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  #1   Report Post  
Lionel
 
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Default Speakers testing

Arnold, could you please recommend me :
- A good, cheap calibrated microphone for speaker testing purpose ?
- Software
- Calibrated frequency generator to generate the signal to the speakers.

Thank you for your help,
Lionel

  #2   Report Post  
Arny Krueger
 
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Default Speakers testing

"Lionel" wrote in message

Arnold, could you please recommend me :


- A good, cheap calibrated microphone for speaker testing purpose ?


Behringer's ECM8000 is not calibrated in the formal sense, but it's flat
enough for doing speakers.

- Software


The speaker testing module of the Audio Rightmark software is free, and
easy-to-use. It's good for getting started with testing speakers:

http://audio.rightmark.org/

- Calibrated frequency generator to generate the signal to the speakers.


Any good power amp and a good sound card.

Again something that is "good enough" to get started and readily available:

Turtle Beach Santa Cruz
Creative Labs Audigy


You'll also need a preamp to go with the microphone. The Rolls MP13 is
highly recommended by Ken Kantor who is a widely-respected speaker designer.
He also recommends the ECM8000.

http://groups.google.com/groups?selm...ewssvr13.ne w
s.prodigy.com



  #3   Report Post  
The Big Cheese
 
Posts: n/a
Default Speakers testing

Sacre bleu, Lionel.

For goodness sakes, just save yourself all this trouble, get your sorry
french frog ass to a Bose store and buy a Bose LifeSyle 35 or
LifeStyle 50 system and it comes with a microphone and built-in
calibration tones and software to give a multitude of listeners in your
room phenomenally flat, and accurate sound quality. And the Bose does
all this automatically - It is smarter than you are!

Why settle for second or third best when you can own the best in Bose?

The Big Cheese

Lionel the frog boy writes:
Arnold, could you please recommend me :
- A good, cheap calibrated microphone for speaker testing purpose ?
- Software
- Calibrated frequency generator to generate the signal to the speakers.

Thank you for your help,
Lionel


  #4   Report Post  
Lionel
 
Posts: n/a
Default Speakers testing

The Big Cheese wrote:
Sacre bleu, Lionel.

For goodness sakes, just save yourself all this trouble, get your sorry
french frog ass to a Bose store and buy a Bose LifeSyle 35 or LifeStyle
50 system and it comes with a microphone and built-in calibration tones
and software to give a multitude of listeners in your room phenomenally
flat, and accurate sound quality. And the Bose does all this
automatically - It is smarter than you are!

Why settle for second or third best when you can own the best in Bose?


You can sit on Big Cheese...

  #5   Report Post  
Lionel
 
Posts: n/a
Default Speakers testing

Arny Krueger wrote:

"Lionel" wrote in message


Arnold, could you please recommend me :



- A good, cheap calibrated microphone for speaker testing purpose ?



Behringer's ECM8000 is not calibrated in the formal sense, but it's flat
enough for doing speakers.


- Software



The speaker testing module of the Audio Rightmark software is free, and
easy-to-use. It's good for getting started with testing speakers:

http://audio.rightmark.org/


- Calibrated frequency generator to generate the signal to the speakers.



Any good power amp and a good sound card.

Again something that is "good enough" to get started and readily available:

Turtle Beach Santa Cruz
Creative Labs Audigy


You'll also need a preamp to go with the microphone. The Rolls MP13 is
highly recommended by Ken Kantor who is a widely-respected speaker designer.
He also recommends the ECM8000.

http://groups.google.com/groups?selm...ewssvr13.ne w
s.prodigy.com



Ok nice you understood my needs. :-)
I don't need to make measurements with accuracy to a standard, I'm just
looking for enough fidelity to improve a system.

Thanks.



  #6   Report Post  
The Big Cheese
 
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Default Speakers testing

Whassa' matter, Liney-Whiney,

Did you spend all your francs on some frog audiophool speakers like some
"Grand Utopias" or something? And now you're unhappy because the sound
emanating from them sounds like it's coming from the big honkin' noses
common to your nationality?

Sounds like your a political whiner to me.

If you'd bought Bose, you could get on with your life and just enjoy the
music and not have to worry about future upgrades.

Say, I have an idea: Go sprinkle some of this year's Nouvelle
Beaujolais on your Grand Utopia speaker cones - It's guaranteed to make
them and that vinegar you call wine both better.

