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#161
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 15/10/2015 2:31 AM, Luxey wrote:
Limiting is not more than special case of compression ie compression with infinite ratio. All the attack, release, envelope, waveform ... talk is an unnecessarry waste of energy. Also, IMO, signal may be clipped, but clipping is the gear, pushed to work out of speced range of operaation. The result is seen as charachteristic distortion of the waveform, but that is just a sign the gear was pushed into clipping, so it produced such a waveform which we've conveniently named "clipped" after the clipping gear that produced it. Agreed, if the waveform is clipped, I can't see the point in arguing HOW it was done. Other than the to the person who did it perhaps. Trevor. |
#162
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
geoff wrote: "- show quoted text - Which is why many assume that you are a
troll rather than simply stupid. geoff " Actually geoff: neither! And you know about the first part of assuming. I disdain nit-picking, and prefer to keep the conversation concise and on a roll. If I make a statement: "You know, the waveform of that latest George Benson tune is surprisingly spiky for something modern" I don't expect a twenty-reply theological debate over "envelope vs waveform" to hijack a good thread. I know a lot more about this audio thing we love than most of you care to give me credit for. But I use simple straight-forward terms to convey or absorb concepts, rather than delve into semantics and word-play. This is rec.audio.pro - not the Pentagon. |
#163
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
geoff wrote: "why ask?"
Because you guys got all nit-picky over what's a waveform and what's not, instead of just sticking to the topic of whatever thread the splitting hairs took place in. Kind of like "used car-NO, it's a "pre-owned car". Totally gay(not the homosexual kind either!). |
#164
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
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#165
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 15/10/2015 4:31 PM, geoff wrote:
On 15/10/2015 4:17 p.m., wrote: geoff wrote: "why ask?" Because you guys got all nit-picky over what's a waveform and what's not, instead of just sticking to the topic of whatever thread the splitting hairs took place in. Kind of like "used car-NO, it's a "pre-owned car". Totally gay(not the homosexual kind either!). No. It's not nit-picking at all. Say what you mean instead of what you steadfastly refuse to understand, and people will understand you. It's more like you calling a single skyscraper a skyline (to use Scott's analogy). And yet most people don't draw an imaginary line between building tops and call that the skyline. Really, it's not that difficult. That only one is real and one is imaginary still seems to be beyond many though. A waveform is still a waveform whether you zoom in or not, whether you can see detail or not. But the "envelope" is still a useful *concept* IF you understand it. Trevor. |
#166
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 15/10/2015 8:24 p.m., Trevor wrote:
That only one is real and one is imaginary still seems to be beyond many though. A waveform is still a waveform whether you zoom in or not, whether you can see detail or not. But the "envelope" is still a useful *concept* IF you understand it. Thought you'd find a nit to pick ! If you zoom out to the point you cannot see individual cycles, then all you can see is the envelope. Not imaginary - it's the outline shape that you see. How about the term "waveform envelope" - cover enough bases for you ? geoff |
#167
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
geoff wrote: "How about the term "waveform envelope" - cover enough bases for you ?"
Uhh geoff, the ****ing Titanic is completely bow-down; are you still trying to discern the BRAND OF PAINT used on that lifeboat, or are you jumping in?! sheez!.. |
#168
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 10/14/2015 9:34 PM, geoff wrote:
Um no, not semantics ! In audio iIf you can discern individual cycles it is a waveform. If all the cycles are bunched together , then the overall outline (which is all that you can discern) is the envelope. You don't have to be able to see a waveform in order to see it. And when you "zoom out" the waveform doesn't disappear, to be eclipsed by the envelope. But understand that these are just names for graphic representations of a changing voltage. If a tree falls in the forest and there's nobody around to hear it, it still makes a sound. If you zoom out of a graphic representation of a signal so that you can see an envelope, the waveform is still there. Is this semantics? Or philosophy? -- For a good time, visit http://mikeriversaudio.wordpress.com |
#169
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
Mike Rivers wrote: "You don't have to be able to see a waveform in order to see it."
