow up like they should. http://thinkjarcollective.com/articl...-on-the-value- of-cigar-chomping-old-guys/ I dig that video. Frank is always insightful. He left us just as he was thinking about running for POTUS. Yep. SFAIK, the point is original with him. The "cigar chomping old guys" were actual entrepreneurs. "Too much money" is generally a huge problem if you care about what you do. It attracts the wrong element, pumps your ego the wrong way. Billionaires have millionaires for groupies. This is one big butt sniffering fest. Perspective fades. -- Les Cargill |
#50
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Paul wrote:
On 1/21/2015 9:47 PM, Les Cargill wrote: They don't need to pirate or download anything these days. Anyone with an internet connection can Youtube, Spotify, Bandcamp, or Reverbnation practically anything. Astounding, really..... Pretty much. And now that most people have internet on their phones, you can access even the most obscure bootleg music from practically anywhere. No need to save it on the phone, it's all in the "cloud"! Yep. The only place I still play CDs on occasion, is in my car, but since CD players are being replaced with USB connections, this will soon be an ancient practice. Another nail on the coffin, will be when Bluetooth connectivity is standard on all car stereos and smart phones, as some people already have: http://www.quora.com/How-can-I-play-...-an-audio-cord Most newer cars have a 1/8" AUX input already. Technology moves so quick, our heads are spinnin'! :O -- Les Cargill |
#51
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Les Cargill wrote: "Most newer cars have a 1/8" AUX input already."
+1! I'll trust my aux jack any day over any wireless format. |
#52
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#53
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
John Williamson wrote: "- show quoted text -
You're in the Klan? Who'd have thought it? - show quoted text -" NO. But I am caucasian - and ashamed to admit it. |
#54
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#55
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Jeff Henig wrote:
wrote: John Williamson wrote: "- show quoted text - You're in the Klan? Who'd have thought it? - show quoted text -" NO. But I am caucasian - and ashamed to admit it. eyeroll #AshamedCaucasianLivesMatter PLONK Reminds me of Fingaz in Mixerman's book (trying to swerve this back on topic here). |
#56
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Jeff Henig wrote:
wrote: John Williamson wrote: "- show quoted text - You're in the Klan? Who'd have thought it? - show quoted text -" NO. But I am caucasian - and ashamed to admit it. eyeroll #AshamedCaucasianLivesMatter PLONK A Caucasian, you say? https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcQ_oif_zBb7yXVc6WxdquPha68wdmYPw n3ENXTlZ2PmL9MTGphDQrB_unk2-Q -- Les Cargill |
#57
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Ralph Barone wrote:
Jeff Henig wrote: wrote: John Williamson wrote: "- show quoted text - You're in the Klan? Who'd have thought it? - show quoted text -" NO. But I am caucasian - and ashamed to admit it. eyeroll #AshamedCaucasianLivesMatter PLONK Reminds me of Fingaz in Mixerman's book (trying to swerve this back on topic here). Funny, Ralph! Thank you. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#58
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Les Cargill wrote:
Jeff Henig wrote: wrote: John Williamson wrote: "- show quoted text - You're in the Klan? Who'd have thought it? - show quoted text -" NO. But I am caucasian - and ashamed to admit it. eyeroll #AshamedCaucasianLivesMatter PLONK A Caucasian, you say? https://encrypted-tbn1.gstatic.com/i..._zBb7yXVc6Wxdq uPha68wdmYPwn3ENXTlZ2PmL9MTGphDQrB_unk2-Q -- Les Cargill Ah, we're on a roll tonight! -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#59
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
|
#60
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 22/01/2015 1:57 AM, Mike Rivers wrote:
On 1/21/2015 1:56 AM, Trevor wrote: While I might personally think that hip hop and gangsta rap has no value whatsoever, many of the artists seem to be doing VERY well indeed with multi-million dollar mansions and garages full of luxury cars. Frankly I don't see any change at all over the years, with a few artists making a fortune, and the majority of artists scratching to get by Right. The availability of music recording and distribution at low cost isn't making any more artists wealthy. However, the pool is both much bigger and more crowded because of the lower price of admission. True. The likelihood that a modestly talented artist will find a way to great wealth is much less than it ever was. I don't really agree with that. IME it's the moderately talented artists with great marketing that are doing the best, while far more talented artists are struggling. To be clear I am talking about actual musical proficiency here since artistic "merit" is very much in the ear of the beholder, and it could be argued that "talent" is fairly judged by CD/ticket sales. I would argue the huge money made by some artists who cannot play an instrument, and cannot sing without a "guide track", auto-tune, and "back-up" singers doing the real lead parts, might suggest otherwise. :-( But perhaps it's just me who wants to see a singer actually sing rather than dance! ;-) Trevor. |