You know, the wines coming out of Australia and New Zealand now are
really enough to make you whine.

The Big Cheese

Lionel whines:
The Big Cheese wrote:

Sacre bleu, Lionel.

For goodness sakes, just save yourself all this trouble, get your
sorry french frog ass to a Bose store and buy a Bose LifeSyle 35 or
LifeStyle 50 system and it comes with a microphone and built-in
calibration tones and software to give a multitude of listeners in
your room phenomenally flat, and accurate sound quality. And the Bose
does all this automatically - It is smarter than you are!

Why settle for second or third best when you can own the best in Bose?


You can sit on Big Cheese...


  #7   Report Post  
Lionel
 
Posts: n/a
Default Speakers testing

The Big Cheese wrote:
Whassa' matter, Liney-Whiney,

Did you spend all your francs on some frog audiophool speakers like some
"Grand Utopias" or something? And now you're unhappy because the sound
emanating from them sounds like it's coming from the big honkin' noses
common to your nationality?

Sounds like your a political whiner to me.

If you'd bought Bose, you could get on with your life and just enjoy the
music and not have to worry about future upgrades.

Say, I have an idea: Go sprinkle some of this year's Nouvelle
Beaujolais on your Grand Utopia speaker cones - It's guaranteed to make
them and that vinegar you call wine both better.

You know, the wines coming out of Australia and New Zealand now are
really enough to make you whine.

The Big Cheese


Audio is like the wine, you always need to experiment.
Purchasing Bose is like to daily drink Californian wines...

LOL !

--
"Keep the bugs off your glass and the bears off your ass"
Bad Plus

  #8   Report Post  
The Big Cheese
 
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Default Speakers testing

I'm glad you've finally come around and recognized the audio superiority
of Bose since the best wines in the world now come from California as
the best speakers now come from Bose here in America!

And as you obviously know, California wines are much better than that
urine du mouton your country calls wine!

The Big Cheese

Lionel wrote:


Audio is like the wine, you always need to experiment.
Purchasing Bose is like to daily drink Californian wines...


  #9   Report Post  
Lionel
 
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Default Speakers testing

The Big Cheese wrote:

I'm glad you've finally come around and recognized the audio superiority
of Bose since the best wines in the world now come from California as
the best speakers now come from Bose here in America!

And as you obviously know, California wines are much better than that
urine du mouton your country calls wine!


I love you Gros Coulommier
;o)

  #10   Report Post  
The Big Cheese
 
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Default Speakers testing

Liney Whiney,

Since I am but a Gros Coulommier to you, a town in the Ile-de-France
that gives its name to a supple, fragrant disc of cow's-milk cheese,
slightly larger than Camembert, I am quite pleased you find me so tasty!

I've always thought of myself more as a tart brie than a fragrant
camembert but then everyone's taste is different.

The Big Coulommier

Lionel wrote:
The Big Cheese wrote:

I'm glad you've finally come around and recognized the audio
superiority of Bose since the best wines in the world now come from
California as the best speakers now come from Bose here in America!

And as you obviously know, California wines are much better than that
urine du mouton your country calls wine!


I love you Gros Coulommier
;o)




  #11   Report Post  
Ken Kantor
 
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Default Speakers testing

Check out a decent, used GenRad 1565B on Ebay. It's a calibrated
sound level meter that works off 9V batteries and has an analyzer
output. Very accurate, very easy to use, no preamp needed, and you
get a SPL meter in the deal!
All you need to add is a simple cable. (2.5mm to whatever you need.)

-k



Lionel wrote in message ...
Arnold, could you please recommend me :
- A good, cheap calibrated microphone for speaker testing purpose ?
- Software
- Calibrated frequency generator to generate the signal to the speakers.

Thank you for your help,
Lionel

  #13   Report Post  
Lionel
 
Posts: n/a
Default Speakers testing

Ken Kantor wrote:
Check out a decent, used GenRad 1565B on Ebay. It's a calibrated
sound level meter that works off 9V batteries and has an analyzer
output. Very accurate, very easy to use, no preamp needed, and you
get a SPL meter in the deal!
All you need to add is a simple cable. (2.5mm to whatever you need.)

-k


Thanks for this interesting tip.
Lionel

  #14   Report Post  
George M. Middius
 
Posts: n/a
Default Another Fencepost Hits Rock



Goofy said:

I would like it resolved, whether I am right or wrong.


