[[email protected]]

We've all heard it on radio and TV.

I know you could do this by hand in a DAW but I'm wondinging in fact how it is typicaly done. I ask becasue I am impressed that the rise and decay time seem to be well controlled so you don't get a click at the edges, just a nice bEEEEp.
Seems like a little more thought went into it then just editing in tone.
And I've never seen a bleep button on a console.

So the question is, how in fact is this typicaly done?

Happy holidays

Mark

[[email protected]]

200milli-sec of fade-in and fade out.

[Scott Dorsey]

wrote:
We've all heard it on radio and TV.

I know you could do this by hand in a DAW but I'm wondinging in fact how it is typicaly done. I ask becasue I am impressed that the rise and decay time seem to be well controlled so you don't get a click at the edges, just a nice bEEEEp.
Seems like a little more thought went into it then just editing in tone.
And I've never seen a bleep button on a console.

So the question is, how in fact is this typicaly done?

My console has a bleep button. Just route 1kc tone from the oscillator
module to a buss. Pot it up and mute it.... voila!
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

[PStamler]

On Wednesday, November 26, 2014 11:38:46 AM UTC-6, wrote:
200milli-sec of fade-in and fade out.

Doing inserts in Adobe Audition, there's the option of an automatic cross-fade. I use the software's tone generator, set to 440Hz.I set the cross-fade to 100ms.

Peace,
Paul

[Frank Stearns]

PStamler writes:

On Wednesday, November 26, 2014 11:38:46 AM UTC-6, wrote:
200milli-sec of fade-in and fade out.

Doing inserts in Adobe Audition, there's the option of an automatic cross-fade. I
use the software's tone generator, set to 440Hz.I set the cross-fade to 100ms.

These crossfade times of 100 ms or 200 ms for this purpose (bleeping) seem rather
long to me.

10-20 ms seems more appropriate to get a definitive "BLEEP" without any popping on
the in or out. The longer times might make the bleep sound rather anemic going in
and out.

But, give it a try for your purposes; see what works best for you.

Frank
Mobile Audio

--

[[email protected]]

On Wednesday, November 26, 2014 3:18:00 PM UTC-5, Frank Stearns wrote:
PStamler writes:

On Wednesday, November 26, 2014 11:38:46 AM UTC-6, wrote:
200milli-sec of fade-in and fade out.

Doing inserts in Adobe Audition, there's the option of an automatic cross-fade. I
use the software's tone generator, set to 440Hz.I set the cross-fade to 100ms.

These crossfade times of 100 ms or 200 ms for this purpose (bleeping) seem rather
long to me.

10-20 ms seems more appropriate to get a definitive "BLEEP" without any popping on
the in or out. The longer times might make the bleep sound rather anemic going in
and out.

But, give it a try for your purposes; see what works best for you.

Frank
Mobile Audio

--
.

I was more interested in the workflow.

I think the answer is they typically use a piece of rack gear called "profanity delay" which has the big red or yellow actually button on it or remote controlled which has it all built in.

thanks

[None]

wrote in message
...
We've all heard it on radio and TV.

I know you could do this by hand in a DAW but I'm wondinging in
fact how it is typicaly done. I ask becasue I am impressed that the
rise and decay time seem to be well controlled so you don't get a
click at the edges, just a nice bEEEEp.
Seems like a little more thought went into it then just editing in
tone.
And I've never seen a bleep button on a console.

So the question is, how in fact is this typicaly done?

On a Movieola, you stick a bloop (but no bleep) on the optical
soundtrack.

[Scott Dorsey]

None wrote:

On a Movieola, you stick a bloop (but no bleep) on the optical
soundtrack.

Good point, and the editor has a roll of adhesive magnetic track with a 1kc
tone, for making the 2-pop at the beginning of the reel, so you can put that
over top of the word on a magnetic track. That would fade in and out too,
since you make a diagonal cut.

Same thing for 1/4" tape although there you'd be splicing it in.

I have seen plenty of 16mm prints from TV station where someone has blooped
the dirty words out of the track with a sharpie or with black tape. At one
point I owned a print of M*A*S*H where the word "goddamn" as in "goddamn army"
had even been bleeped out.
--scott

--
"C'est un Nagra. C'est suisse, et tres, tres precis."

[Dave Plowman (News)]

In article ,
Scott Dorsey wrote:
I have seen plenty of 16mm prints from TV station where someone has
blooped the dirty words out of the track with a sharpie or with black
tape. At one point I owned a print of M*A*S*H where the word "goddamn"
as in "goddamn army" had even been bleeped out.

Much more fun when Dolby optical arrived. ;-)

--
*To steal ideas from *one* person is plagiarism; from many, research*

Dave Plowman London SW
To e-mail, change noise into sound.