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#1
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
G'day Rats
Thought you might find this interesting: A friend of mine recently set up a device to test the distortion figures on some of the most popular and hideously priced octal dual triodes. Unfortunately I wasn't there to witness this but a whole afternoon was spent testing some of the most popular and hideously priced octals on the market..These included ecc34, 5691, sylvania chrome tops, mullards, brimars etc etc. Of around 60 tubes tested, 10 were Tungsol 6SU7GT bought used for $2 US each a few years ago. Guess which tube,(not only one..but every single one) beat all others by a big margin and posted the lowest distortion figures by a long long way? Cheers |
#2
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
On Feb 22, 10:02 pm, Sean wrote:
Guess which tube,(not only one..but every single one) beat all others by a big margin and posted the lowest distortion figures by a long long way? I'll take a stab...The Tung-Sols. How did your friend set up (the device) for analyizing distortion? Regards, Ernst |
#3
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
Guess which tube,(not only one..but every single one) beat all others by a big margin and posted the lowest distortion figures by a long long way? Must be the 6SU7's... The tube named after my alma matar college Syracuse University (SU).. :-) I have a spice 3f4 model for the 6SU7: ********************************** * 6SU7 aka 6188 twin triode octal ..SUBCKT X6SU7 P G K Bp P K I=((0.001215378772/1.0e3)+(2.168783663e-005/1.0e3)*V(G,K))*uramp((68.72981286)*V(G,K)+V(P,K)+( 45.86279849))^ 1.5 * V(P,K)/(V(P,K)+(3.649094098)) Cgp G P 1.5p Ci G K 1.5p Co P K 2.0p ..ends X6SU7 More at http://home.netcom.com/~wb2jia/tubes/spice4.txt http://home.netcom.com/~wb2jia/tubes/spice3.txt http://home.netcom.com/~wb2jia/tubes/spice2.txt http://home.netcom.com/~wb2jia/tubes/spice.txt |
#4
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
The post below is a good example of how gee-whiz ignorance of tube history and basics, like looking up the bloody spec sheet, leads to a tube rolling street myth, whereas in fact the result has nothing to do with the brand name of the tubes that "won" contest but lots to do with the contest being rigged from the beginning by the ignorance of the participants. The 6SU7, which no doubt won the contest described below hands down, is a specially designed and selected version of the 6SL7 (itself already a superior tube), the parameter of selection being to minimize differences between the two halves, which of course in itself implies that each half must be particularly well made. The 6SU7 was particularly aimed at differential amps of various kinds, which are vastly important in all kinds of test, measurement and control amps, and in which it is important to minimize the out-of-balance index (mu1 - mu2)/(mu1 x mu2) where the numerals refer to the sections of the double tube. Since the quantity (mu1 - mu2)/(mu1 x mu2) in 6SL7 rarely exceed 0.1 per cent, the superior 6SU7 is a truly amazingly linear tube, but that has everything to do with its specification and manufacturing tolerances and nothing to do with the Tungsol label on the bottle. HTH clear up the burgeoning misunderstanding in this thread. Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ "wonderfully well written and reasoned information for the tube audio constructor" John Broskie TubeCAD & GlassWare "an unbelievably comprehensive web site containing vital gems of wisdom" Stuart Perry Hi-Fi News & Record Review Sean wrote: G'day Rats Thought you might find this interesting: A friend of mine recently set up a device to test the distortion figures on some of the most popular and hideously priced octal dual triodes. Unfortunately I wasn't there to witness this but a whole afternoon was spent testing some of the most popular and hideously priced octals on the market..These included ecc34, 5691, sylvania chrome tops, mullards, brimars etc etc. Of around 60 tubes tested, 10 were Tungsol 6SU7GT bought used for $2 US each a few years ago. Guess which tube,(not only one..but every single one) beat all others by a big margin and posted the lowest distortion figures by a long long way? Cheers |
#5
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
Andre Jute wrote:
The post below is a good example of how gee-whiz ignorance of tube history and basics, like looking up the bloody spec sheet, leads to a tube rolling street myth, whereas in fact the result has nothing to do with the brand name of the tubes that "won" contest but lots to do with the contest being rigged from the beginning by the ignorance of the participants. The 6SU7, which no doubt won the contest described below hands down, is a specially designed and selected version of the 6SL7 (itself already a superior tube), the parameter of selection being to minimize differences between the two halves, which of course in itself implies that each half must be particularly well made. The 6SU7 was particularly aimed at differential amps of various kinds, which are vastly important in all kinds of test, measurement and control amps, and in which it is important to minimize the out-of-balance index (mu1 - mu2)/(mu1 x mu2) where the numerals refer to the sections of the double tube. Since the quantity (mu1 - mu2)/(mu1 x mu2) in 6SL7 rarely exceed 0.1 per cent, the superior 6SU7 is a truly amazingly linear tube, but that has everything to do with its specification and manufacturing tolerances and nothing to do with the Tungsol label on the bottle. HTH clear up the burgeoning misunderstanding in this thread. Andre, I very much doubt the participants were ignorant on the specs or abilities of the 6SU7, It was more of an experiment to actually confirm the specs. Like I said, I didn't witness these tests myself, and as yet, do not know what equipment was used. I do know that the guy doing the tests is a very experienced electronics engineer. Btw, a nos pair of Philips ecg 6188, which is the same tube as 6SU7 were among those tested and the distortion figures were good, but nowhere near as good as the Tungsol Brand. I plan to be present next time and I will take along a few more 6188 ,some rare B65's and definitely want to check how some 12sx7's compare. My point is...Why pay ridiculous prices for nos 6sn7 6sl7 when there's a far cheaper, better spec, better sounding? (debatable) direct plugin equivalent. Sean Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ "wonderfully well written and reasoned information for the tube audio constructor" John Broskie TubeCAD & GlassWare "an unbelievably comprehensive web site containing vital gems of wisdom" Stuart Perry Hi-Fi News & Record Review Sean wrote: G'day Rats Thought you might find this interesting: A friend of mine recently set up a device to test the distortion figures on some of the most popular and hideously priced octal dual triodes. Unfortunately I wasn't there to witness this but a whole afternoon was spent testing some of the most popular and hideously priced octals on the market..These included ecc34, 5691, sylvania chrome tops, mullards, brimars etc etc. Of around 60 tubes tested, 10 were Tungsol 6SU7GT bought used for $2 US each a few years ago. Guess which tube,(not only one..but every single one) beat all others by a big margin and posted the lowest distortion figures by a long long way? Cheers |
#6
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
In article ,
Sean wrote: My point is...Why pay ridiculous prices for nos 6sn7 6sl7 when there's a far cheaper, better spec, better sounding? (debatable) direct plugin equivalent. The 6SU7 is hardly a "direct plugin equivalent" for the 6SN7, they are completely different animals. There are some 6SN7 circuits where a 6SU7 would yield horrendous distortion. Regards, John Byrns -- Surf my web pages at, http://fmamradios.com/ |
#7
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
John Byrns wrote:
In article , Sean wrote: My point is...Why pay ridiculous prices for nos 6sn7 6sl7 when there's a far cheaper, better spec, better sounding? (debatable) direct plugin equivalent. The 6SU7 is hardly a "direct plugin equivalent" for the 6SN7, they are completely different animals. There are some 6SN7 circuits where a 6SU7 would yield horrendous distortion. Regards, John Byrns sorry, my mistake , that should read "mostly direct plugin equivalent" ( : |
#8
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
Sean wrote: Andre Jute wrote: The post below is a good example of how gee-whiz ignorance of tube history and basics, like looking up the bloody spec sheet, leads to a tube rolling street myth, whereas in fact the result has nothing to do with the brand name of the tubes that "won" contest but lots to do with the contest being rigged from the beginning by the ignorance of the participants. The 6SU7, which no doubt won the contest described below hands down, is a specially designed and selected version of the 6SL7 (itself already a superior tube), the parameter of selection being to minimize differences between the two halves, which of course in itself implies that each half must be particularly well made. The 6SU7 was particularly aimed at differential amps of various kinds, which are