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#1
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Hi RATs!
John Broskie started this last year. I finally found myself listening to an amp with one shared cathode resistor per pair of push-pull output tubes, the Heathkit A7. http://www.tubecad.com/2005/May/blog0046.htm Broskie is using Blumlein's design to enter his own world of bias design circuits, which, unfortunately, not enough of my brain can pull together to even try to understand, much less covet I remembered after a few weeks there was something I wanted to try with a shared cathode resistor circuit. Only took a few months to remember what ... sigh. But, the basic idea, of a balanced P-P circuit that does absolutely nothing dynamically much better than any other, really captures my imagination. Even if it sounds like Eyesore's 'Old Testament Pronouncements', it at least 'rests' closer to Truth than meer mortal circuits The next step is to get the AC operation to follow, perhaps a bit trickier. I intend to try this in my real world amps. I will replace the single 470 Ohm resistor and cap with two parallel pairs of two series 1K resistors. Each series pair will be bypassed by a cap. The grid resistor of each output tube will be tied to the central junction of the two series resistors in the cathode circuit of the other output tube. Cross-pollinization, of sorts The basic idea is to create an environment where the output transformer has balanced current through the two sides of the push-pull pair of windings. I have no clue if real transformers, especially mine, really 'want, or need' balance. We shall hear As per my usual strict Scientificult Principia, if neither amp sounds really wretched after the mod, I will declare complete success! Many sure fire enhancements may follow Happy Ears! Al |
#2
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Bret Ludwig wrote
The basic idea is to create an environment where the output transformer has balanced current through the two sides of the push-pull pair of windings. I have no clue if real transformers, especially mine, really 'want, or need' balance. We shall hear They very certainly do. Unless you have a fixed resistance in each cathode leg to act as a shunt to measure against in addition to the cathode resistance providing bias you cannot measure this. Near enough, but no nearer. Arguably, the point of zero magnetic field should not occur at zero signal. Awaiting Al's listening report with interest... cheers, Ian |
#3
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
On Sat, 25 Nov 2006 02:50:34 GMT, "Ian Iveson"
wrote: Near enough, but no nearer. Arguably, the point of zero magnetic field should not occur at zero signal. This is the rabbit hole that leads to the the White Queen's argument for single-ended output stages. It worked for me, at least until she said "Off with her head". Awaiting Al's listening report with interest... Natch. Much thanks, as always, Chris Hornbeck "What's the line? 'When the student is ready, the teacher appears.' Maybe we should try to figure out how to be "ready" more often. -Ty Ford |
#4
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Chris Hornbeck wrote
Near enough, but no nearer. Arguably, the point of zero magnetic field should not occur at zero signal. This is the rabbit hole that leads to the the White Queen's argument for single-ended output stages. It worked for me, at least until she said "Off with her head". Remember what the white rabbit said. Al is dangerously close to ambush by the notion of precision. He'll be measuring something next. I've been wondering about symmetry. Fred's ideas on assymetric output stages, Patrick's on gapping PP OPTs, and Cambridge Audio's "class XD" recently expounded by Douglas Self. Optimise for class B, then offset bias to give SE class A for the first few watts. Daft idea for valves, but an idea all the same. Perhaps the process of painstakingly resetting the bias current for 8 output valves makes me grumpy, but the amps never seem to be at their best afterwards. cheers, Ian |
#5
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
On Sat, 25 Nov 2006 04:51:01 GMT, "Ian Iveson"
wrote: It worked for me, at least until she said "Off with her head". Remember what the white rabbit said. Sadly, I've gotten too old. But I remember. Some changes are permanent. Al is dangerously close to ambush by the notion of precision. He'll be measuring something next. Heresy! I've been wondering about symmetry. Fred's ideas on assymetric output stages, Patrick's on gapping PP OPTs, and Cambridge Audio's "class XD" recently expounded by Douglas Self. Optimise for class B, then offset bias to give SE class A for the first few watts. Daft idea for valves, but an idea all the same. Perhaps the process of painstakingly resetting the bias current for 8 output valves makes me grumpy, but the amps never seem to be at their best afterwards. I'd suggest that the issue isn't really one of symmetry, but one of monotonicity. It's perhaps the Numero Uno overlooked problem in modern electronics. A transformer without DC current has its BH flat spot around the signal's zero crossing. Dancing this flat spot somewhere else has its charms. Much thanks, as always, Chris Hornbeck "What's the line? 'When the student is ready, the teacher appears.' Maybe we should try to figure out how to be "ready" more often. -Ty Ford |
#6
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest biascircuit!