Have you tried flipping a coin?



  #15   Report Post  
Goofball_star_dot_etal
 
Posts: n/a
Default Another Fencepost Hits Rock

On Sun, 30 Nov 2003 14:48:30 -0500, George M. Middius
wrote:



Goofy said:

I would like it resolved, whether I am right or wrong.


Have you tried flipping a coin?


Yes.



  #16   Report Post  
George M. Middius
 
Posts: n/a
Default Another Fencepost Hits Rock



Goofy said:

I would like it resolved, whether I am right or wrong.


Have you tried flipping a coin?


Yes.


Goodness. You need to be instructed in everything, it seems.



  #17   Report Post  
Goofball_star_dot_etal
 
Posts: n/a
Default Another Fencepost Hits Rock

John's dad say: "Good things come to those that wait" and "If people
wanted Middius baby there would more in phone book"




  #18   Report Post  
Goofball_star_dot_etal
 
Posts: n/a
Default Another Fencepost Hits Rock

On Sun, 30 Nov 2003 15:38:07 -0500, George M. Middius
wrote:



Goofy said:

I would like it resolved, whether I am right or wrong.


Have you tried flipping a coin?


Yes.


Goodness. You need to be instructed in everything, it seems.

No, it worked.
  #19   Report Post  
George M. Middius
 
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Default Another Fencepost Hits Rock



Goofy said:

John's dad say: "Good things come to those that wait" and "If people
wanted Middius baby there would more in phone book"


I've just been smashing in the skulls of the cavegeeks, and now you
want me to play with you too? Sorry, I have a headache. Another
time, perhaps.




  #20   Report Post  
George M. Middius
 
Posts: n/a
Default Another Fencepost Hits Rock



Goofy said:

I would like it resolved, whether I am right or wrong.


Have you tried flipping a coin?


Yes.


Goodness. You need to be instructed in everything, it seems.


No, it worked.



Did it? Well, don't keep us in suspense. Are you on the Right side
or the Wrong side? The fence is dug in pretty deeply, so be prepared
to pay overtime wages if you want it moved.




  #21   Report Post  
Goofball_star_dot_etal
 
Posts: n/a
Default Another Fencepost Hits Rock

On Sun, 30 Nov 2003 15:46:14 -0500, George M. Middius
wrote:



Goofy said:

John's dad say: "Good things come to those that wait" and "If people
wanted Middius baby there would more in phone book"


I've just been smashing in the skulls of the cavegeeks, and now you
want me to play with you too? Sorry, I have a headache. Another
time, perhaps.

Well, I have been talking to a Dick who wasn't there. I am knackered,
you will note.

  #22   Report Post  
Goofball_star_dot_etal
 
Posts: n/a
Default Another Fencepost Hits Rock

On Sun, 30 Nov 2003 15:47:21 -0500, George M. Middius
wrote:



Goofy said:

I would like it resolved, whether I am right or wrong.


Have you tried flipping a coin?


Yes.


Goodness. You need to be instructed in everything, it seems.


No, it worked.



Did it? Well, don't keep us in suspense. Are you on the Right side
or the Wrong side? The fence is dug in pretty deeply, so be prepared
to pay overtime wages if you want it moved.


We shall see. You can call me fearless.

  #23   Report Post  
George M. Middius
 
Posts: n/a
Default Another Fencepost Hits Rock



Goofy said:

John's dad say: "Good things come to those that wait" and "If people
wanted Middius baby there would more in phone book"


I've just been smashing in the skulls of the cavegeeks, and now you
want me to play with you too? Sorry, I have a headache. Another
time, perhaps.


Well, I have been talking to a Dick who wasn't there.


If you mean the Pierced Dick, you've happened upon an occasion for
joyous thanksgiving.

I am knackered, you will note.


Then off to the pub with you, and count yer blessings.




  #27   Report Post  
GeoSynch
 
Posts: n/a
Default Another Fencepost Hits Rock

Goofball_star_dot_etal reconsidered:

The Stainless Steel Boob Orchestra bared it all:


I think I love you, I will note.


**** off and leave one alone. One has had so many babies one thinks
one might burst if one loves one.


One did not mean it, bach. One loves one too.


Ain't love - or whatever passes for it these days - grand?


GeoSynch


  #29   Report Post  
Ken Kantor
 
Posts: n/a
Default Speakers testing

Sure, happy to comment:

1- "20 to 20K."

