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Glad to see Stewart is still active - maybe he can help
Hi RAHE,
I'm back after an absence of a few years. Used to post as "Devil Ears" (a play on the surname). A recent burglary has left me sans amplification and while I await the decision on "what/when/how" from the insurance company, I am investigating the options that exist to replace the stolen amplifier set-up. What I had was a Classe' pairing of CP-50 and CA-100 with the optional Classe' PHCP-50 phono-stage installed in the CP-50. The rest of the system consists of a Linn LP12/Valhalla/Ittok/AT-OC5 as analogue source, Theta Data Basic II & DSPro GenVa as digital source plus a Yamaha CDR-HD1300 CD/HDD recorder (busy archiving vinyl). Speakers are Tannoy D700's. Any pre-amp needs to have a "tape-out" fixed line-level output to feed the Yamaha CDR-HD1300. An optional phono stage would be nice, but an off-board unit is also an alternative. The power amp needs to be able to handle a reactive load that dips to around 3 ohms. The sensitivity of the D700's is 93dB/w, so output power of 100wpc is adequate, with 200wpc ideal. What I've looked at to date is to: a. Stick to Classe' and go with their new Delta Series CP-500 pre-amp (with phono stage) plus the matching CA-2100 (100wpc) b. Switch to Jeff Rowland's Concerto pre-amp and a pair of Model 201 monoblocks (250 wpc) c. Mix Classe' CP-500/phono stage with Jeff Rowland Model 201's Option b. is not really viable - no tape out facility This leaves a. and c. - a. being a virtual straight replacement for what was an enjoyable system; c. being a switch to beefier power amps that could bring a bit more control tha the old Classe' CA-100 had. Any comments on the above? Any other suggestions (bearing in mind price does play a part)? Stewart, nice to see that you're still alive and kicking and keeping this group honest. Does ArnyK still frequent this group? Any others from way back when? Dave |
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