tubegarden wrote: Hi RATs! John Broskie started this last year. I finally found myself listening to an amp with one shared cathode resistor per pair of push-pull output tubes, the Heathkit A7. http://www.tubecad.com/2005/May/blog0046.htm Broskie is using Blumlein's design to enter his own world of bias design circuits, which, unfortunately, not enough of my brain can pull together to even try to understand, much less covet I remembered after a few weeks there was something I wanted to try with a shared cathode resistor circuit. Only took a few months to remember what ... sigh. But, the basic idea, of a balanced P-P circuit that does absolutely nothing dynamically much better than any other, really captures my imagination. Even if it sounds like Eyesore's 'Old Testament Pronouncements', it at least 'rests' closer to Truth than meer mortal circuits The next step is to get the AC operation to follow, perhaps a bit trickier. I intend to try this in my real world amps. I will replace the single 470 Ohm resistor and cap with two parallel pairs of two series 1K resistors. Each series pair will be bypassed by a cap. The grid resistor of each output tube will be tied to the central junction of the two series resistors in the cathode circuit of the other output tube. Cross-pollinization, of sorts The basic idea is to create an environment where the output transformer has balanced current through the two sides of the push-pull pair of windings. I have no clue if real transformers, especially mine, really 'want, or need' balance. We shall hear As per my usual strict Scientificult Principia, if neither amp sounds really wretched after the mod, I will declare complete success! Many sure fire enhancements may follow Happy Ears! Al Blummy offers us a way of making sure the bias tends to stay balanced. In his Garter circuit if one tube decides to pull more current, its rise in cathode voltage is 1/2 transfered to the other tube so its bias increases, but then it passes 1/2 its rise in bias to the one that decided to conduct more. Sorry folks, but I can't endorse Blumlein's idea here. Give me plain old dual cathode R, each bypassed with about 1,000 uF and you have the simplest and best sounding cathode topology. Some say the common R does wonders to help the signal 2H of each tube balance, and while this is true, if one must use one darn R for the 2 cathodes, its better to have two, and have two C also, but instead of grounding each 1,000 uF connect their -Ve ends to a 22k and ground that. Thus you have separate dc biasing for each tube, and you have a single ac R for the two tubes. The single R is of benefit only while the circuit works in class A, and it all falls apart for AB, unless you have fixed bias. Servo biasing to change the grid bias for AB is all BS. Grid bias must me kept constant for AB and B circuit working. Various methods have been devised for bias balancing while fiddling with the grid voltage but none work well and the only one that does work to be equal to fixed bias for AB or B is at my website, see the pages onj my 300 watt amps with the unique circuit found nowhere else on the net. Its very applicable to two tube output circuits. Patrick Turner. |
#7
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Patrick Turner wrote: tubegarden wrote: Hi RATs! John Broskie started this last year. I finally found myself listening to an amp with one shared cathode resistor per pair of push-pull output tubes, the Heathkit A7. http://www.tubecad.com/2005/May/blog0046.htm Broskie is using Blumlein's design to enter his own world of bias design circuits, which, unfortunately, not enough of my brain can pull together to even try to understand, much less covet I remembered after a few weeks there was something I wanted to try with a shared cathode resistor circuit. Only took a few months to remember what ... sigh. But, the basic idea, of a balanced P-P circuit that does absolutely nothing dynamically much better than any other, really captures my imagination. Even if it sounds like Eyesore's 'Old Testament Pronouncements', it at least 'rests' closer to Truth than meer mortal circuits The next step is to get the AC operation to follow, perhaps a bit trickier. I intend to try this in my real world amps. I will replace the single 470 Ohm resistor and cap with two parallel pairs of two series 1K resistors. Each series pair will be bypassed by a cap. The grid resistor of each output tube will be tied to the central junction of the two series resistors in the cathode circuit of the other output tube. Cross-pollinization, of sorts The basic idea is to create an environment where the output transformer has balanced current through the two sides of the push-pull pair of windings. I have no clue if real transformers, especially mine, really 'want, or need' balance. We shall hear As per my usual strict Scientificult Principia, if