Pure https://www.google.com/search?q=dona..._HVsondq M%3A ! Now how about those 'known-unknowns', Mikey? |
#170
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
"Is this semantics? Or philosophy? "
If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! |
#171
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
wrote in message
news:da6b6322-78d7-4275-a419- I know a lot more about this audio thing we love than most of you care to give me credit for. Then why do yo go to such trouble to prove that you're a dumb ****? |
#172
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
wrote in message
... "Is this semantics? Or philosophy? " If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! Li'l Krissie is having a meltdown again. |
#173
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
geoff wrote: "Say what you mean"
Admittedly I have trouble putting words together, even if I DO get the concept. "instead of what you steadfastly refuse to understand, " ARE YOU INSIDE MY HEAD or something, wiseguy?! Don't try to ASSume you know my motives, GEOFF. As if I would purposely insist that grass is pink when it is plainly green. Nobody, except maybe a politician, might DELIBERATELY try not to understand anything! |
#174
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
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#175
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 10/15/2015 6:42 AM, wrote:
Mike Rivers wrote: "You don't have to be able to see a waveform in order to see it." Geez, did I write that? I must have needed another cup of coffee and didn't realize it. What I really meant was that you don't have to be able to see a waveform in order for it to be there. -- For a good time, visit http://mikeriversaudio.wordpress.com |
#176
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 10/15/2015 6:48 AM, wrote:
"Is this semantics? Or philosophy?" If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! But without seeing the duck from 20 or 5 feet away, but only saw a couple of feathers, would you know it was a duck? -- For a good time, visit http://mikeriversaudio.wordpress.com |
#177
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
thick-headed-toddler-whines @gmail.com wrote in message
... geoff wrote: "Say what you mean" Admittedly I have trouble putting words together, even if I DO get the concept. "instead of what you steadfastly refuse to understand, " ARE YOU INSIDE MY HEAD or something, wiseguy?! Your refusal to understand is on display in your posts. Nobody has to go inside your head. You keep missing that essential point. It's another thing you refuse to understand. Anyone who reads this newsgroup knows that you prefer endless childish arguments to understanding. This recent string of toddler-tantrums from you is yet another example. Of course, you don't understand that, because you refuse to understand. Don't try to ASSume you know my motives, GEOFF. As if I would purposely insist that grass is pink when it is plainly green. But when anybody points out that the grass is sometimes brown, your head explodes in rage, and you start ranting and drooling and issuing personal attacks and filthy diatribes against whoever pointed out the simple fact that the grass is sometimes brown. The world (including audio) isn't simple enough for a simpleton like you. What a tragedy. Nobody, except maybe a politician, might DELIBERATELY try not to understand anything! So you're a politician now? A dumb**** politician in a dumbuck politician's hockey helmet, on the politiclans' short campaign bus? Boy, it really sucks to be you. FCKISSFDSWAHHTHRAOTP. AHETHHS. STBY. Right, Krissie? |
#178
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
wrote:
geoff wrote: "- show quoted text - Or 'waveform' is the shape of individual cycles, and 'envelope' is the outline of a bunch of cycles over time (as when zoomed out). " This is all just nitpicking, semantics, and the word games typical of being played within this group. No, it's important. Because it's important to know if you're looking at the actual waveform sample by sample, or just an averaged envelope. A lot of things like crossover distortion isn't visible at all on the envelope but are very visible on an actual waveform display. I call a duck a duck, and you guys can just DEAL. sheesh! Distinctions like the difference between peak and average levels, between reference levels and full scale levels, and between waveforms and envelopes are absolutely critical to understand dynamics processing. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#179
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
geoff wrote:
On 15/10/2015 4:17 p.m., wrote: geoff wrote: "why ask?" Because you guys got all nit-picky over what's a waveform and what's not, instead of just sticking to the topic of whatever thread the splitting hairs took place in. Kind of like "used car-NO, it's a "pre-owned car". Totally gay(not the homosexual kind either!). No. It's not nit-picking at all. Say what you mean instead of what you steadfastly refuse to understand, and people will understand you. It's more like you calling a single skyscraper a skyline (to use Scott's analogy). I actually didn't use that analogy... it was attributed to me but I can't take credit. It's a good analogy, though, and I like it. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#180
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
In article ,
wrote: "Is this semantics? Or philosophy? " If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! If the waveform is a duck, the envelope is a drawing of a duck. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
#181
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 12-10-2015 04:03, JackA wrote:
On Friday, October 9, 2015 at 9:47:34 PM UTC-4, wrote: Whoever decreed that ALL audio tracks MUST peak within 1/1,000,00dB of full scale must be on something strong!! I was told, no clipping! Otherwise, Loudness Wars would have never existed. Hogwash, the best way to get nice bricks is to clip all bands of a multiband compressor. Take some time to actually learn the tools you rant about. Jack - Peter Larsen |
#182
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
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#183
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 15/10/2015 11:32 p.m., Mike Rivers wrote:
On 10/14/2015 9:34 PM, geoff wrote: Um no, not semantics ! In audio iIf you can discern individual cycles it is a waveform. If all the cycles are bunched together , then the overall outline (which is all that you can discern) is the envelope. You don't have to be able to see a waveform in order to see it. And when you "zoom out" the waveform doesn't disappear, to be eclipsed by the envelope. But understand that these are just names for graphic representations of a changing voltage. If a tree falls in the forest and there's nobody around to hear it, it still makes a sound. If you zoom out of a graphic representation of a signal so that you can see an envelope, the waveform is still there. Is this semantics? Or philosophy? Semantics. Zoom out of the forest. In that forest, you can no longer discern the tree, but you can see the forest. The forest is not 'a tree'. geoff |
#184
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
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#185
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 16/10/2015 4:44 a.m., Frank Stearns wrote:
(Scott Dorsey) writes: And if heavily processed as per some of today's fashion, what was once music now sounds just like a continuously quacking duck, only louder. Sorry, couldn't resist. Frank Mobile Audio Lump of paté ? geoff |
#186
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
geoff wrote: "- show quoted text -
Semantics. Zoom out of the forest. In that forestZZZZHHHHHHIPPPPP!!! (needle being dragged across record) geoff " I told you - no "semantics", only ENGLISH. So by your forest analogy, one tree = one up & down cycle = one waveform. What you say might be true, correct, but when I Google up "audio waveform", this is what I get THOUSANDS of as results: https://s-media-cache-ak0.pinimg.com...234454be16.jpg So you go on ahead Geoff and start correcting all these thousands of users, for the sake of the survival of the audio universe!!! And to be fair: "audio envelope" returns a sizable majority of this: http://www-sipl.technion.ac.il/new/T...tors/pic10.png as hits. Very different from the majority of hits from "waveform. Again, a colossal waste of all our time here, seriously! |
#187
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 16/10/2015 11:37 a.m., wrote:
Again, a colossal waste of all our time here, seriously! You are. Enough of my time. Bye. geoff |
#188
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
Scott Dorsey wrote:
In article , wrote: "Is this semantics? Or philosophy? " If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! If the waveform is a duck, the envelope is a drawing of a duck. --scott If the waveform is a duck, the envelope is the shadow of a duck. |
#189
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
Ralph Barone wrote: "If the waveform is a duck, the envelope is the
shadow of a duck. " https://abiadams.files.wordpress.com...8825206674.jpg |
#190
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
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#191
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
Ralph Barone wrote:
Scott Dorsey wrote: In article , wrote: "Is this semantics? Or philosophy?" If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! If the waveform is a duck, the envelope is a drawing of a duck. --scott If the waveform is a duck, the envelope is the shadow of a duck. I shall use my laaargest scaaales.... -- Les Cargill |
#192
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