I'm not exactly sure what the underlying question is here. Is isn't
particularly difficult to reliably measure 20 Hz speaker output,
especially using near-field techniques. It takes a good mic and
preamp, and the ability to examine the spectrum in order to understand
what is fundamental and what is harmonic distortion. Measuring very
long wavelengths is in many ways easier than measuring shorter ones,
provided you are not concerned with understanding room effects.

2- "Multiples."

Though the question of what "efficiency" properly refers to is
perpetually ellusive, there is no doubt that more radiating area
increases low frequency efficiency.

"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.


-k



ow (Goofball_star_dot_etal) wrote in message ...
Hi Ken,
Care to comment over on rec.audio.tech on either thread "20hz to 20Khz
, yea right!" or "Speaker sensitivity and fs in multiples." ? I would
like it resolved, whether I am right or wrong. It is your field and
Dick does not seem to want to play.
Regards,
David.

  #30   Report Post  
Rich Andrews
 
Posts: n/a
Default Speakers testing

(Ken Kantor) wrote in news:a86797f3.0312070001.23833604
@posting.google.com:

Sure, happy to comment:

1- "20 to 20K."

I'm not exactly sure what the underlying question is here. Is isn't
particularly difficult to reliably measure 20 Hz speaker output,
especially using near-field techniques. It takes a good mic and
preamp, and the ability to examine the spectrum in order to understand
what is fundamental and what is harmonic distortion. Measuring very
long wavelengths is in many ways easier than measuring shorter ones,
provided you are not concerned with understanding room effects.

2- "Multiples."

Though the question of what "efficiency" properly refers to is
perpetually ellusive, there is no doubt that more radiating area
increases low frequency efficiency.

"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.


-k



I think that rule goes awry when multiple tweeters are involved in a
column. I do know that the 6db rule does not apply to an array of
tweeters in a column.

r


r

--
Nothing beats the bandwidth of a station wagon filled with DLT tapes.




  #31   Report Post  
Scott Gardner
 
Posts: n/a
Default Speakers testing

On Sun, 07 Dec 2003 08:36:07 -0000, Rich Andrews
wrote:


"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.


-k



I think that rule goes awry when multiple tweeters are involved in a
column. I do know that the 6db rule does not apply to an array of
tweeters in a column.


This is interesting. What assumptions are being made above
regarding the power supplied to each speaker? Specifically, when you
go from one speaker to two in the above example, is the original
amount of power now being divided between two speakers, or do both
speakers receive power equal to what the solo speaker had?
Getting 6dB of increase by doubling the number of speakers AND
the power provided makes sense to me, but if the 6dB increase is
coming solely from doubling the number of speakers, I confess I'm
confused.

Also, do the speakers have to share the same enclosure volume for the
above paragraph to apply? How about the following three scenarios?

1) One speaker, being supplied 1000 Watts.

2) Two speakers in separate enclosures, each being supplied 500 Watts

3) Two speakers, sharing an enclosure that's twice the size of a
single enclosure, each being supplied 500 Watts.

Which of these three would produce the highest intensity? From the
"Acoustics" quote above, I think it would be #3, with #1 and #2 being
about equal. The reason I'm curious is that in car audio, two
subwoofers in a box is a fairly common arrangement, but the boxes are
usually constructed such that the two subs don't share the same
enclosure volume. If there's an extra 3dB to be had just by having
the subs share the same enclosure volume, I'd think more boxes would
be designed this way.



Scott Gardner



  #32   Report Post  
Rich Andrews
 
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Default Speakers testing

(Scott Gardner) wrote in news:3fd2e756.349845843
@news.east.cox.net:

On Sun, 07 Dec 2003 08:36:07 -0000, Rich Andrews
wrote:


"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.


-k



I think that rule goes awry when multiple tweeters are involved in a
column. I do know that the 6db rule does not apply to an array of
tweeters in a column.


This is interesting. What assumptions are being made above
regarding the power supplied to each speaker? Specifically, when you
go from one speaker to two in the above example, is the original
amount of power now being divided between two speakers, or do both
speakers receive power equal to what the solo speaker had?
Getting 6dB of increase by doubling the number of speakers AND
the power provided makes sense to me, but if the 6dB increase is
coming solely from doubling the number of speakers, I confess I'm
confused.