neither amp sounds really wretched after the mod, I will declare complete success! Many sure fire enhancements may follow Happy Ears! Al Blummy offers us a way of making sure the bias tends to stay balanced. In his Garter circuit if one tube decides to pull more current, its rise in cathode voltage is 1/2 transfered to the other tube so its bias increases, but then it passes 1/2 its rise in bias to the one that decided to conduct more. Sorry folks, but I can't endorse Blumlein's idea here. Give me plain old dual cathode R, each bypassed with about 1,000 uF and you have the simplest and best sounding cathode topology. Some say the common R does wonders to help the signal 2H of each tube balance, and while this is true, if one must use one darn R for the 2 cathodes, its better to have two, and have two C also, but instead of grounding each 1,000 uF connect their -Ve ends to a 22k and ground that. Thus you have separate dc biasing for each tube, and you have a single ac R for the two tubes. The single R is of benefit only while the circuit works in class A, and it all falls apart for AB, unless you have fixed bias. Servo biasing to change the grid bias for AB is all BS. Grid bias must me kept constant for AB and B circuit working. Various methods have been devised for bias balancing while fiddling with the grid voltage but none work well and the only one that does work to be equal to fixed bias for AB or B is at my website, see the pages onj my 300 watt amps with the unique circuit found nowhere else on the net. Its very applicable to two tube output circuits. Patrick Turner. Hi RATs! Into the future, slowly. I got motivated and went thru my large Watt Resistor stash. Sigh. Only two 1K 5W were left. So, I put them in one amp. Each with its own new cap. I did find lots of 2K 5W, but, cooler heads prevailed, and I will wait to order some on Monday. Meanhile, running the two amps, one with 470 ohms and one cap and one with parallel 1K/cap sounds OK. It is just a hobby. The Music is always nice Happy Ears! Al |
#8
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Chris wrote:
A transformer without DC current has its BH flat spot around the signal's zero crossing. Dancing this flat spot somewhere else has its charms. Magnetism is still a mystery to me. What about hysteresis? The flat spots are generally at the extremes of magnetisation, not in the middle, surely? What is more, whatever the magnetic bias, hysteresis occurs around the bias point. Points of zero current will always be on the curvy parts of the loop. Where points of zero voltage are, I wonder. The width of a hysteresis loop is least, and its linearity best, around a bias point on the steepest part of the DC curve. cheers, Ian |
#9
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Ian Iveson wrote:
Chris wrote: A transformer without DC current has its BH flat spot around the signal's zero crossing. Dancing this flat spot somewhere else has its charms. Magnetism is still a mystery to me. What about hysteresis? The flat spots are generally at the extremes of magnetisation, not in the middle, surely? What is more, whatever the magnetic bias, hysteresis occurs around the bias point. Points of zero current will always be on the curvy parts of the loop. Where points of zero voltage are, I wonder. The width of a hysteresis loop is least, and its linearity best, around a bias point on the steepest part of the DC curve. cheers, Ian Hi RATs! The idea of the garters is to balance the transformer while idle. Then both directions can contribute equally to the slaughter of the signal Happy Ears! Al |
#10
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Al wrote:
The idea of the garters is to balance the transformer while idle. It's easy to be balanced when you're idle. But DC isn't music. Then both directions can contribute equally to the slaughter of the signal DC and AC balance are rather different things, as are current and magnetic balances. Anyway, have you done it yet? How does it sound? cheers, Ian "tubegarden" wrote in message oups.com... Ian Iveson wrote: Chris wrote: A transformer without DC current has its BH flat spot around the signal's zero crossing. Dancing this flat spot somewhere else has its charms. Magnetism is still a mystery to me. What about hysteresis? The flat spots are generally at the extremes of magnetisation, not in the middle, surely? What is more, whatever the magnetic bias, hysteresis occurs around the bias point. Points of zero current will always be on the curvy parts of the loop. Where points of zero voltage are, I wonder. The width of a hysteresis loop is least, and its linearity best, around a bias point on the steepest part of the DC curve. cheers, Ian Hi RATs! Happy Ears! Al |
#11
Posted to rec.audio.tubes
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Alan Dower Blumlien's garters - the great balanced rest bias circuit!
