[sam]

I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.

[Paul Stamler]

"sam" wrote in message
oups.com...
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products?

Both have excellent reputations; I can testify that the Universal Audio
lives up to theirs. It also seems to be very well built, and should hold up
for a long time. Another in that price range to listen to is the Great River
MP2, the original rather than the -NV model. Also consider Millennia Media.

Peace,
Paul

[Scott Dorsey]

In article .com,
sam wrote:
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.

You mention everything except what you're recording and why.

If you don't have a console and you're doing everything with a single
preamp, you're probably better off getting the most neutral-sounding
preamp you can.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

[sam]

You mention everything except what you're recording and why.

If you don't have a console and you're doing everything with a single
preamp, you're probably better off getting the most neutral-sounding
preamp you can.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."

I will be recording pretty much everything. from folk to electronic to
metal mostly just for fun and recording stuff my band does. why would
I need a console? ( That's probably a dumb question but I don't
really have any legit experience with any legit recording equipment so
give me a break...)

[Mike Rivers]

On Mar 23, 12:30 am, "sam" wrote:

I will be recording pretty much everything. from folk to electronic to
metal mostly just for fun and recording stuff my band does.

In that case, why spend $2,000 on a mic preamp? You might be quite
happy with something interesting, well designed, and more modest, and
get more mileage out of your money by buying a couple of different
microphones. That's where the real color and versatility lies.

why would I need a console?

Control . . . of your signal flow and your sanity. Don't go into this
ignorantly. Read a good book. Here's one that's free if you have
patience or not too expensive if you want a real book to take to the
bathroom with you:

http://www.mackie.com/support/compactmixer/index.html

[Ty Ford]

On Thu, 22 Mar 2007 09:56:48 -0400, Scott Dorsey wrote
(in article ):

In article .com,
sam wrote:
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.

You mention everything except what you're recording and why.

If you don't have a console and you're doing everything with a single
preamp, you're probably better off getting the most neutral-sounding
preamp you can.
--scott


two channels of GML.

Ty Ford


--Audio Equipment Reviews Audio Production Services
Acting and Voiceover Demos http://www.tyford.com
Guitar player?:http://www.youtube.com/watch?v=4RZJ9MptZmU

[Fran Guidry]

On Mar 21, 10:56 pm, "sam" wrote:
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.

Your Fireface 800 will come with four channels of mic pre. Spend the
$2K on room treatment and monitors.

Fran

[Laurence Payne]

On 21 Mar 2007 22:56:39 -0700, "sam"
wrote:

I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.

Start off by recording 4 mics through the perfectly good preamps on
the Firewire 800. Tell us what, if anything, you dislike about the
result. Then we can suggest other preamps.

Much more important, what are you using as monitors? And does the
room you're mixing in sound good?

[Les Cargill]

sam wrote:
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.


D&R makes a 2-channel preamp that is the exact same input
stage as on their consoles. They have dealers in all corners,
so you don't have to hassle with international transactionation.

It is also much, much less than $2k.

--
Les Cargill

[hank alrich]

Paul Stamler wrote:

"sam" wrote
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products?

Both have excellent reputations; I can testify that the Universal Audio
lives up to theirs. It also seems to be very well built, and should hold up
for a long time. Another in that price range to listen to is the Great River
MP2, the original rather than the -NV model. Also consider Millennia Media.

Peace,
Paul

And the Gordon preamp, too.

--
ha
Iraq is Arabic for Vietnam

[sam]

Start off by recording 4 mics through the perfectly good preamps on
the Firewire 800. Tell us what, if anything, you dislike about the
result. Then we can suggest other preamps.



I know the preamps on the fireface are perfectly good but I need more
than 4 channels for recording drums. And I just thought It would be
good to have a really nice dual-channel pre-amp to run my stereo pair
through.

Much more important, what are you using as monitors? And does the
room you're mixing in sound good?


I'm torn between the dynaudio Bm 5a and the JBL LSR4326P Pak. any
advice on either of them?

The room I'm mixing/tracking in will hopefully sound good. It is 12' x
18' 9" but is unfortunately made out of concrete so I'm really not to
sure how it is going to turn out. I'm planning on covering the walls
with acoustic treatment carpet and I'm buying 32 - 1' x 1' x 2" panels
of auralex studiofoam, 24- 1' x 1' x 2" panels of auralex wedgies, 12
panels of 2' x 4 auralex 422 foam, 4 lenrd bass traps, and I have some
really nice bass traps that I got for free. feedback on that?

Also, which console would best fit my needs?

[Haolemon]

On Mar 23, 5:24 am, Ty Ford wrote:
On Thu, 22 Mar 2007 09:56:48 -0400, Scott Dorsey wrote
(in article ):





In article .com,
sam wrote:
I'm building a home studio from scratch and don't really know alot
about pre-amps. There are a few that have interested me such as the
Universal Audio 2-610 and the focusrite red 8, does any-one have
opinions on these products? I'm looking for one around the $2000 price
range. I will be using a neuman tlm-103 and also a stereo pair of
Neuman skm184 's along with the usual sm57's and such. the interface
I'm planning on getting is the RME fireface 800 and I'm running it all
through a mac-pro desk-top. Any help would be appreciated.

You mention everything except what you're recording and why.

If you don't have a console and you're doing everything with a single
preamp, you're probably better off getting the most neutral-sounding
preamp you can.
--scott

two channels of GML.

Ty Ford


I couldn't agree more. If you don't mind used, a 4 channel GML just
went for $1800 on eBay. But a new warrantied 2 channel is within your
budget.