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#1
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
Hey all...
So after years of recording my band's gigs by bussing my ole Mackie 1604's subs down to a cassette 4-track, I'm taking a jump... I just came came into a Mackie 1640i, which I'll FW out to my Dell laptop (yes, a Dell-- Intel i3 with 4G RAM, Win7 64, 7200 500G HD) running Audition3, and record the channels to an eSATA outboard drive (which I haven't bought yet)... I'm thinking 12 tracks should be enough. But, now I'm starting to wonder-- Is this even feasible? Can a single HD really write 12-16 tracks of 32/44.1 audio all the same time? I've looked at the eSATA transfer rate and it's up to spec, as well as the spindle speed of the drive... but jeez, it seems pretty much *way* too easy! For a test, I ran a friend's Tascam US-1641 through my lappy's USB2 port, recorded 40 minutes of ten simul inputs into AA3, al on the C drive... no skips... I've got nothing installed on the lappy except AA3 (no other apps, Wifi, antivirus, MS firewall-- nothing). It's totally barebones. My only concern/curiosity is about the external HD being able to write that amount of info... even at 7200. It just seems... unreal. Somebody pass me a beer and tell me to stop worrying... unless I should Thanks... Mark. |
#2
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
"blacksuede58" wrote in message
Hey all... So after years of recording my band's gigs by bussing my ole Mackie 1604's subs down to a cassette 4-track, I'm taking a jump... I just came came into a Mackie 1640i, which I'll FW out to my Dell laptop (yes, a Dell-- Intel i3 with 4G RAM, Win7 64, 7200 500G HD) running Audition3, and record the channels to an eSATA outboard drive (which I haven't bought yet)... I'm thinking 12 tracks should be enough. But, now I'm starting to wonder-- Is this even feasible? Can a single HD really write 12-16 tracks of 32/44.1 audio all the same time? I've looked at the eSATA transfer rate and it's up to spec, as well as the spindle speed of the drive... but jeez, it seems pretty much *way* too easy! For those of us who have been recording 16-32 tracks since the days of Pentium IIs and IIIs and 320 megabyte (note: megabyte, not gigabyte!!!) 5400 rpm PATA drives, your question very easy to answer. Recording more tracks than you can imagine a practical use for on modern hardware is indeed, "...pretty much *way* too easy!" People are doing it on Netbooks. Slam dunk! |
#3
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
On 11/22/2010 9:47 PM, blacksuede58 wrote:
.. I just came came into a Mackie 1640i, which I'll FW out to my Dell laptop (yes, a Dell-- Intel i3 with 4G RAM, Win7 64, 7200 500G HD) running Audition3, and record the channels to an eSATA outboard drive (which I haven't bought yet)... I'm thinking 12 tracks should be enough. But, now I'm starting to wonder-- Is this even feasible? Can a single HD really write 12-16 tracks of 32/44.1 audio all the same time? No sweat. You can likely do twice that many if you had the inputs, or go up to 96 kHz sample rate if you want, though I wouldn't recommend it for starters, other than just to play around and see if it works, and if you can hear a difference. I'll warn you, though, that audio through Firewire is a bit of a rocky road. You have a couple of things going against you here and nobody can tell you in advance whether it will work well right off the bat or not, or just what you'll need to do to fix it. You're running 64-bit Windows 7. This is the most unexplored territory, and if you go to the Mackie Forums http://forums.mackie.com/ you'll see that there are a number of people having trouble. Of course it's only the ones with problems who come to the forum. There are lots for whom everything works fine and you rarely hear from them. You're using a laptop, which means that you're likely to be using a built-in Firewire port. All Firewire audio devices, not just Mackie's, are kind of fussy about the Firewire chipset that they're talking to. It's a thing about standards not being standard enough so that everybody can write a driver that will talk to anything well. You may need to add an external (ExpressCard) Firewire adapter. Although it will add to your cost, this is a good thing in that it allows you to try one, and if the mixer isn't happy with its chipset, swap it for another, and keep trying until you find one that works. You can't do that with the internal Firewire port. There are all sorts of things in a factory Windows installation that make looking at YouTube videos and using social web sites easy but stand in the way of glitch-free audio recording and playback. You may need to turn off some programs, services, and hardware devices that are running by default. Laptops can be a particular problem here since they have some sort of power management that's constantly looking at the battery to see if it needs charging (some do this even when you're running on AC power) and of course they all have wireless networking built in, which is always looking for a WiFi signal. Look up "DPC Latency Checker" and run that to look for problems. For a test, I ran a friend's Tascam US-1641 through my lappy's USB2 port, recorded 40 minutes of ten simul inputs into AA3, al on the C drive... no skips... With a 500 GB 7200 RPM internal disk drive, I'd record directly to that and use your external drive to store backups of your work (and for sure, do that). It will be perfectly adequate as you've already proven, and it eliminates one more outboard device and connection. -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson http://mikeriversaudio.wordpress.com - useful and interesting audio stuff |