On Mon, 27 Nov 2006 17:18:09 GMT, "Ian Iveson"
wrote: A transformer without DC current has its BH flat spot around the signal's zero crossing. Dancing this flat spot somewhere else has its charms. Magnetism is still a mystery to me. What about hysteresis? The flat spots are generally at the extremes of magnetisation, not in the middle, surely? What is more, whatever the magnetic bias, hysteresis occurs around the bias point. Indeed! So at small signal the B/H flat spot is everywhere. Coaxing and persuading the dynamic flat-spot away from signal zero-crossing is (perhaps) part of the otherwise antithetical magic of the single-ended chism. Monotonicity is the bete noir of modern electronics. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#12
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - thegreat balanced rest bias circuit!
Chris Hornbeck wrote: On Mon, 27 Nov 2006 17:18:09 GMT, "Ian Iveson" wrote: A transformer without DC current has its BH flat spot around the signal's zero crossing. Dancing this flat spot somewhere else has its charms. Magnetism is still a mystery to me. What about hysteresis? The flat spots are generally at the extremes of magnetisation, not in the middle, surely? What is more, whatever the magnetic bias, hysteresis occurs around the bias point. Indeed! So at small signal the B/H flat spot is everywhere. Coaxing and persuading the dynamic flat-spot away from signal zero-crossing is (perhaps) part of the otherwise antithetical magic of the single-ended chism. Monotonicity is the bete noir of modern electronics. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." In my tests of ac behaviour of chokes and iron wound windings, one finds that the measured L reduces as the applied voltage is reduced. The L is measured by measuring the impedance or inductive reactance of the L in question, and L = Z / ( 6.28 x F ). A coil may have 100H at a high field strength of say 1 Tesla, which could be the case with an OPT with say 500Vrms across it at say 50Hz. But at 0.01Vrms across the same coil, the L may measure only 1H, or some very low value. If the applied signal to the coil is a current source then the wave form will show severe 3H distortion as the voltage is increased because the reactance of the coil rises dynamically with voltage rise during each wave, and shows that the inductance changes as the voltage or current changes which simply means that the iron presence gives the coil a non linear character. There is a lot about ironj caused distortion in RDH4 and how to calculate it. To avoid it requires that we keep the source impedance low so the use of pentodes driving OPTs isn't good practice without a shirtload of NFB. Readers wanting to build better amplifiers should ignore the drivel posted by Ian Iveson. Regardless of the BH curves, its important to understand the simple manifestation of the non-linearities of the iron wound componentsand 1/2 an hour with a variety of resistors, voltmeter, old tranny and a signal gene will reveal what is important about iron wound items. The use of GOSS core materials greatly reduces the THD generated by audio transformers so that it becomes smaller than that generated by the tubes or other active components driving the tranny, and thus it becomes negligible. But with an IST, its not unusual for 0.1% thd to exist across all F at normal listening levels, and its very like crossover distortion in underbiased class Ab circuits, ie, the 3H makes the original wave form more pointy on the wave crests rather than tend to flatten the wave crests which occurs when the 3H waves are 180 degrees different. But why should I explain it all? I suggest those who dunno what happens with iron should go away and observe what happens in practical experiments. One may need a low distortion oscillator and distortion tester to see the small quantities of distortion generated. Patrick Turner. |
#13
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Naughty Patrick blethered:
Readers wanting to build better amplifiers should ignore the drivel posted by Ian Iveson. Oi! And why didn't you ignore it, anyway? The trouble with being so bitter and twisted is that you are inclined to miss the point. In this case you have missed it by process of averaging. At what *point*, with respect to a sine input voltage, is the inductance least? Where, exactly, is the BH curve flattest? What is the effect of a little DC bias on the primary of a PP OPT, on the distortion of a smallish signal? RDH4 has already been written and can be acquired easily. I see no point in repeating it. Ian |
#14
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - thegreat balanced rest bias circuit!