thickskullocks @ gmail.com wrote in message
... geoff wrote: "- show quoted text - Semantics. I told you - no "semantics", only ENGLISH. 1. You're not the moderator. You don't get to tell others what to post. It makes no difference what you told anybody. Have you forgotten that already, since the last time you were reminded? It was only this morning. 2. Without semantics, English is useless. The only conclusion is that you have no idea what at least one of those words means. You get yourself in trouble when you use words without having any idea what they mean. Like basically all words about audio. Again, a colossal waste of all our time here, seriously! No ****, Dumb ****. And it's entirely your fault. You've polluted this newsgroup so much, even you can't stand the stench. Maybe you should go crap all over some other newsgroup, far away, YSFSJBSC. |
#193
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
"Ralph Barone" wrote in message
news:1319924126.466653813.861076.address_is-invalid.invalid@shawnews... If the waveform is a duck, the envelope is the shadow of a duck. If the waveform is a flat line, the envelope is a flat line. It's thikskull's brain function. |
#195
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 15/10/2015 7:28 PM, geoff wrote:
On 15/10/2015 8:24 p.m., Trevor wrote: That only one is real and one is imaginary still seems to be beyond many though. A waveform is still a waveform whether you zoom in or not, whether you can see detail or not. But the "envelope" is still a useful *concept* IF you understand it. Thought you'd find a nit to pick ! If you zoom out to the point you cannot see individual cycles, then all you can see is the envelope. Not imaginary - it's the outline shape that you see. You still can't read what I wrote apparently :-( Just because you choose not to see the actual detail doesn't make the "envelope" any less of an imaginary construct! How about the term "waveform envelope" - cover enough bases for you ? No, but imaginary waveform envelope would. However envelope alone is fine for those who actually know what it means already. Trevor. |
#196
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 15/10/2015 11:35 PM, Mike Rivers wrote:
On 10/15/2015 6:48 AM, wrote: "Is this semantics? Or philosophy?" If I zoom in on a duck's feathers or stand twenty feet away it's still a DUCK to me! But without seeing the duck from 20 or 5 feet away, but only saw a couple of feathers, would you know it was a duck? Would that matter to the duck? Oh wait, I guess it might if you were a duck hunter! :-( Trevor. |
#197
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 10/15/2015 5:37 PM, wrote:
geoff wrote: "- show quoted text - Semantics. Zoom out of the forest. In that forestZZZZHHHHHHIPPPPP!!! (needle being dragged across record) geoff " I told you - no "semantics", only ENGLISH. So by your forest analogy, one tree = one up & down cycle = one waveform. What you say might be true, correct, but when I Google up "audio waveform", this is what I get THOUSANDS of as results: https://s-media-cache-ak0.pinimg.com...234454be16.jpg So you go on ahead Geoff and start correcting all these thousands of users, for the sake of the survival of the audio universe!!! And to be fair: "audio envelope" returns a sizable majority of this: http://www-sipl.technion.ac.il/new/T...tors/pic10.png as hits. Very different from the majority of hits from "waveform. Both of these are not true waveforms. They are both envelopes. One has been smoothed and the other has not. It would be impossible to determine the occurrence of cross-over distortion, low level parasitic oscillation and many other things. For this you would need to see the detailed waveform. It's the difference between observing the general form of a razor and close examination of the quality of the cutting edge. In any case why would your knowing the difference between wave form and envelope be of any value to you? |
#198
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
On 10/15/2015 10:04 PM, Ralph Barone wrote:
If the waveform is a duck, the envelope is the shadow of a duck. If the envelope is a duck, what the duck had for lunch is somewhere in the waveform. -- For a good time, visit http://mikeriversaudio.wordpress.com |
#199
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
"Trevor" wrote in message
... "Is this semantics? Or philosophy?" Would that matter to the duck? Oh wait, I guess it might if you were a duck hunter! :-( It's wabbit season. |
#200
Posted to rec.audio.pro
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0dBFS+ Levels in Digital Mastering
Would that matter to the duck? Oh wait, I guess it might if you were a duck hunter! :-( It's wabbit season. Is that why my compressor has a ducking input? And the duck bill for my ducking compressor came in an envelope? Mark |
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