#4
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
blacksuede58 wrote:
For a test, I ran a friend's Tascam US-1641 through my lappy's USB2 port, recorded 40 minutes of ten simul inputs into AA3, al on the C drive... no skips... I've got nothing installed on the lappy except AA3 (no other apps, Wifi, antivirus, MS firewall-- nothing). It's totally barebones. My only concern/curiosity is about the external HD being able to write that amount of info... even at 7200. It just seems... unreal. Somebody pass me a beer and tell me to stop worrying... unless I should Thanks... The good news is... the world has changed, and this kind of thing has become much, much easier than it used to be. The bad news is... the reliability of these things is pretty lousy. For recording live performances that isn't always bad... you record every concert on your tour and if you miss one or two songs here and there you still have plenty of material. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#5
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
"Scott Dorsey" wrote in message
blacksuede58 wrote: For a test, I ran a friend's Tascam US-1641 through my lappy's USB2 port, recorded 40 minutes of ten simul inputs into AA3, al on the C drive... no skips... I've got nothing installed on the lappy except AA3 (no other apps, Wifi, antivirus, MS firewall-- nothing). It's totally barebones. My only concern/curiosity is about the external HD being able to write that amount of info... even at 7200. It just seems... unreal. Somebody pass me a beer and tell me to stop worrying... unless I should Thanks... The good news is... the world has changed, and this kind of thing has become much, much easier than it used to be. The bad news is... the reliability of these things is pretty lousy. For recording live performances that isn't always bad... you record every concert on your tour and if you miss one or two songs here and there you still have plenty of material. --scott Let's tell the whole truth. IME the least reliable part of my live recording setup is the nut turning the knobs and pushing the buttons - me! My primary recorder for these gigs is a CD recorder, and the secondary is a Microtrack. The CD recorder rarely fails due to bad media, but it does happen. The Microtrack has been perfectly reliable. The tertiary backup is a PC with a USB audio interface and its at least as reliable as the rest. I still occasionally lose a group's performance, and the reason why is always me. |
#6
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
Hi Mike-- thanx for the abundance of info (thanx to everyone else,
too)... you've put my mind at ease... Yeah I'd done the initial test- run of 10 tracks with the Tascam thing, but that wasn't recording the band (actually, I just pointed 5 mikes per side at my desktop monitors and recorded them blasting out Deep Purple "Made in Japan"... heh) But when the Mackie 1640i opportunity came into the picture, with the (utterly kewl) ability to stream 16 individual digital audio signals to AA3, suddenly I started thinking "Uh, I'd better hold up and ask some serious questions about what I'm expecting this laptop to do". And hey, I feel lots better about the endeavor now (and a bit behind the times too, ha). ***One other question, tho-- regarding this:*** With a 500 GB 7200 RPM internal disk drive, I'd record directly to that and use your external drive to store backups of your work (and for sure, do that). It will be perfectly adequate as you've already proven, and it eliminates one more outboard device and connection. Pretty much everything I've read online holds up a conventional wisdom that it's a bad idea to write multi-stream audio to the same drive as the OS. I partitioned my 500G C: drive for a 350G E:, but then I read a reply to someone who'd done the same thing; the reply was basically, "won't make much difference-- you're still asking the same physical drive to read OS and write audio". So that's why I was going for the outboard drive... even though I'f already done the 10-track test to C:, I was worried about that extra load of writing 16. No sweat. You can likely do twice that many if you had the inputs, or go up to 96 kHz sample rate if you want, though I wouldn't recommend it for starters, other than just to play around and see if it works, and if you can hear a difference. This was when I started to feel good. I'm still drinking a beer... but with a different purpose. I'll warn you, though, that audio through Firewire is a bit of a rocky road. You have a couple of things going against you here and nobody can tell you in advance whether it will work well right off the bat or not, or just what you'll need to do to fix it. Now here's where I reveal something tangential to the discussion, but may make you roll your eyes and say "Oh OK-- this guy's not REALLY serious, is he?" Well, not seeking your advice; just some anecdotal background to my effort here. I came into the Mackie 1640i on eBay at basically half-price, because the seller was upfront about a potential issue with it: He'd previously sold it to some church youth group, who brought it back to him some time later with the simple claim that "the Firewire doesn't work". But instead of troubleshooting it to find the problem himself, or shipping it back to Mackie for repair, he just put it on eBay "as- is", at a fraction of the street. So yeah, I'm taking a bit of a flyer here... but because Firewire *can* be such a tricky protocol to get going, I'm thinking (crossing fingers) that the church youth group just didn't have the right drivers, or couldn't/didn't configure their DAW the right way... something basic like that, but beyond the grasp of somebody who just expected to plug it in and have it work right away. In short, not an issue with the board itself. That's the hope I'm going with... Both my lappy (Win7) and desktop (XPHome SP3) have Firewire ports, so I'm fairly confident I'll be able to get it sussed out. You're using a laptop, which means that you're likely to be using a built-in Firewire port. All Firewire audio devices, not just Mackie's, are kind of fussy about the Firewire chipset that they're talking to. ... You may need to add an external (ExpressCard) Firewire adapter. Something else the church group might have had problems with, without realizing it... and yeah, something I might run into as well. (I know that Mackie Firewire likes to see a TI chipset.) You may need to turn off some programs, services, and hardware devices that are running by default. Laptops can be a particular problem here since they have some sort of power management that's constantly looking at the battery to see if it needs charging (some do this even when you're running on AC power) and of course they all have wireless networking built in, which is always looking for a WiFi signal. Yeah-- I've got my lappy stripped, no apps, power managment reset (always plugged in), no net, no AV, no firewall... nothing. I even remembered to kill the screen saver Look up "DPC Latency Checker" and run that to look for problems. I've seen screenshots of that, looks helpful. I'll be going out Saturday to record our gig with the Tascam 1641 to the lappy, to start... 10 tracks max (it only has 8 XLRs, so I'll have to use a little Behr mixer to externally buss 4 vox down to a line input)... but anyway, I feel a lot better about this digital multitrack adventure I'm embarking on... Again Mike (and to all)... thanks! Mark. |
#7
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
On 11/23/2010 7:18 PM, blacksuede58 wrote:
I'd done the initial test- run of 10 tracks with the Tascam thing, but that wasn't recording the band (actually, I just pointed 5 mikes per side at my desktop monitors and recorded them blasting out Deep Purple "Made in Japan"... heh) It doesn't matter that you weren't recording the band. Well, maybe it does. Nothing ever fails when you don't need it, it only fails when you do. And if a band member is leaving the country the next day and won't be back in the studio for 2 years, that's a guarantee that something will go wrong (with his track only, of course). Pretty much everything I've read online holds up a conventional wisdom that it's a bad idea to write multi-stream audio to the same drive as the OS. That's because everything you've read on line is 10 or 15 years old (or is recently written by someone who read what was done 10 years ago). That used to be the case, but with a modern computer with 4 GB of memory, there's no need to keep the disk drive busy swapping things between disk and memory. I partitioned my 500G C: drive for a 350G E:, but then I read a reply to someone who'd done the same thing; the reply was basically, "won't make much difference-- you're still asking the same physical drive to read OS and write audio". But the thing is that you no longer are continually reading parts of the OS because it's all in memory. The advantage of reserving a partition for audio (or other applications) is that you can clean it up easily, reformatting that partition when it gets too messy. And you can re-format and re-install the operating system in its own partition without affecting your audio or other application data. So you haven't done a useless thing. On my 10 year old laptop with 512 MB RAM I use an external (USB) drive for the rare occasions when I record with it because it actually works better, but that's not your setup. So that's why I was going for the outboard drive... even though I'f already done the 10-track test to C:, I was worried about that extra load of writing 16. My experience is that the weakest link in a PC based system, assuming there are no problems with the operating system or drivers (and that's a pretty big assumption, but one that can be dealt with) is cables and connectors, and power supply and distribution comes next. The external drive is simply not as reliable as the internal one because it's external. And since you're looking at an e-SATA drive, it'll be sharing the controller with the internal drive anyway. A Firewire drive might have to share the Firewire bus with the mixer's audio I/O, which isn't a good idea. I came into the Mackie 1640i on eBay at basically half-price, because the seller was upfront about a potential issue with it: He'd previously sold it to some church youth group, who brought it back to him some time later with the simple claim that "the Firewire doesn't work". But instead of troubleshooting it to find the problem himself, or shipping it back to Mackie for repair, he just put it on eBay "as- is", at a fraction of the street. Some people are up to (or into) attacking problems like this, and others aren't. His loss is your gain. If nothing else, it's still an excellent mixer even if you have to go around its internal Firewire interface and use something else. There ARE combinations that work, but because no two PCs are alike (and you really can't make two alike unless you build them yourself from the same components at the same time) what works for one system may not work well for another. So yeah, I'm taking a bit of a flyer