Ian Iveson wrote: Naughty Patrick blethered: Readers wanting to build better amplifiers should ignore the drivel posted by Ian Iveson. Oi! And why didn't you ignore it, anyway? The trouble with being so bitter and twisted is that you are inclined to miss the point. In this case you have missed it by process of averaging. At what *point*, with respect to a sine input voltage, is the inductance least? Where, exactly, is the BH curve flattest? What is the effect of a little DC bias on the primary of a PP OPT, on the distortion of a smallish signal? RDH4 has already been written and can be acquired easily. I see no point in repeating it. Ian I will not answer your questions on this subject because you prefer that I ignore you, so you can get way with drivel without being challenged, and I am sure you have the means to discover for yourself what the answers are. And unless you do some really careful technical testing, nobody could take much meaning from any results you obtain. Patrick Turner. |
#15
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
On Sun, 03 Dec 2006 09:29:30 GMT, Patrick Turner
wrote: In my tests of ac behaviour of chokes and iron wound windings, one finds that the measured L reduces as the applied voltage is reduced. lots of other good stuff about large-signal behavior of iron-cored inductors snipped for bandwidth There's a separate issue for iron-cored inductors not oft' enough discussed (although well-understood and referenced in the earliest Frank McIntosh papers, before I was born, for instance). The issue is one of a flat spot in the B/H curve across zero-crossing. It's analogous to what's called "backlash" in gear trains; the driving gear, if idled, must first take up all the gear slack in the drive train before power can be transmitted. Note that this is an issue separate from and unrelated to hysteresis, which is a dynamic problem occuring at all signal levels. Hysteresis is more analogous to the overshoot of a mass/compliance pair. Threshold effects aren't necessarily fatal (good transformers exist for microphone-level signals, ferinstance), but, in general, issues of monotonicity are the most overlooked ones "in these days of modern times". (.0001% distortion implies perfection; pay no attention to that man behind the curtain). Monotonicity issues are well understood in the world of analog-to-digital conversion (and D/A) but are (lately) mostly ignored in the purely analog world. I believe this to be a preventable misperception. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#16
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Hi RATs!
I lost the thread when the A7 in play did not respond to my attempts at garter implementation ... I only have so much juice ... so, I took it out of the system and plugged in a long silent SE amp. I cannot swing my perceptual leg over the monotonicity horse. I grew up in Minneapolis. Talk about Monotony City ... they just built a new live performance theatre, call it the Guthrie, just like the old theatre. Maybe they will call the next one the Gu3 ... Don't get excited, that is a BIG maybe So, one A7 is now using seperate R/C for each output tube's cathode bias. The other A7 is pouting, silently. Just because I can not see the need for triple grounding, doesn't mean it is not there ... There is a nearby billboard ad with Santa blowing across an open bottle of Coca-Cola and snow appearing on the far side. Snow is charming, in ads ... Phoenix gets hot, but, I never have to shovel it 8^D Happy Ears! Al |
#17
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Chris wrote:
The issue is one of a flat spot in the B/H curve across zero-crossing. It's analogous to what's called "backlash" in gear trains; the driving gear, if idled, must first take up all the gear slack in the drive train before power can be transmitted. Note that this is an issue separate from and unrelated to hysteresis, which is a dynamic problem occuring at all signal levels. Hysteresis is more analogous to the overshoot of a mass/compliance pair. Of course it is related to hysteresis. When you say "flat spot at zero crossing", what do you mean is zero, and what is flat? Some clarity might help. A common misconception seems to be that there is a flat spot on the BH curve where it crosses the H axis; i.e. that dB/dH is at a minimum when the BH curve where H is zero. This would be true were it not for hysteresis. "Flat spot at zero crossing" and "hysteresis" may not be *necessarily* related conceptually, but they are in fact entangled, both by cause and in effect. And a flat spot in a gearbox, rather like a thermostat with a gap between switch-on and switch-off, gives rise to a phenomenon which is commonly called hysteresis. Anyway, I introduced hysteresis because it seems to me that the two effects combine to complicate the outcome. I avoided the slack gearbox analogy because it can't stand much analysis. Otherwise I might have suggested you consider steering gear. The flat spot is always around the current position of the steering wheel. Bias doesn't help. Ah, but the teeth are worn in proportion to their proximity to the straight-ahead steering position, so there isn't as much slack on a corner... cheers, Ian |
#18