#61
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 22/01/2015 4:03 AM, Frank Stearns wrote:
The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Yep, I have often said the same. Sometimes they prove me wrong, but not as often as they would like! :-) Trevor. |
#62
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 22/01/2015 5:55 AM, Scott Dorsey wrote:
Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) Trevor. |
#63
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 22/01/2015 6:05 AM, Nil wrote:
On 21 Jan 2015, Frank Stearns wrote in rec.audio.pro: The true test will be one of time. Will anyone remember this stuff 20 years from now? Well, yes, they will. Rap and Hip Hop has been around since the '70s and Gangsta Rap since the '80s, and some of that stuff is still "remembered" today. As a genre yes, but hardly any of that material from the 70's and eighties is still played or performed today. Certainly not here anyway, not even by those who bough the CD's IME :-) Perhaps it is somewhere? I'd bet not that widespread though. Trevor. |
#64
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 23/01/2015 3:46 AM, John Williamson wrote:
On 22/01/2015 16:00, wrote: Paul: play CDs in the car and at home. No substitute for good sound! In the car is about the only place it's not worth playing CDs for better sound quality due to the background noise and poor acoustics. What's wanted in a car is lots of compression and bass. ;-) Totally agree, I even remaster some older recordings myself just for the car. :-) Trevor. |
#65
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 27/01/2015 07:07, Trevor wrote:
On 22/01/2015 5:55 AM, Scott Dorsey wrote: Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) Some of them are still playing and recording. They are the musicians that are remembered. There were many hundreds of live bands and many recorded bands from the '60s that aren't remembered now. Danny Williams, Frank Ifield, The Four Pennies, Jackie Trent and The Spencer Davies Group all had number one hits in the '60s, but you very rarely hear them played now, even on the Oldies stations. Then, a bit later, there were bands like Bucks Fizz, who were famous worldwide for a while because of one song that won a contest. The members still perform individually, but their hits are only played ironically. -- Tciao for Now! John. |
#66
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 27/01/2015 9:23 PM, John Williamson wrote:
On 27/01/2015 07:07, Trevor wrote: On 22/01/2015 5:55 AM, Scott Dorsey wrote: Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) Some of them are still playing and recording. They are the musicians that are remembered. There were many hundreds of live bands and many recorded bands from the '60s that aren't remembered now. Danny Williams, Frank Ifield, The Four Pennies, Jackie Trent and The Spencer Davies Group all had number one hits in the '60s, but you very rarely hear them played now, even on the Oldies stations. And yet I'd still bet there are more acts from the sixties being played in 20 years time than there are acts from today! There's certainly FAR more music from the sixties and seventies still being played here than music from the 90's and 00's. And I don't see the 10's being any improvement myself. Then, a bit later, there were bands like Bucks Fizz, who were famous worldwide for a while because of one song that won a contest. The members still perform individually, but their hits are only played ironically. Right, and there were some like that actually in the sixties as well, just as there are now. But that hardly proves anything other than there will always be some good, not so good, and bad acts. Trevor. |
#67
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
In article , Trevor wrote:
I don't really agree with that. IME it's the moderately talented artists with great marketing that are doing the best, while far more talented artists are struggling. To be clear I am talking about actual musical proficiency here since artistic "merit" is very much in the ear of the beholder, and it could be argued that "talent" is fairly judged by CD/ticket sales. I would argue the huge money made by some artists who cannot play an instrument, and cannot sing without a "guide track", auto-tune, and "back-up" singers doing the real lead parts, might suggest otherwise. :-( This is indeed true. The thing is, I am not sure it was any different forty years ago. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#68