here... but because Firewire *can* be such a tricky protocol to get going, I'm thinking (crossing fingers) that the church youth group just didn't have the right drivers, or couldn't/didn't configure their DAW the right way... something basic like that There's only one driver, and that's what Mackie offers (unless you're on a Mac, in which case it's what Apple offers), and apparently there are some problems with the Mackie i series and some versions of Core Audio. But some people have it working, so you can, too, if you're patient. At least you have two computers, and one with XP, so you can probably at least be sure that there's nothing wrong with the mixer. ... and yeah, something I might run into as well. (I know that Mackie Firewire likes to see a TI chipset.) That's another problem. The "TI chipiset" is more Net wisdom. It used to be good wisdom, but that was 5 years or more ago. But there's more than one TI chipset, and the manufacturers of Firewire host cards and motherboard ports keep changing to get the latest version (or the cheapest part). A couple of years back I was recommending a SIIG ExpressCard adapter and people had pretty good success with it, but lately someone said he got one (same SIIG model number) and he couldn't get it to work, but got some other brand (chipset unknown) and that worked fine. Also, it's not as easy as it used to be to find out what chip a card is using. The don't usually advertise it - because if they change parts, they'd have to revise the ad material. The people who make these Firewire host adapters don't know or care about audio. They make it work with disk drives and video cameras. Good luck on your recording session. It'll probably work just fine. Then you'll switch over to the Mackie and Firewire I/O. Keep your fingers crossed. -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson http://mikeriversaudio.wordpress.com - useful and interesting audio stuff |
#8
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
On Nov 23, 8:00*am, "Arny Krueger" wrote:
For those of us who have been recording 16-32 tracks since the days of Pentium IIs and IIIs and 320 megabyte (note: megabyte, not gigabyte!!!) 5400 rpm PATA drives Heh... in all respect Arny, I believe you're having a bit of fun with a n00b here. I remember recording *one track at a time* into CEP 1.0 on a P4 733, circa 1999. Rec/Play was no problem, single wavs in the Edit screen... but trying to play the full 8-track layout in the Multi screen made the box choke like Mama Cass. I can't imagine what streaming 16 live 44.1's would've done to it. Obviously, YMMV... enviously. Mark. |
#9
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
Hey Mike--
Thanks, my assurance is now complete. My take-away from all this is that I can now save the $150 I'd have spent on an external HD. It now can be saved for better things, like... oh... the probable ExpressCard issue. Or better mics. Or (best-case scenario), beer. Yay. ... And if a band member is leaving the country the next day and won't be back in the studio for 2 years, that's a guarantee that something will go wrong (with his track only, of course). I know where everybody lives, and what their travel itineraries are Nobody's living the state, much less the country. We're just a bunch of white guys in our 40s-50s blasting our garage-vibe angst out onto unsuspecting post-punk bar audiences in the strictly local area. After the gig we all go home to our wives and kids and minivans (well except me-- the only one unwed and unbred. NICE). Mostly, this recording thing is just to get my decades-long recording-geek fix on. And to laugh at our inevitable ****ups (which I could certainly fix in mixdown... but usually won't, ha). Other than that-- thanks for updating me on the "same-drive-as-OS" thing, and all your other points... I feel a lot better about all this. It's a sensation I will savor up until the point when, 4 minutes before our gig, my laptop suddenly refuses to recognize the audio interface-- or something. I'll burn that bridge when I get to it. cheers, Mark |
#10
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
Mike Rivers wrote:
On 11/23/2010 7:18 PM, blacksuede58 wrote: I'd done the initial test- run of 10 tracks with the Tascam thing, but that wasn't recording the band (actually, I just pointed 5 mikes per side at my desktop monitors and recorded them blasting out Deep Purple "Made in Japan"... heh) It doesn't matter that you weren't recording the band. Well, maybe it does. Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! |
#11
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
On Nov 23, 11:09*pm, "Bill Graham" wrote:
Mike Rivers wrote: It doesn't matter that you weren't recording the band. Well, maybe it does. Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! Well, clearly I would blame your local neighborhood teen hoodlums who, after booting your car in the middle of the night, joy-riding it around for a while, and ditifully bringing it back to your driveway, have then yanked your distributor cap off or something just for x-tra yuks. Yeah, that's frikkin aggravating first thing in the morning. Mark |
#12
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
blacksuede58 wrote:
On Nov 23, 11:09 pm, "Bill Graham" wrote: Mike Rivers wrote: It doesn't matter that you weren't recording the band. Well, maybe it does. Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! Well, clearly I would blame your local neighborhood teen hoodlums who, after booting your car in the middle of the night, joy-riding it around for a while, and ditifully bringing it back to your driveway, have then yanked your distributor cap off or something just for x-tra yuks. Yeah, that's frikkin aggravating first thing in the morning. Mark Yes.....Another strange thing I've noticed, is that my rollerball pen always runs out of ink just when I'm trying to write something. It never runs out when its just being passively carried around in my breast pocket. I think that is very strange. I only want to write something about 1% of the time.....You'd think it would run dry sometime during the other 99% of the time..... |
#13
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
On Tue, 23 Nov 2010 22:40:16 -0800, "Bill Graham"
wrote: blacksuede58 wrote: On Nov 23, 11:09 pm, "Bill Graham" wrote: Mike Rivers wrote: It doesn't matter that you weren't recording the band. Well, maybe it does. Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! Well, clearly I would blame your local neighborhood teen hoodlums who, after booting your car in the middle of the night, joy-riding it around for a while, and ditifully bringing it back to your driveway, have then yanked your distributor cap off or something just for x-tra yuks. Yeah, that's frikkin aggravating first thing in the morning. Mark Yes.....Another strange thing I've noticed, is that my rollerball pen always runs out of ink just when I'm trying to write something. It never runs out when its just being passively carried around in my breast pocket. I think that is very strange. I only want to write something about 1% of the time.....You'd think it would run dry sometime during the other 99% of the time..... A bit like the phone. Wrong numbers are never engaged. d |
#14
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
blacksuede58 wrote:
On Nov 23, 8:00 am, "Arny Krueger" wrote: For those of us who have been recording 16-32 tracks since the days of Pentium IIs and IIIs and 320 megabyte (note: megabyte, not gigabyte!!!) 5400 rpm PATA drives Heh... in all respect Arny, I believe you're having a bit of fun with a n00b here. I remember recording *one track at a time* into CEP 1.0 on a P4 733, circa 1999. Rec/Play was no problem, single wavs in the Edit screen... but trying to play the full 8-track layout in the Multi screen made the box choke like Mama Cass. I can't imagine what streaming 16 live 44.1's would've done to it. Obviously, YMMV... enviously. I'm partially with Arnie here. Record up to 8 tracks on a Celeron 700 with 128Meg of RAM under Windows 95, with a monitor mix coming out in stereo without glitching. Cool Edit Pro SE was the software, with track massaging done in Cool Edit 96 as CEP SE had no effects built in. I had to use the convolution reverb offline, though... The trick was getting the hardware and interrupt settings correct, which took a bit of card swapping. That machine still works as well as it ever did under '98, though I've got *much* better converters now on other machines. I've also got a Pentium 233 laptop on a shelf here running 'Doze 98 that will mix to stereo and play 8 tracks without glitching, though it can only record two at a time due to limitations in the sound interface, which is a WamiBox for those that remember them. -- Tciao for Now! John. |
#15
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
On 11/23/2010 10:20 PM, blacksuede58 wrote:
Thanks, my assurance is now complete. My take-away from all this is that I can now save the $150 I'd have spent on an external HD. It's still a good idea to have an external hard drive to back up your projects, but it needn't be a screamer. Buy a 1 TB SATA drive for about $50, put it in a USB case (about $15) and you'll still have enough money to pay with Firewire cards or put toward a new mic. -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson http://mikeriversaudio.wordpress.com - useful and interesting audio stuff |
#16
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
On 11/23/2010 11:09 PM, Bill Graham wrote:
Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! I just noticed last night that electric igniter in my gas oven is getting cranky, just in time to not start the oven in time to cook the Thanksgiving turkey. -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson http://mikeriversaudio.wordpress.com - useful and interesting audio stuff |
#17
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
Mike Rivers wrote:
On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! I just noticed last night that electric igniter in my gas oven is getting cranky, just in time to not start the oven in time to cook the Thanksgiving turkey. Last weekend, our fridge decided that it was done after 20 years. To give due credit to the engineers that designed it, its failure mode was to slowly lose the ability to keep food cold, beginning with the freezer, so our food was still good today. That warning enabled us to shop for a replacement, and at the same time cut through a lot of sales chaff by insisting that it be delivered no later than today, a criterion that only a few places could meet. The new fridge arrived this morning, and we're good to go for Thanksgiving (one more thing to add to the "thankful" list). ;-) -- happy T.G. Neil |
#18
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
On Nov 24, 1:40*pm, "Neil Gould" wrote:
Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. Mark |
#19
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
Mark wrote:
On Nov 24, 1:40 pm, "Neil Gould" wrote: Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. And have you ever noticed that you rarely find it the *first* time you look in that place? -- Tciao for Now! John. |
#20