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Ian Iveson wrote: Chris wrote: The issue is one of a flat spot in the B/H curve across zero-crossing. It's analogous to what's called "backlash" in gear trains; the driving gear, if idled, must first take up all the gear slack in the drive train before power can be transmitted. Note that this is an issue separate from and unrelated to hysteresis, which is a dynamic problem occuring at all signal levels. Hysteresis is more analogous to the overshoot of a mass/compliance pair. Of course it is related to hysteresis. When you say "flat spot at zero crossing", what do you mean is zero, and what is flat? Some clarity might help. A common misconception seems to be that there is a flat spot on the BH curve where it crosses the H axis; i.e. that dB/dH is at a minimum when the BH curve where H is zero. This would be true were it not for hysteresis. "Flat spot at zero crossing" and "hysteresis" may not be *necessarily* related conceptually, but they are in fact entangled, both by cause and in effect. And a flat spot in a gearbox, rather like a thermostat with a gap between switch-on and switch-off, gives rise to a phenomenon which is commonly called hysteresis. Anyway, I introduced hysteresis because it seems to me that the two effects combine to complicate the outcome. I avoided the slack gearbox analogy because it can't stand much analysis. Otherwise I might have suggested you consider steering gear. The flat spot is always around the current position of the steering wheel. Bias doesn't help. Ah, but the teeth are worn in proportion to their proximity to the straight-ahead steering position, so there isn't as much slack on a corner... cheers, Ian Hi RATs! So, I have all the parts I need to implement and listen to the Blumlein garters, but, feast and famine, my bod is not in the mood to sit up. I have gotten used to not being able to go to work. (I never loved it as much as I pretended) But, it still frustrates me when I am unable to do anything useful. Complaining on Newsgroups is popular, but, I don't really love it, neither Trying to describe perceived phenomenon in a manner which makes knowledge applicable to real circuits is a Noble Goal. I admit I reread the basic literature many times before I got anywhere near being able to build a circuit which performed. Well, occasionally. Actually, building circuits from scratch is pretty successful ... modifying old stuff occasionally leaves me wishing I had just gutted it and started over. Then I gut it and start over and all is well. Now I am less energetic, but, since I believe I can do it, I will, but, time is just not tightly coupled to enthusiasm these days. The sequencial analysis of the balancing action of the circuit is simply incorrect. Both cathodes are actively adjusting at all times. Whenever an imbalance appears, if ever , each cathode adjusts the other's bias voltage. As one sends a boost, the other sends a reduction. It ain't a runaway feedback loop. I don't know how it will sound, but I do know how to accept two things happening at the same time ... I must admit I am biased in favor of the idea that a shared cathode resistor/capacitor was not selected on the wonderful performance of anything but COGS. We dream and smile and listen to Music. Somebody is busy trying to suck up the ladder by saving the company money ... the true nature of the human conflict, people who want to do the best job and people who want to get ahead. Not the same trip. Of course, both ends of that spectrum want their audio system to humble all others I am overjoyed that my system humbles me Happy Ears! Al |
#19
Posted to rec.audio.tubes
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
On Tue, 05 Dec 2006 05:33:26 GMT, "Ian Iveson"
wrote: Note that this is an issue separate from and unrelated to hysteresis, which is a dynamic problem occuring at all signal levels. Hysteresis is more analogous to the overshoot of a mass/compliance pair. Of course it is related to hysteresis. much good analysis snipped 'cause you've alreardy read it Hysteresis is dynamic; it occurs at all times and at all points on the B/H curve. In addition, there is a non-linearity in magnetization vs. field strength unique to the near-zero-crossing area. The defining practical difference between the (what word would you agree to use for this phenomenon?) and hysteresis is that hysteresis operates everywhere, and the (name to be decided by popular referendum) is only significant around zero crossing. The n.t.b.d.b.p.r effect can be moved away from the small signal area by biasing the magnetization up onto the straight line part. Hysteresis is everywhere, including the small signal area. The difference could also be thought of as the difference between a static and a dynamic effect, but I'm afraid that this also won't pass muster by a determined critic of over-simplified analogies. Arf! Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#20
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Chris wrote below
You think I'm being pernickety, I can tell. But we haven't quite grasped what I'm saying. Perhaps because it's so simple. What is zero at your zero crossing, please? Thanks, Ian "Chris Hornbeck" wrote in message ... On Tue, 05 Dec 2006 05:33:26 GMT, "Ian Iveson" wrote: Note that this is an issue separate from and unrelated to hysteresis, which is a dynamic problem occuring at all signal levels. Hysteresis is more analogous to the overshoot of a mass/compliance pair. Of course it is related to hysteresis. much good analysis snipped 'cause you've alreardy read it Hysteresis is dynamic; it occurs at all times and at all points on the B/H curve. In addition, there is a non-linearity in magnetization vs. field strength unique to the near-zero-crossing area. The defining practical difference between the (what word would you agree to use for this phenomenon?) and hysteresis is that hysteresis operates everywhere, and the (name to be decided by popular referendum) is only significant around zero crossing. The n.t.b.d.b.p.r effect can be moved away from the small signal area by biasing the magnetization up onto the straight line part. Hysteresis is everywhere, including the small signal area. The difference could also be thought of as the difference between a static and a dynamic effect, but I'm afraid that this also won't pass muster by a determined critic of over-simplified analogies. Arf! Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#21