Also, do the speakers have to share the same enclosure volume for the
above paragraph to apply? How about the following three scenarios?

1) One speaker, being supplied 1000 Watts.

2) Two speakers in separate enclosures, each being supplied 500 Watts

3) Two speakers, sharing an enclosure that's twice the size of a
single enclosure, each being supplied 500 Watts.

Which of these three would produce the highest intensity? From the
"Acoustics" quote above, I think it would be #3, with #1 and #2 being
about equal. The reason I'm curious is that in car audio, two
subwoofers in a box is a fairly common arrangement, but the boxes are
usually constructed such that the two subs don't share the same
enclosure volume. If there's an extra 3dB to be had just by having
the subs share the same enclosure volume, I'd think more boxes would
be designed this way.



Scott Gardner




Doubling the amount of power supplied to a speaker is going to increase
the SPL by 3db.

Please disregard what I said about tweeters. It is irrelevent to the
discussion.

r

--
Nothing beats the bandwidth of a station wagon filled with DLT tapes.


  #33   Report Post  
Svante
 
Posts: n/a
Default Speakers testing

OK here we go again...

(Scott Gardner) wrote in message ...
On Sun, 07 Dec 2003 08:36:07 -0000, Rich Andrews
wrote:


"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.


I think that rule goes awry when multiple tweeters are involved in a
column. I do know that the 6db rule does not apply to an array of
tweeters in a column.


Right. The rule applies if the drivers are mounted close to each other
COMPARED TO THE WAVELENGTH. Obviously, the wavelength is short at high
frequencies, so this condition becomes hard or impossible to fulfill
for tweeters.


This is interesting.


Yes it is. Have a look at the thread rec.audio.tech "Speaker
sensitivity and fs in multiples." which this was a comment upon. After
quite some argumenting I think that the opinion goes towards the
above.

What assumptions are being made above
regarding the power supplied to each speaker?


Input power must be doubled, ie + 3dB.

Specifically, when you
go from one speaker to two in the above example, is the original
amount of power now being divided between two speakers, or do both
speakers receive power equal to what the solo speaker had?


EACH of them, yes.

Getting 6dB of increase by doubling the number of speakers AND
the power provided makes sense to me, but if the 6dB increase is
coming solely from doubling the number of speakers, I confess I'm
confused.

Also, do the speakers have to share the same enclosure volume for the
above paragraph to apply? How about the following three scenarios?

1) One speaker, being supplied 1000 Watts.


That would give a level of x dB (given that it is mounted in a box of
y litres).

2) Two speakers in separate enclosures, each being supplied 500 Watts


The level would now be x + 3 dB, if each box is y litres.

3) Two speakers, sharing an enclosure that's twice the size of a
single enclosure, each being supplied 500 Watts.


The level would still be x + 3 dB, if the box is 2*y litres.


Which of these three would produce the highest intensity? From the
"Acoustics" quote above, I think it would be #3, with #1 and #2 being
about equal. The reason I'm curious is that in car audio, two
subwoofers in a box is a fairly common arrangement, but the boxes are
usually constructed such that the two subs don't share the same
enclosure volume. If there's an extra 3dB to be had just by having
the subs share the same enclosure volume, I'd think more boxes would
be designed this way.


No, the gain is on the acoustic side, not inside the box. Two drivers
(each receiving the same power as the single driver) would double the
sound pressure, and quadruple the acoustic power.

Again, read the other thread in this group, I beleive this will save
you some thinking.
  #34   Report Post  
Scott Gardner
 
Posts: n/a
Default Speakers testing

On 7 Dec 2003 10:39:16 -0800, (Svante)
wrote:

OK here we go again...

(Scott Gardner) wrote in message ...
On Sun, 07 Dec 2003 08:36:07 -0000, Rich Andrews
wrote:


"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.

I think that rule goes awry when multiple tweeters are involved in a
column. I do know that the 6db rule does not apply to an array of
tweeters in a column.


Right. The rule applies if the drivers are mounted close to each other
COMPARED TO THE WAVELENGTH. Obviously, the wavelength is short at high
frequencies, so this condition becomes hard or impossible to fulfill
for tweeters.


This is interesting.


Yes it is. Have a look at the thread rec.audio.tech "Speaker
sensitivity and fs in multiples." which this was a comment upon. After
quite some argumenting I think that the opinion goes towards the
above.

What assumptions are being made above
regarding the power supplied to each speaker?