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
On 11/24/2010 2:47 PM, Mark wrote:
did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. Always. Because once you find it, you stop looking for it. But I've had John's experience, too, where I've looked where it actually was, but just didn't look hard enough before looking somewhere else. Lots. -- "Today's production equipment is IT based and cannot be operated without a passing knowledge of computing, although it seems that it can be operated without a passing knowledge of audio." - John Watkinson http://mikeriversaudio.wordpress.com - useful and interesting audio stuff |
#21
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
Mark wrote:
On Nov 24, 1:40 pm, "Neil Gould" wrote: Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. Mark Yeah, but that only is true when you're young. At my age, it is in the first place I look for it, only I don't see it, so I have to look everywhere else before I finally come back to it. I have developed a few primary rules, however. One is that when I first realize that something I normally have is missing, I look for it right away. The chances of my permanently losing it go up very fast with time. So, if I am drifting off to sleep, and realize that something is missing. I get up, get dressed (if necessary) and go looking for it. My wife says, "Why are you getting up at 3 in the morning?" And I say, "My Swiss Army knife is missing." And she says, "Do you need it to sleep?" And I say (truthfully) "Yes. If I don't look for it right now, I won't be able to sleep, because I'll know that the chances of it being permanently missing are going up all the time." |
#22
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
On Nov 24, 11:36*pm, "Bill Graham" wrote:
Mark wrote: On Nov 24, 1:40 pm, "Neil Gould" wrote: Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. Mark Yeah, but that only is true when you're young. At my age, it is in the first place I look for it, only I don't see it, so I have to look everywhere else before I finally come back to it. I have developed a few primary rules, however. One is that when I first realize that something I normally have is missing, I look for it right away. The chances of my permanently losing it go up very fast with time. So, if I am drifting off to sleep, and realize that something is missing. I get up, get dressed (if necessary) and go looking for it. My wife says, "Why are you getting up at 3 in the morning?" And I say, "My Swiss Army knife is missing." And she says, "Do you need it to sleep?" And I say (truthfully) "Yes. If I don't look for it right now, I won't be able to sleep, because I'll know that the chances of it being permanently missing are going up all the time." When things go missing, I live by two constants: 1) The item is hiding in x number of reasonable locations. Yes, the chances of it being permanently missing are going up all the time, increasing the variables-- but the item still exists *somewhere* in this plane of space and time. However, during the search, I will finally draw a line. After a certain number of locations, there will be no other place the item could reasonably be. After that point, I would be wasting time looking in places that it could not possibly be. The possibility that the item is in my sweater drawer is about equal to the possibility that it may be in Boise Idaho: None. So at that point, I write it off-- it's gone. 2) Much later on, I will find the item during a search for something else. It will be in a ridiculously-impossible place. And at that very moment, I will have a clear memory of purposefully putting it there, and of my logical thinking at the time: "Ok I'm moving to my new apartment, so I'll pack this mic in with my sweaters so it doesn't get damaged." Of course, this denouement has it own rules: a) It will only occur days/weeks/months after the necessity for the previously-lost item has passed; and b) the new-searched item will not be found until such an equal amount of time has passed, while I'm searching for something else. I miss the days when everything I had to my name could fit in a goddam duffle bag. Mark |
#23
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
blacksuede58 wrote:
On Nov 24, 11:36 pm, "Bill Graham" wrote: Mark wrote: On Nov 24, 1:40 pm, "Neil Gould" wrote: Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. Mark Yeah, but that only is true when you're young. At my age, it is in the first place I look for it, only I don't see it, so I have to look everywhere else before I finally come back to it. I have developed a few primary rules, however. One is that when I first realize that something I normally have is missing, I look for it right away. The chances of my permanently losing it go up very fast with time. So, if I am drifting off to sleep, and realize that something is missing. I get up, get dressed (if necessary) and go looking for it. My wife says, "Why are you getting up at 3 in the morning?" And I say, "My Swiss Army knife is missing." And she says, "Do you need it to sleep?" And I say (truthfully) "Yes. If I don't look for it right now, I won't be able to sleep, because I'll know that the chances of it being permanently missing are going up all the time." When things go missing, I live by two constants: 1) The item is hiding in x number of reasonable locations. Yes, the chances of it being permanently missing are going up all the time, increasing the variables-- but the item still exists *somewhere* in this plane of space and time. However, during the search, I will finally draw a line. After a certain number of