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
On Thu, 07 Dec 2006 03:25:43 GMT, "Ian Iveson"
wrote: You think I'm being pernickety, I can tell. On the contrary; I think you're making an important point. I was just riffing on some old discussion, the details of which are now forgotten. Wasn't all that funny anywho; sorry. But we haven't quite grasped what I'm saying. Perhaps because it's so simple. What is zero at your zero crossing, please? Zero magnetization vs. zero field strength. Sorry I didn't respond to this earlier. In America, "zero crossing" is a common usage with an accepted meaning. We're "separated by a common language". The n.t.b.d.b.p.r effect can be moved away from the small signal area by biasing the magnetization up onto the straight line part. Hysteresis is everywhere, including the small signal area. The above was particularly poorly expressed, even for me. If you'll allow me to try again: The flat spot in the magnetization curve around zero- crossing is mapped into the small-signal region in transformers (or any other iron-cored inductors) where no "bias" or standing magnetization exists without signal. In designs where "bias" or standing magnetization exists at zero signal, the small-signal region is moved "up" the curve, away from the non-linearities of the zero-crossing region. Iron-cored inductors exact quite a price for this luxury, in cost, weight, inductance, yada-yada, but the price buys monotonicity. Hysteresis differs from the above effect in two ways. First, it cannot be "moved" somwhere else by bias. It exists at all points on the curve. And second, it is "dynamic" in the sense that it's a memory effect. Hysteresis is an inability to retrace the original curve when applying the exact same stimulus a short time later. The flat spot on the magnetization curve occurs "statically", independent of history and exactly repeating the same curve coming from either direction. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." |
#22
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Chris Hornbeck wrote: On Thu, 07 Dec 2006 03:25:43 GMT, "Ian Iveson" wrote: You think I'm being pernickety, I can tell. On the contrary; I think you're making an important point. I was just riffing on some old discussion, the details of which are now forgotten. Wasn't all that funny anywho; sorry. But we haven't quite grasped what I'm saying. Perhaps because it's so simple. What is zero at your zero crossing, please? Zero magnetization vs. zero field strength. Sorry I didn't respond to this earlier. In America, "zero crossing" is a common usage with an accepted meaning. We're "separated by a common language". The n.t.b.d.b.p.r effect can be moved away from the small signal area by biasing the magnetization up onto the straight line part. Hysteresis is everywhere, including the small signal area. The above was particularly poorly expressed, even for me. If you'll allow me to try again: The flat spot in the magnetization curve around zero- crossing is mapped into the small-signal region in transformers (or any other iron-cored inductors) where no "bias" or standing magnetization exists without signal. In designs where "bias" or standing magnetization exists at zero signal, the small-signal region is moved "up" the curve, away from the non-linearities of the zero-crossing region. Iron-cored inductors exact quite a price for this luxury, in cost, weight, inductance, yada-yada, but the price buys monotonicity. Hysteresis differs from the above effect in two ways. First, it cannot be "moved" somwhere else by bias. It exists at all points on the curve. And second, it is "dynamic" in the sense that it's a memory effect. Hysteresis is an inability to retrace the original curve when applying the exact same stimulus a short time later. The flat spot on the magnetization curve occurs "statically", independent of history and exactly repeating the same curve coming from either direction. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." Hi RATs! OK, I am now listening to two amps: one P-P pentode in UL (not yet with "garters") NFB OT to driver cathode. one triode in SE This string quartet is very good, but, I cannot hear any hysterisis nor zero-crossing flat spots, so I ask: On what recording do you detect these phenomena while listening? How may these two technolgies produce one exquisite voice? Sex??? Happy Ears! Al "Almost kaput, still not hip!" |
#23
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Al wrote:
On what recording do you detect these phenomena while listening? How may these two technolgies produce one exquisite voice? Sex??? Ballet. I think they dance together. Zero crossing is the one in the tutu; hysteresis wears the tight pants. Music is all about dance but it's a silent chorus. It seems to be established that crossover distortion is less offensive if moved away from the point of zero signal voltage. Applied to transformer output stages, some argue that sound reproduction can be improved if the transformer is biased. If your garters succeed in ensuring balanced current, then your transformer will have zero magnetic bias too, goes the argument, so the perfect cancellation of distortion from the valves is disrupted by the spectre of magnetic crossover effects exactly where you least want them. I may have put the argument badly because I don't quite follow it. Seems to me it leaves out remanence. cheers, Ian |
#24
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Iron caused distortions was Alan Dower Blumlien's garters - the great balanced rest bias circuit!