vastly important in all kinds of test, measurement and control amps, and in which it is important to minimize the out-of-balance index (mu1 - mu2)/(mu1 x mu2) where the numerals refer to the sections of the double tube. Since the quantity (mu1 - mu2)/(mu1 x mu2) in 6SL7 rarely exceed 0.1 per cent, the superior 6SU7 is a truly amazingly linear tube, but that has everything to do with its specification and manufacturing tolerances and nothing to do with the Tungsol label on the bottle. HTH clear up the burgeoning misunderstanding in this thread. Andre, I very much doubt the participants were ignorant on the specs or abilities of the 6SU7, It was more of an experiment to actually confirm the specs. Like I said, I didn't witness these tests myself, and as yet, do not know what equipment was used. I do know that the guy doing the tests is a very experienced electronics engineer. Btw, a nos pair of Philips ecg 6188, which is the same tube as 6SU7 were among those tested and the distortion figures were good, but nowhere near as good as the Tungsol Brand. I plan to be present next time and I will take along a few more 6188 ,some rare B65's and definitely want to check how some 12sx7's compare. My point is...Why pay ridiculous prices for nos 6sn7 6sl7 when there's a far cheaper, better spec, better sounding? (debatable) direct plugin equivalent. Sean This is precisely what I mean about ignorance. I'll now modify that to *dangerous* ignorance. You plug a 6SU7 into a circuit designed for a 6SN7 and you're well on your way to meltdown and perhaps a housefire. You should inform yourself a) that the 6SN7 and the 6SL7 are not interchangeable tubes b) that they have different current capabilites c) that they have different transfer curves d) that they have different maximum dissipations and e) understand that the 6SU7 is a substitute only for one of them, the lower wattage 6SL7. While you educate yourself, I agree with you: the price established by Ebay for a tube on the whole has nothing whatsoever to do with its electrical or sonic qualities. But you should learn to communicate your point without the disturbing subtexts. It was your gee-whiz assumption that the names of Mullard and Tungsol by themselves should guarantee victory that set off warning bells with me in the first instance. I used Mullard tubes for target practice; the vast majority of Mullard tubes, like the vast majority of everyone else's tubes, are fit only for table radios or the crusher; they have nothing to do with high fidelity. Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ "wonderfully well written and reasoned information for the tube audio constructor" John Broskie TubeCAD & GlassWare "an unbelievably comprehensive web site containing vital gems of wisdom" Stuart Perry Hi-Fi News & Record Review Sean wrote: G'day Rats Thought you might find this interesting: A friend of mine recently set up a device to test the distortion figures on some of the most popular and hideously priced octal dual triodes. Unfortunately I wasn't there to witness this but a whole afternoon was spent testing some of the most popular and hideously priced octals on the market..These included ecc34, 5691, sylvania chrome tops, mullards, brimars etc etc. Of around 60 tubes tested, 10 were Tungsol 6SU7GT bought used for $2 US each a few years ago. Guess which tube,(not only one..but every single one) beat all others by a big margin and posted the lowest distortion figures by a long long way? Cheers |
#9
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
Shame you didn't compare the 6SN7 with some of the 6J5G/GT types like
the CV1932, 6P5GT, 2C22. Those are truly wonderful sounding |
#10
Posted to rec.audio.tubes
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6SN7GT vs 6SL7GT vs 6SU7GT
On Feb 23, 7:39 pm, Sean wrote:
My point is...Why pay ridiculous prices for nos 6sn7 6sl7 when there's a far cheaper, better spec, better sounding? (debatable) direct plugin equivalent. 6SU7's are not incredibly rare but not highly-chased-after yet. As Andre points out, direct-coupled differential amps and tube selection were a highly developed area even before Mr. Philbrick. Look for a publication called "The Lightning Empiricist". You know, by saying anything about them you are making them harder for YOU to get. Fads come and go and wouldn't you be sad if the fad you started made it harder to get what you want? I'm also a little critical of your vaguely specified test, there are a number of circuit parameters you would want to vary to make 6SL7 vs 6SN7 be apples to apples rather than apples to oranges. Tim. |
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