Input power must be doubled, ie + 3dB.

Specifically, when you
go from one speaker to two in the above example, is the original
amount of power now being divided between two speakers, or do both
speakers receive power equal to what the solo speaker had?


EACH of them, yes.

Getting 6dB of increase by doubling the number of speakers AND
the power provided makes sense to me, but if the 6dB increase is
coming solely from doubling the number of speakers, I confess I'm
confused.

Also, do the speakers have to share the same enclosure volume for the
above paragraph to apply? How about the following three scenarios?

1) One speaker, being supplied 1000 Watts.


That would give a level of x dB (given that it is mounted in a box of
y litres).

2) Two speakers in separate enclosures, each being supplied 500 Watts


The level would now be x + 3 dB, if each box is y litres.

3) Two speakers, sharing an enclosure that's twice the size of a
single enclosure, each being supplied 500 Watts.


The level would still be x + 3 dB, if the box is 2*y litres.


Which of these three would produce the highest intensity? From the
"Acoustics" quote above, I think it would be #3, with #1 and #2 being
about equal. The reason I'm curious is that in car audio, two
subwoofers in a box is a fairly common arrangement, but the boxes are
usually constructed such that the two subs don't share the same
enclosure volume. If there's an extra 3dB to be had just by having
the subs share the same enclosure volume, I'd think more boxes would
be designed this way.


No, the gain is on the acoustic side, not inside the box. Two drivers
(each receiving the same power as the single driver) would double the
sound pressure, and quadruple the acoustic power.

Again, read the other thread in this group, I beleive this will save
you some thinking.


Thanks, but I'm not really interested in being "saved" from thinking.
I enjoy the discussion. What you explained was pretty much what I've
always thought, I was just confused by the paragraph from "Acoustics"
above. For one, it mentions a four-fold increase in SPL without
explicitly mentioning the fact that he's doubling amplifer power as
well as the number of speakers, and the part about mounting multiple
speakers "side by side" in a "single baffle" makes it sound like
that's a requirement to get the efficiency increase from multiple
speakers. From your response to my three scenarios, it sounds like
that's not the case after all.

Scott Gardner

  #35   Report Post  
Svante
 
Posts: n/a
Default Speakers testing

(Scott Gardner) wrote in message ...
On 7 Dec 2003 10:39:16 -0800,
(Svante)
wrote:

1) One speaker, being supplied 1000 Watts.


That would give a level of x dB (given that it is mounted in a box of
y litres).

2) Two speakers in separate enclosures, each being supplied 500 Watts


The level would now be x + 3 dB, if each box is y litres.

3) Two speakers, sharing an enclosure that's twice the size of a
single enclosure, each being supplied 500 Watts.


The level would still be x + 3 dB, if the box is 2*y litres.


Which of these three would produce the highest intensity? From the
"Acoustics" quote above, I think it would be #3, with #1 and #2 being
about equal. The reason I'm curious is that in car audio, two
subwoofers in a box is a fairly common arrangement, but the boxes are
usually constructed such that the two subs don't share the same
enclosure volume. If there's an extra 3dB to be had just by having
the subs share the same enclosure volume, I'd think more boxes would
be designed this way.


No, the gain is on the acoustic side, not inside the box. Two drivers
(each receiving the same power as the single driver) would double the
sound pressure, and quadruple the acoustic power.

Again, read the other thread in this group, I beleive this will save
you some thinking.


Thanks, but I'm not really interested in being "saved" from thinking.


Sounds sound... :-)

I enjoy the discussion. What you explained was pretty much what I've
always thought, I was just confused by the paragraph from "Acoustics"
above. For one, it mentions a four-fold increase in SPL without
explicitly mentioning the fact that he's doubling amplifer power as
well as the number of speakers, and the part about mounting multiple
speakers "side by side" in a "single baffle" makes it sound like
that's a requirement to get the efficiency increase from multiple
speakers. From your response to my three scenarios, it sounds like
that's not the case after all.


I think the baffle (could just as well have been a box) is put there
just to remove the radiation from the back side of the membrane. The
effect would have been similar with loudspeaker elements in free air,
but it saves some thinking :-) to put them in the baffle.


  #36   Report Post  
Goofball_star_dot_etal
 
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Default Speakers testing

On 7 Dec 2003 00:01:45 -0800, (Ken Kantor) wrote:

Sure, happy to comment:


Many thanks for your wise words. I hope they will convert a few
sceptics but it can be difficult to tell.