Chris Hornbeck wrote: [below]
Zero crossing is fine here, but I think everywhere it is important to define the axes and say which is being crossed. I've been thinking, and looking for pictures, again. The beginning of the story is simple enough. A lowish frequency, smallish amplitude voltage signal appears at the primary of a transformer that happens to have initially zero magnetisation. The BH curve is shallow so inductance is low, and consequently the reflected secondary load is significantly shunted by the primary inductance. As current increases through the inductance, then H increases, moving away from the flat spot, so inductance rises and the shunt becomes less significant. So far we have distortion of the first quadrant of the signal. From the point at which primary current, and hence H, begins to reverse, the BH curve becomes a hysteresis loop. This shifts the flat spot from the point of zero current, to the points of positive and negative current maxima. The curve is now steepest, and hence inductance greatest, where B crosses the H axis. What I have had difficulty with is visualising how this 90 degree shift of the flat spot coincides with the phase shift between voltage and current. Assuming the flat spot remains at the point of zero primary voltage, then so far I agree with you. However, the flat spot is not at zero magnetisation, but at its maxima. Not so flat there. So it seems the flat spot is a first-cycle problem...perhaps it could be described as transient distortion, considering that it coincides with the transient response. The pictures I really want would show a family of BH loops derived from the first couple of cycles of an applied sine voltage, of various amplitudes, with and without bias. A plot of inductance v applied *AC* voltage would be handy too. So don't think I agree with you, for the moment, that there is always a flat spot at zero magnetisation. Most links I can find that show the loop omit the flat spot from the initial curve, and vice-versa. This is one that shows both: http://pioneer.netserv.chula.ac.th/~.../Magnetics.pdf If I could find a way of building a subcircuit in spice that stores energy, and loses some of it, without introducing an unwanted delay, I would make my own pictures. cheers, Ian On Thu, 07 Dec 2006 03:25:43 GMT, "Ian Iveson" wrote: You think I'm being pernickety, I can tell. On the contrary; I think you're making an important point. I was just riffing on some old discussion, the details of which are now forgotten. Wasn't all that funny anywho; sorry. But we haven't quite grasped what I'm saying. Perhaps because it's so simple. What is zero at your zero crossing, please? Zero magnetization vs. zero field strength. Sorry I didn't respond to this earlier. In America, "zero crossing" is a common usage with an accepted meaning. We're "separated by a common language". The n.t.b.d.b.p.r effect can be moved away from the small signal area by biasing the magnetization up onto the straight line part. Hysteresis is everywhere, including the small signal area. The above was particularly poorly expressed, even for me. If you'll allow me to try again: The flat spot in the magnetization curve around zero- crossing is mapped into the small-signal region in transformers (or any other iron-cored inductors) where no "bias" or standing magnetization exists without signal. In designs where "bias" or standing magnetization exists at zero signal, the small-signal region is moved "up" the curve, away from the non-linearities of the zero-crossing region. Iron-cored inductors exact quite a price for this luxury, in cost, weight, inductance, yada-yada, but the price buys monotonicity. Hysteresis differs from the above effect in two ways. First, it cannot be "moved" somwhere else by bias. It exists at all points on the curve. And second, it is "dynamic" in the sense that it's a memory effect. Hysteresis is an inability to retrace the original curve when applying the exact same stimulus a short time later. The flat spot on the magnetization curve occurs "statically", independent of history and exactly repeating the same curve coming from either direction. Much thanks, as always, Chris Hornbeck "Too soon oldt; too late schmardt." Hi RATs! OK, I am now listening to two amps: one P-P pentode in UL (not yet with "garters") NFB OT to driver cathode. one triode in SE This string quartet is very good, but, I cannot hear any hysterisis nor zero-crossing flat spots, so I ask: On what recording do you detect these phenomena while listening? How may these two technolgies produce one exquisite voice? Sex??? Happy Ears! Al "Almost kaput, still not hip!" |
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