locations, there will be no other place the item could reasonably be. After that point, I would be wasting time looking in places that it could not possibly be. The possibility that the item is in my sweater drawer is about equal to the possibility that it may be in Boise Idaho: None. So at that point, I write it off-- it's gone. 2) Much later on, I will find the item during a search for something else. It will be in a ridiculously-impossible place. And at that very moment, I will have a clear memory of purposefully putting it there, and of my logical thinking at the time: "Ok I'm moving to my new apartment, so I'll pack this mic in with my sweaters so it doesn't get damaged." Of course, this denouement has it own rules: a) It will only occur days/weeks/months after the necessity for the previously-lost item has passed; and b) the new-searched item will not be found until such an equal amount of time has passed, while I'm searching for something else. I miss the days when everything I had to my name could fit in a goddam duffle bag. Mark Amen to that. My mother told me years ago, that the freeist person she ever knew was a girl who owned nothing but the clothes on her back. (and not very many of those) She stayed at "the Y", and when she felt like going somewhere, she just called her employer, quit, and got on the bus. Oh, to be able to live like that...... |
#24
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
John Williamson wrote:
Mark wrote: On Nov 24, 1:40 pm, "Neil Gould" wrote: Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. And have you ever noticed that you rarely find it the *first* time you look in that place? I lost something and I've looked in every possible place at least three times. I still haven't found it. What am I doing wrong ? geoff |
#25
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
geoff wrote:
John Williamson wrote: Mark wrote: On Nov 24, 1:40 pm, "Neil Gould" wrote: Mike Rivers wrote: On 11/23/2010 11:09 PM, Bill Graham wrote: Nothing ever fails when you don't need it, it only fails when you do. Yes. Isn't that strange. I noticed a long time ago, that my car never refused to start in the middle of the night while I was sleeping.....It always waited until the next morning, when I had to drive to work, and then (wouldn't you know it) it wouldn't start! did you ever notice, that when you misplace something and are searching for it...... that it always ends up being in the LAST PLACE that you look for it.. And have you ever noticed that you rarely find it the *first* time you look in that place? I lost something and I've looked in every possible place at least three times. I still haven't found it. What am I doing wrong ? geoff Could be several things.....I lost a Swiss Army knife a couple of years ago, and I finally bought another one. Then, my wife found it underneath the couch cushions where I usually sit while watching TV. Do you have young kids running around the house? They will pick stuff up, play with it a while, and then leave it wherever they happen to be at the time they get tired of playing with it. But I have bad news. The problem will get worse as you get older. At my age, I will lose something five minutes after I lay it down. I keep a wooden box in the bedroom, and every night, before I go to bed, I put everything I carry in my pockets in that box. There are exactly 12 things, and I keep a list of them in the box, and every thing has its own number, and pocket location. And I still lose stuff occasionally. |
#26
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks...wow, is this even for real?
geoff wrote:
John Williamson wrote: And have you ever noticed that you rarely find it the *first* time you look in that place? I lost something and I've looked in every possible place at least three times. I still haven't found it. What am I doing wrong ? Probably you're looking for it too soon. It's in a time warp and will re-appear when you start looking for something else. -- Tciao for Now! John. |
#27
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
On Nov 26, 1:19*am, "Bill Graham" wrote:
blacksuede58 wrote: I miss the days when everything I had to my name could fit in a goddam duffle bag. Mark Amen to that. My mother told me years ago, that the freeist person she ever knew was a girl who owned nothing but the clothes on her back. (and not very many of those) She stayed at "the Y", and when she felt like going somewhere, she just called her employer, quit, and got on the bus. Oh, to be able to live like that...... Eh-- been there, for a couple zen-like years in the early 80's. That was my aforementioned Duffle Bag Period: I was 23, working occasionally at day-labor places in Orlando, and hitchiking around the country whenever I had a bit of cake saved up. Yes it was "free" and "liberating" and "off the grid", all those nifty romantic terms. But it was also "occasionally not eating" and "getting hassled by cops" and "stuck in the rain on some turnpike ramp outside Richmond VA". Once I settled in with some Ft Lauderdale friends, and got a job, and they moved out and left me the apartment, the inevitable materialistic encrustation started. Especially after I got my first little 4-track Portastudio I haven't looked back. Anyway-- I really *would* like to know where that other Oktava MK-012-01 mic went. I had two, five years ago-- haven't used em since then, and now I can only find one. Believe me, my search has extended far beyond my usual "x number of reasonably possible" locations... Mark. |
#28
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
"blacksuede58" wrote in message