1- "20 to 20K."

I'm not exactly sure what the underlying question is here. Is isn't
particularly difficult to reliably measure 20 Hz speaker output,
especially using near-field techniques. It takes a good mic and
preamp, and the ability to examine the spectrum in order to understand
what is fundamental and what is harmonic distortion. Measuring very
long wavelengths is in many ways easier than measuring shorter ones,
provided you are not concerned with understanding room effects.


Quite a lot of fuss is made at times of the difficulty of
measuring low frequency response, particularly in an ordinary room.
Perhaps it is easy when you know how. I was wondering if the "in
speaker" method Svante and I described was in common use and if not,
why not?


2- "Multiples."

Though the question of what "efficiency" properly refers to is
perpetually ellusive, there is no doubt that more radiating area
increases low frequency efficiency.

"...it should be mentioned again that the radiating efficiency of a
direct-radiator loudspeaker can be increased at low frequencies by
mounting several units side by side in a single baffle. The mutual
interaction among the radiating units serves to increase the radiation
resistance of each unit substantially. For example, two identical
direct-radiators very near each other in an infinitely large plane
baffle, and vibrating in phase, will produce four times the intensity
on the principle axis as will one of them alone."

Beranek, "Acoustics," 1st Ed., 1954, p259.

Beranek often gets it right. . .

-k


  #38   Report Post  
Svante
 
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Default Speakers testing

ow (Goofball_star_dot_etal) wrote in message ...
On 7 Dec 2003 00:01:45 -0800,
(Ken Kantor) wrote:
Quite a lot of fuss is made at times of the difficulty of
measuring low frequency response, particularly in an ordinary room.
Perhaps it is easy when you know how. I was wondering if the "in
speaker" method Svante and I described was in common use and if not,
why not?


(Ken Kantor) wrote in message . com...
You are very welcome.

It's been done, but it in common use. Why not? Because external
near-field techniques work well, and are much more direct and
convenient.


Having seen the difference between near-field measurements in a studio
environment and the in-box method I feel I should add this:

1. The in-box method is in agreement with simulations well down to 10
Hz for the system we measure on (a butterworth bass-reflex box
designed for -3dB at 35Hz). We see some extra sloping of towards low
frequencies, probaly due to the microphone and the electronics.

2. SNR is great inside the box. The level easily reaches 120-140dB and
room noise at low frequencies is typically reach 50-70dB. This still
gives 50 dB SNR. That will NOT happen outside the box. Try to
demonstrate the slope of 24 dB/octave of a bass-reflex system below
the helmholtz frequency with near field measurements. Environmental
noise will disturb this measurement a lot.

3. A bass-reflex box is hard to measure near-field if the port and
speaker is separated by some distance. Half-way between the speaker
and port is maybe not "near-field".

4. Distorsion cannot, however be measured inside the box due to the
high SPL. There will be a lot of distorsion from the microphone.

I would guess that the reason that the method is not widely used is
the counter-intuitivity (is that proper english?!?) of the method, the
need to tilt the response by 12dB/octave and the fact that the method
is not well known. But it is great for LF!
  #39   Report Post  
Peter Larsen
 
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Default Speakers testing

Svante wrote:

4. Distorsion cannot, however be measured inside the box due to the
high SPL. There will be a lot of distorsion from the microphone.


You can not call it measurement with an unlinear microphone, so do not
overload it.

I would guess that the reason that the method is not widely used is
the counter-intuitivity (is that proper english?!?) of the method, the
need to tilt the response by 12dB/octave and the fact that the method
is not well known. But it is great for LF!


Ad notam.


Kind regards

Peter Larsen

--
************************************************** ***********
* My site is at: http://www.muyiovatki.dk *
************************************************** ***********
  #40   Report Post  
Tony Pearce
 
Posts: n/a
Default Speakers testing


"Svante" wrote in message
om...
3. A bass-reflex box is hard to measure near-field if the port and
speaker is separated by some distance. Half-way between the speaker
and port is maybe not "near-field".


Exactly how the two fields (or 3 or even 4 for a vented D'Appolito design)
actually combine in the far field, is something routinely ignored by many
when making near field measurements. But the error will be less when
combining woofer and port outputs, compared to a dual woofer set up at
slightly higher frequencies.

TonyP.



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