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
In article , Trevor wrote:
On 22/01/2015 5:55 AM, Scott Dorsey wrote: Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) They remember those guys. What they don't remember are Jan and Dean, the 1910 Fruitgum Company, the Fun and Games, the Standells, the Hi-Rollers, The Mystery Trend, The Magic Mushrooms, The Electric Prunes, Paul Revere and the Raiders, Fenwyck, The Weevils, Sam the Sham, the Royal Guardsmen, and so forth. --scott Trevor. -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#69
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Scott Dorsey wrote:
In article , Trevor wrote: I don't really agree with that. IME it's the moderately talented artists with great marketing that are doing the best, while far more talented artists are struggling. To be clear I am talking about actual musical proficiency here since artistic "merit" is very much in the ear of the beholder, and it could be argued that "talent" is fairly judged by CD/ticket sales. I would argue the huge money made by some artists who cannot play an instrument, and cannot sing without a "guide track", auto-tune, and "back-up" singers doing the real lead parts, might suggest otherwise. :-( This is indeed true. The thing is, I am not sure it was any different forty years ago. There have always been concurrent "entertainers" and musical virtuosos, and I don't see much reason to conflate the two categories. I still enjoy listening to May West sing when one of her movies come on, but not necessarily for her proficiency as a vocalist. ;-) -- best regards, Neil |
#70
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 27/01/2015 13:53, Scott Dorsey wrote:
In article , Trevor wrote: On 22/01/2015 5:55 AM, Scott Dorsey wrote: Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) They remember those guys. What they don't remember are Jan and Dean, the 1910 Fruitgum Company, the Fun and Games, the Standells, the Hi-Rollers, The Mystery Trend, The Magic Mushrooms, The Electric Prunes, Paul Revere and the Raiders, Fenwyck, The Weevils, Sam the Sham, the Royal Guardsmen, and so forth. --scott I do... :-) Well, the ones that charted in the UK, anyway. Then again, I've been known to host the odd 60s revival disco. -- Tciao for Now! John. |
#71
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 27/01/2015 13:49, Scott Dorsey wrote:
In article , Trevor wrote: I don't really agree with that. IME it's the moderately talented artists with great marketing that are doing the best, while far more talented artists are struggling. To be clear I am talking about actual musical proficiency here since artistic "merit" is very much in the ear of the beholder, and it could be argued that "talent" is fairly judged by CD/ticket sales. I would argue the huge money made by some artists who cannot play an instrument, and cannot sing without a "guide track", auto-tune, and "back-up" singers doing the real lead parts, might suggest otherwise. :-( This is indeed true. The thing is, I am not sure it was any different forty years ago. --scott The difference was that in the days before cheap home studios to get really famous, the artistes needed to impress the A&R guys enough to sign the authorisation for the studio time, which weeded quite a few out. They still played live, of course, and there were some really good people playing in pubs that I visited. There were also some really bad people playing in pubs that I visited briefly. -- Tciao for Now! John. |
#72
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
Scott Dorsey wrote:
Paul Revere and the Raiders, Kept touring successfully, if under the big radar, until he passed away last year! People tell me he was a fine guy, and that the shows were extremely entertaining and loads of fun. -- shut up and play your guitar * HankAlrich.Com HankandShaidriMusic.Com YouTube.Com/WalkinayMusic |
#73
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
hank alrich wrote:
Scott Dorsey wrote: Paul Revere and the Raiders, Kept touring successfully, if under the big radar, until he passed away last year! People tell me he was a fine guy, and that the shows were extremely entertaining and loads of fun. Yes! There's an example of a very fine performer who actually put out a lot of good music, but who had one hit, dropped off the charts, and never got any of his other work recognized. But... he had a hit, which is more than a lot of other fine performers could say. And he seemed to have had a good time. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#74
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On Tuesday, January 27, 2015 at 7:53:55 AM UTC-6, Scott Dorsey wrote:
In article , Trevor wrote: On 22/01/2015 5:55 AM, Scott Dorsey wrote: Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) They remember those guys. What they don't remember are Jan and Dean, the 1910 Fruitgum Company, the Fun and Games, the Standells, the Hi-Rollers, The Mystery Trend, The Magic Mushrooms, The Electric Prunes, Paul Revere and the Raiders, Fenwyck, The Weevils, Sam the Sham, the Royal Guardsmen, and so forth. Not to mention the Serpent Power. I was damfool enough to buy their album because I trusted that Vanguard would never put out total trash. I was wrong. Peace, Paul |
#75
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 28/01/2015 12:53 AM, Scott Dorsey wrote:
In article , Trevor wrote: On 22/01/2015 5:55 AM, Scott Dorsey wrote: Frank Stearns wrote: The true test will be one of time. Will anyone remember this stuff 20 years from now? Will anyone be inspired enough to go out of their way to perform it again? Most likely not. I predict that there _will_ be rap music that will stand the test of time, but that most of it will disappear and never be heard again. Just like happened to the pop music of the sixties Yeah, no one remembers the Beatles, Elvis Presley, Rolling Stones, Beach Boys, Monkees, Byrds etc etc. And I guess I must be imagining all those oldies stations playing nothing else! :-) They remember those guys. What they don't remember are Jan and Dean, the 1910 Fruitgum Company, the Fun and Games, the Standells, the Hi-Rollers, The Mystery Trend, The Magic Mushrooms, The Electric Prunes, Paul Revere and the Raiders, Fenwyck, The Weevils, Sam the Sham, the Royal Guardsmen, and so forth. --scott So what, there are always LOTS of artists who have a hit or two and are never heard of again. Plenty now will fill the same role. What I claim, and you seem to disagree with (fine since it's a matter of opinion and impossible to prove) is that there are far more artists from the sixties and seventies who have stood the test of time, than (again IMO) will today's artists, and that none will be remembered in the same light as the Beatles, Rolling Stones, Elvis Presley etc. And personally I'd still rather listen to Paul Revere, or the Royal Guardsmen than most of today's rap music, actually I do! :-) I can even get a smile out of my friends kids by playing Snoopy Vs the Red Baron. Now if you want to talk crap from days of old, there are far better examples IMO, although perhaps 1910's "Yummy Yummy" probably comes very close!! Trevor. |
#76
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On 28/01/2015 4:00 AM, John Williamson wrote:
The difference was that in the days before cheap home studios to get really famous, the artistes needed to impress the A&R guys enough to sign the authorisation for the studio time, which weeded quite a few out. Unfortunately the A&R guys didn't have a very good track record for picking winners. I far prefer the fact that artists can now record a CD at little cost, promote themselves, and let the public decide rather than the cigar chompers who dismissed the Beatles etc. Trevor. |
#77
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
субота, 31. јануар 2015. 01.34.03 UTC+1, JackA је написао/ла:
Unofficially published (complete session version): http://www.angelfire.com/empire/abps...tsworth-er.mp3 WTF is this? Who is doing all these mixes you post and why? For what it's worth, you cant ruin an excellent song, one former prominent RAPer used to say: "nobody ever left the studio whistling console", but original commercial mixes speak so much more than this flat wannabe crap, IMO, you're posting here. |
#78
Posted to rec.audio.pro
|
|||
|
|||
How-one-generation-was-able-to-kill-the-music-industry
On Friday, January 30, 2015 at 8:01:09 PM UTC-5, Luxey wrote:
субота, 31. јануар 2015. 01.34.03 UTC+1, JackA је написао/ла: Unofficially published (complete session version): http://www.angelfire.com/empire/abps...tsworth-er.mp3 WTF is this? Who is doing all these mixes you post and why? For what it's worth, you cant ruin an excellent song, one former prominent RAPer used to say: "nobody ever left the studio whistling console", but original commercial mixes speak so much more than this flat wannabe crap, IMO, you're posting here. I do all my mixes, nothing is faked, nothing artificially extended. You may call it crap or anything else you wish. All I know, without me, jellybean, you'll be like many others thinking you heard the complete song! Excuse me now, have to update a few thousand lyrics sites!!! :-) Any leave KMA alone, he's a good person and valued participant here!! Jack |
Reply |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Will Selling Singles Kill the Music Industry Again? | High End Audio | |||
Will Selling Singles Kill the Music Industry Again? | Audio Opinions |