... On Nov 23, 8:00 am, "Arny Krueger" wrote: For those of us who have been recording 16-32 tracks since the days of Pentium IIs and IIIs and 320 megabyte (note: megabyte, not gigabyte!!!) 5400 rpm PATA drives Heh... in all respect Arny, I believe you're having a bit of fun with a n00b here. I remember recording *one track at a time* into CEP 1.0 on a P4 733, circa 1999. Rec/Play was no problem, single wavs in the Edit screen... but trying to play the full 8-track layout in the Multi screen made the box choke like Mama Cass. I can't imagine what streaming 16 live 44.1's would've done to it. No, Arny's right. I've mixed up to at least 20 tracks at 32/44 on a single core 1GHz system, with just a standard 5400 IDE drive, and no problems. CEP (at 1.2) had an odd feature in the multi-track view where it would continuously try to pre-mix sections before they were to be played, and with enough tracks this would choke it till there was no recourse except to reboot the PC. You could disable the feature by clicking on the green progress bar in the lower left corner till it had a red X across it. Then it would play back fine. The moral of the story is that at these track counts you're not fighting the disk I/O, you're fighting the other stuff going on in the background if anything. I don't know how Windows 7 holds up to this, I just got a new laptop with 7 and haven't had a chance to play with it much, but anything that takes 1.2 G of ram just to boot is not giving me confidence. Sean |
#29
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
blacksuede58 wrote:
On Nov 26, 1:19 am, "Bill Graham" wrote: blacksuede58 wrote: I miss the days when everything I had to my name could fit in a goddam duffle bag. Mark Amen to that. My mother told me years ago, that the freeist person she ever knew was a girl who owned nothing but the clothes on her back. (and not very many of those) She stayed at "the Y", and when she felt like going somewhere, she just called her employer, quit, and got on the bus. Oh, to be able to live like that...... Eh-- been there, for a couple zen-like years in the early 80's. That was my aforementioned Duffle Bag Period: I was 23, working occasionally at day-labor places in Orlando, and hitchiking around the country whenever I had a bit of cake saved up. Yes it was "free" and "liberating" and "off the grid", all those nifty romantic terms. But it was also "occasionally not eating" and "getting hassled by cops" and "stuck in the rain on some turnpike ramp outside Richmond VA". Once I settled in with some Ft Lauderdale friends, and got a job, and they moved out and left me the apartment, the inevitable materialistic encrustation started. Especially after I got my first little 4-track Portastudio I haven't looked back. Anyway-- I really *would* like to know where that other Oktava MK-012-01 mic went. I had two, five years ago-- haven't used em since then, and now I can only find one. Believe me, my search has extended far beyond my usual "x number of reasonably possible" locations... Mark. Well, I don't know how old you are, but I can tell you that the main reason the good stuff turns up missing, is because your, "friends" walk away with it. Especially the younger kids. When I think of all the good stuff I have had in my life, and have had to buy again and again. I wonder if I wouldn't have been better off buying a bank vault for a studio when I was 20. |
#30
Posted to rec.audio.pro
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About to make the jump to recording 16 simultaneous live tracks... wow, is this even for real?
"blacksuede58" wrote in message
On Nov 23, 8:00 am, "Arny Krueger" wrote: For those of us who have been recording 16-32 tracks since the days of Pentium IIs and IIIs and 320 megabyte (note: megabyte, not gigabyte!!!) 5400 rpm PATA drives Heh... in all respect Arny, I believe you're having a bit of fun with a n00b here. Not at all. I remember recording *one track at a time* into CEP 1.0 on a P4 733, circa 1999. Rec/Play was no problem, single wavs in the Edit screen... but trying to play the full 8-track layout in the Multi screen made the box choke like Mama Cass. I can't imagine what streaming 16 live 44.1's would've done to it. Obviously, YMMV... enviously. Well that's it. Your mileage varied. I *didn't* say that every P2-233 would record and play umpty-dump tracks without any dropouts. However, I did a lot of no-sweat, no-dropout recording and mixing of 24-ish tracks on a Pentium 666. I think that was a high end P2. It was a very clean system - essentially purpose-built. I migrated from there to a different I/O card on an Athalon 2000, which was very problematical until I changed out that particular card. Then the Athlon 2K became a workhorse. Looked to me like there was some storage cancer built into the problematical card's device driver. The A2K was a nicer system to use, but I lacked enough audio channels to make it misbehave. So, I don't know how many channels it would have done had I tried to press the issue past 24-ish. |
#31
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About to make the jump to recording 16 simultaneous livetracks... wow, is this even for real?
On Fri, 26 Nov 2010 07:19:05 +0000, John Williamson wrote:
geoff wrote: John Williamson wrote: Probably you're looking for it too soon. It's in a time warp a.k.a. back of the sofa... and will re-appear when you start looking for something else. will re-appear the day you buy a replacement. -- Anahata --/-- http://www.treewind.co.uk +44 (0)1638 720444 |
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